For those of you who favor comparison shopping, see item 150531578507 on the Great Bay of eeeeehs.
May I offer our apologies, dear reader, for having previously catalogued these as "Acorn"? Old age is taking its toll, here.
Compare other examples such as items 361767311810 (1875.00) and 131490471803 (2550.00) on the Big Bad auction page...
As our friend Don Soeffing has recounted in "The Battle of the Birds" (Silver Magazine, November/December 1995), production of this pattern was short lived, because W & H lost this particular battle against Tiffany for infringement of their design pattern...
Though not a "first demand" pattern, the Antique Ivies were made by several manufacturers, and involved extensive skill and hand work to produce. Expensive when first sold, they are members of a dying breed, as most flatware of this quality has now been consigned to the melting pot...
With the added cachet (we were going to say "snob appeal", but then remembered that our faithful readers, all two of them who remain, aren't snooty) of a Cartier retailer's mark.
One of Frank Smith's better designs, and one of Yours Truly's favorite patterns...
One of these days, a more scholarly colleague will reveal the true name of this pattern...
Silver scholar and author D. Albert Soeffing describes this portrait as "a rather plain woman," and though it lacks the sophistication of some Medallions, there is a certain undeniable charm to her face. A great entry level item for the budding silver collector, should such a creature still exist...
One would be hard-pressed indeed to find a better set of dinner forks.
Over the years, we've bought and sold many pieces of Blossom. This one is in exemplary condition, with gentle hammer marks on spoon bowl and fork tines; each petal of the blossom with full detail.
This pattern has always been a personal favorite. Note the expressiveness of the eyes, which you may examine up close in photo number three.
Place pieces are much rarer than servers in this grand old Durgin pattern whose name is a subject of some disagreement, which leads me to believe that not many were produced.
These are particularly choice examples, extra heavy, with excellent detail and die depth. To my eye, this is one of R & B's most attractive designs. For further discussion of what makes a pattern aesthetically successful, see Design New England, November-December 2012, pp. 60-64
There is a file cut (visible from side and reverse only; see fourth photo) which we've pictured in excruciating detail, and some light pitting on the blade which we've mostly polished out and probably will address a bit more, as time allows. Aside from this, the condition is excellent.