One of Frank Smith's better designs, and one of Yours Truly's favorite patterns...
Similar in design and construction to its larger cousin known as the "Louvre Bowl," (see Drucker, p. 188) because it is in the permanent collection of that institution.
One of these days, a more scholarly colleague will reveal the true name of this pattern...
Silver scholar and author D. Albert Soeffing describes this portrait as "a rather plain woman," and though it lacks the sophistication of some Medallions, there is a certain undeniable charm to her face. A great entry level item for the budding silver collector, should such a creature still exist...
These are perfectly plumb, but wide angle distortion has caused one to look a bit akilter, and for this we must apologize, dear reader.
Long enough to be used for either ice or crudités. Note shell back decoration on spoon ends, which lifts these out of the realm of the mundane and into that of the "above average."
For related items by this maker, see Forbes figure 61c and Chait number 251. This is the first China Trade strainer spoon we've encountered in the course of twenty eight years...
Knives are always tough to find in antique King's and related patterns. These are especially well suited to use, with their stainless blades by Robert F. Mosley of Sheffield which look to have been done in the 1930's. About as close as we get to shabby chic...
One would be hard-pressed indeed to find a better set of dinner forks.
Over the years, we've bought and sold many pieces of Blossom. This one is in exemplary condition, with gentle hammer marks on spoon bowl and fork tines; each petal of the blossom with full detail.
While the dates for this firm are generally given as 1837-1850, the style and construction of this spoon is would tend to indicate that it was made several years before 1837...
DeMatteo produced objects for Colonial Williamsburg, and often used designs by the 18th century Virginia silversmith James Geddy as his inspiration. These were marked I ˖ G in addition to the usual trademarks (see third photo).
Over the years, we've bought and sold more than a few items by the DeMatteo family. This is unquestionably the best we've had the privilege to offer.
McDannold first worked in Mt. Sterling, then in Covington. Though his work is not quite so scarce as that of some other makers, it is quite a happy event indeed to find a set of Kentucky spoons in such exemplary condition.
Frequent readers of our little web page will know that we are loath to present any item which is not in good condition, but there are occasions when rarity (and price) will overcome this issue.
This pattern has always been a personal favorite. Note the expressiveness of the eyes, which you may examine up close in photo number three.
Place pieces are much rarer than servers in this grand old Durgin pattern whose name is a subject of some disagreement, which leads me to believe that not many were produced.