Born in Winchester, England (1839), Mockford trained as a miller. He originally established himself in Tompkins County as a baker and flour merchant, then a jewelery pedlar, and finally a retail jeweler. For a peek back in time at how his mill would have looked in 1890, see photo number five.
Most American silver manufacturers of the late nineteenth and early twentieth centuries offered some variant of the Chrysanthemum pattern. As faithful readers of our little web page will know, here is my favorite one of them all. Perhaps it was their location (in Concord) near the wilderness of New Hampshire whe...
This pattern, known as "berry in calyx", is among Stone's best designs. A nearly identical though not quite so desirable piece is held by Yale University Art Gallery, see Chickering p. 147, plate 134. Similar examples may also be seen in the collection of Boston's Museum of Fine Arts, and the Detroit Institute of Arts.
What is Freemasonry? The short answer is that it’s a group of good men who choose to come together with the goal of becoming better human beings and providing assistance when needed for each other and for the community at large. To be a Mason, one must believe in a supreme being, bu...
Don't get me wrong, we love a nice 1820's piece of S.O.W. ever so much, but you'll never see this amount of detail in a sheaf which some brawny silversmith made by whacking a swage with a big hammer.
Inscribed “To Louis Ettlinger from his friends and associates in the American Lithographic Co. with respect and ...
Grecian tends to wear easily at th...
Whiting could easily have incorporated the rocaille design into the dies which were used to strike the body of this piece. Instead, they chose to use applied decoration along the foot and below the lid, a more difficult and costly technique. The resulting three-dimensionality lifts this tureen out of the realm of "good" and into that of "exceptional".
Scroll down our main catalogue page a bit and you'll find two others, monogrammed and slightly more moderate in price, but equally functional.
Readers of our little web page know that there's not much coin silver flatware here-- that is, pieces made between 1825 and 1868 in the good old U.S. of A. Why? Because most of it was thin, mass produced, and of inferior quality. Indeed, the majority of what we now see was made in New York, Boston or Philly and simply stamped with local marks.
But then again there are items such as this spoon by Joab Gillett of Cazenovia, a man who did actually work as a silversmith, which...
We've bought and sold many Jensen bracelets over the years and are well aware of the insults which they often suffer, but this one is free of deep scratches, hasn't been excessively polished, and has a wonderful smokey gray color.
Chrysanthemum patterns were wildly popular in the 1880's. Tiffany, Gorham, Shiebler and other manufacturers all produced them, but this is certainly among the best of these designs.
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Kerr, a famous Newark jewelry and silver manufacturer of the early twentieth century, was noted for excellence of design. H...
There is slight tip wear from right handed use, a few minor insults to the bowl (including a scratch, reverse), and significant wear to the monogram "B / E * E". On the whole, however, this spoon presents itself well. To quote Quimby in American Silver at Winterthur, "Stoutenburgh left a small body of high quality work". Here is a chance to own...