Prevear was a silversmith, watchmaker, and inventor. He was born in Northampton (1818) and apprenticed to Samuel Harrington of Amherst, who later became his partner. He married Olive Hanscome in Amherst (1843), and after her death married a second time (1856) to Elizabeth Pranker, an 1853 graduate of Mount Holyoke Female Seminary, now Mt. Holyoke College. Subsequent to the second ...
$125.00
last seen in Chinese customs, now missing and presumed stolen
In terms of construction, this is, not alas a first rate object. The edges don't quite meet up flush, the hinge is on the exterior rather than integral, and there are also a few minor bits of waviness on the front and side panels. However, the subject matter is totally charming, and t...
$550.00
$125.00
We'd never heard of "Taylord", but bought this thinking for sure that the name would turn up in some tome as a small production Arts & Crafts silversmith. No such luck. As it happens they were largely makers of (gasp!!) mid-grade costume jewelry, and this bracelet with individually cast links and hand set stones is probably the finest item the company eve...
We could only wish that it had a fine old family name but alas there is no engraving and happily no removal.
There is slight tip wear from right handed use, a few minor insults to the bowl (including a scratch, reverse), and significant wear to the monogram "B / E * E". On the whole, however, this spoon presents itself well. To quote Quimby in American Silver at Winterthur, "Stoutenburgh left a small body of high quality work". Here is a chance to own...
STOLEN, REWARD FOR RETURN OR INFO LEADING TO CONVICTION
Kerr, a famous Newark jewelry and silver manufacturer of the early twentieth century, was noted for excellence of design. H...
$95.00
Chrysanthemum patterns were wildly popular in the 1880's. Tiffany, Gorham, Shiebler and other manufacturers all produced them, but this is certainly among the best of these designs.
We've bought and sold many Jensen bracelets over the years and are well aware of the insults which they often suffer, but this one is free of deep scratches, hasn't been excessively polished, and has a wonderful smokey gray color.
Readers of our little web page know that there's not much coin silver flatware here-- that is, pieces made between 1825 and 1868 in the good old U.S. of A. Why? Because most of it was thin, mass produced, and of inferior quality. Indeed, the majority of what we now see was made in New York, Boston or Philly and simply stamped with local marks.
But then again there are items such as this spoon by Joab Gillett of Cazenovia, a man who did actually work as a silversmith, which...
Scroll down our main catalogue page a bit and you'll find two others, monogrammed and slightly more moderate in price, but equally functional.
$975.00
Whiting could easily have incorporated the rocaille design into the dies which were used to strike the body of this piece. Instead, they chose to use applied decoration along the foot and below the lid, a more difficult and costly technique. The resulting three-dimensionality lifts this tureen out of the realm of "good" and into that of "exceptional".
Grecian tends to wear easily at th...
Inscribed “To Louis Ettlinger from his friends and associates in the American Lithographic Co. with respect and ...
$125.00
Don't get me wrong, we love a nice 1820's piece of S.O.W. ever so much, but you'll never see this amount of detail in a sheaf which some brawny silversmith made by whacking a swage with a big hammer.