One would be hard-pressed indeed to find a better set of dinner forks.
While the dates for this firm are generally given as 1837-1850, the style and construction of this spoon is would tend to indicate that it was made several years before 1837...
McDannold first worked in Mt. Sterling, then in Covington. Though his work is not quite so scarce as that of some other makers, it is quite a happy event indeed to find a set of Kentucky spoons in such exemplary condition.
Frequent readers of our little web page will know that we are loath to present any item which is not in good condition, but there are occasions when rarity (and price) will overcome this issue.
Leveridge was part of a prominent New York family, many of whom were attorneys. His grandfather John William Chase Leveridge (please see fourth photo) served in the war of 1812, and upon his death in 1886 was the oldest living lawyer in the city...
This spoon is not monogrammed and does not appear ever to have been, which is most unusual for early American silver.
Reasonably reliable Internet sources indicate that this firm was royal jeweler to Prince Friedrich of the Netherlands, and indeed the quality of this spoon is impressive.
Faithful readers of our little web page know we never tire of mentioning that Burt was a substantial and by all reports jovial fellow who weighed three hundred and eighty pounds.
Come ye citizens of Portsmouth and reclaim thy heritage!!
These are substantial and well made spoons, weighing in at 4.69 oz. Troy, the lot. The overall condition is excellent. Whether any of this lends them a premium over the silver value, or whether they'll be swallowed up by the smelter's gaping maw remains to be seen...
In an attempt to distinguish this ladle from its peers, we'll mention that the bowl has a slight boat shape when viewed head on, as you may see in photo number four.
French silver from this period is quite scarce. Price is for the total of eight pieces.
Readers of our little web page know that there's not much coin silver flatware here-- that is, pieces made between 1825 and 1868 in the good old U.S. of A. Why? Because most of it was thin, mass produced, and of inferior quality...
There is slight tip wear from right handed use, a few minor insults to the bowl (including a scratch, reverse), and significant wear to the monogram "B / E * E". On the whole, however, this spoon presents itself well. To quote Quimby in American Silver at Winterthur, "Stoutenburgh left a small body of high quality work"...
We could only wish that it had a fine old family name but alas there is no engraving and happily no removal.