length 5 1/2 inches, excellent condition, no monogram.
length 2 3/4 inches, gilt bowls, excellent condition, monogrammed "P" obverse, Old English. Please see second photo for marks.
length 5 3/8 inches, no monogram, exemplary original condition, weight 1.00 oz. Troy. For those who might not be familiar with the design and production of these small sculptures cast in silver, we would commend to you the excellent chapter on same in Carpenter's "Gorham Silver".
length 5 3/4 inches, weight 1.07 Troy ounces, no monogram, excellent condition, retailed by Harris and Shafer. The high-relief rendering of Capitol building in bowl lends this spoon an added sculptural quality.
length 7 1/4 inches, weight 2.69 oz. Troy, monogrammed as shown in photo number three, retailed by Daniel Low, some very minor stains on bowl but excellent overall condition.
Don't get me wrong, we love a nice 1820's piece of S.O.W. ever so much, but you'll never see this amount of detail in a sheaf which some brawny silversmith made by whacking a swage with a big hammer.
Rand and Crane, length 11 5/8 inches, weight 3.98 oz. Troy, monogrammed "M" (obverse, old English), excellent condition with button on reverse. The shell appears to be applied rather than die-struck, but little else is remarkable about this spoon aside from the price, which we deem to be quite reasonable.
1840, engine turned lid and base with applied cast and chased border, 3 by 1 5/8 by .75 inches, gilt interior, well constructed and heavy (3.17 oz. Troy). There has been a monogram removed from the rectangular cartouche, but it requires a trained eye to detect this.
exceptionally colourful, gilt bowl, no monogram, excellent condition save for one small portion of missing blue inlay (see third photo). I hesitate to call this damage. Gorham had significant problems with the enameling process and it may be a slight "second".
or just some royal wannabe born away in her covered chair by those two fine gents? No comment from Yours Truly. Queen or not, this is a good continental silver box with finely done acid etched cover, no monogram, excellent condition, 2 1/2 by 1 inches, marked "sterling / 935" (see second photo).
7 1/2 inches long, weight 1.74 oz. Troy, excellent condition, gilt bowl, no monogram, retailed by Cox Brothers.
G. Keller, Paris circa 1920. Fine condition, no monogram, good weight, 2 3/4 by 1 inches. I could think of many uses for this on your nightstand but would probably get myself into trouble by mentioning them...
length 5 3/8 inches, excellent condition, monogrammed "MLC" (conjoined script, obverse)
length 8 1/2 inches, weight 2.42 Troy ounces, one has a bit more wear to the engraving but fine overall condition and of above average quality. Marked with Chinese characters only, as shown in photo number three.
If it bothers you to throw away your chopsticks every time you eat out at Chef Chow's House, then here is a chance to achieve some stylish sustainability without incurring a huge capital liability. Alas, we can't help you remember to bring them...
length 7 7/8 inches, no monogram, weight 3.28 oz Troy the pair, .830 standard (see fourth enlargement for mark), excellent condition.
maker Robert Osborne; Hamilton, Ontario circa 1855, length 5 1/8 inches, the monogram is just a tad worn but fine overall condition, please see third photo for close up of marks.
New Orleans circa 1858, length 8 3/4 inches, some minor dents in bowls but no tip wear, good overall condition and above average weight; monogrammed "F.M.P." (script, obverse). Items bearing the mark of L. Simons (see second photo) would appear to be scarce.
in rectangle. Is this Joseph Carman? John Chalmers? Joseph Carpenter? Am I failing to Inspire Confidence? Truly, as with many initial marks, the answer may never be known. Length 5 7/8 inches, monogrammed "M" in period script, the bowls are a bit chewed up (see fourth photo) and there is some tip wear-- priced accordingly.
lengths 7 9/16, 6 7/8 inches; excellent condition, monogrammed "Strollers" and "F" respectively. A highly detailed and well modelled pattern-- we've long suspected that the grapes are applied rather than die-struck-- (see second photo) from our favorite flatware maker.