Though this mark would appear to be previously unpublished, we are attributing it to Horace, since the only other possible firm might have belonged to Hiram Hotchkiss, who would have been ten or twenty years old when Fiddle Thread was in the height of its popularity.
The bowl has a few more scratches than we'd like to see, and a small dip at the edge which we show in excruciating detail (see third photo), but all in all a pleasant and substantial item which presents itself quite well.
Marked only "coin," back in the day we would have hastened to read through many musty issues of "Silver Magazine" in order to find the maker of this fine ladle, but now, in our dotage, we will leave this task to you, dear reader.
There is some rather sloppy soldering on the beaded border beneath the spout (I do not believe this to be a repair) which we show in agonizing detail, see image four, and the overall color indicates that there may have been a removal at some point in time...
Maltby Pelletreau was the second generation of this illustrious silversmithing family. His partnership with Bennett and Cook lasted only three years, so the date range for this item is pleasantly narrow...
One would be hard-pressed indeed to find a better set of dinner forks.
Leveridge was part of a prominent New York family, many of whom were attorneys. His grandfather John William Chase Leveridge (please see fourth photo) served in the war of 1812, and upon his death in 1886 was the oldest living lawyer in the city...
This spoon is not monogrammed and does not appear ever to have been, which is most unusual for early American silver.
Faithful readers of our little web page know we never tire of mentioning that Burt was a substantial and by all reports jovial fellow who weighed three hundred and eighty pounds.
Come ye citizens of Portsmouth and reclaim thy heritage!!
These are substantial and well made spoons, weighing in at 4.69 oz. Troy, the lot. The overall condition is excellent. Whether any of this lends them a premium over the silver value, or whether they'll be swallowed up by the smelter's gaping maw remains to be seen...
In an attempt to distinguish this ladle from its peers, we'll mention that the bowl has a slight boat shape when viewed head on, as you may see in photo number four.
French silver from this period is quite scarce. Price is for the total of eight pieces.
Readers of our little web page know that there's not much coin silver flatware here-- that is, pieces made between 1825 and 1868 in the good old U.S. of A. Why? Because most of it was thin, mass produced, and of inferior quality...
There is slight tip wear from right handed use, a few minor insults to the bowl (including a scratch, reverse), and significant wear to the monogram "B / E * E". On the whole, however, this spoon presents itself well. To quote Quimby in American Silver at Winterthur, "Stoutenburgh left a small body of high quality work"...