excellent condition, monogrammed "W" (see second photo), length 5 3/8 inches, weight 6.21 Troy ounces. These have an embossed decoration on the bowl which we suspect that later versions of this piece do not possess.
Gale & Mosely, New York circa 1830, double struck-- for the uninitiated, this means the pattern is both front and back, length just shy of 8 1/2 inches, some very slight tine wear on a few (we've pictured the worst one in enlargement number four) but superb overall condition, weight 30.74 Troy ounces (!!) or 2.79 each on average, no monogram.
One would be hard-pressed indeed to find a better set of dinner forks.
bowls, marked only "sterling" and "J.E.Caldwell & Co." To say that these are "highly carved" would be an understatement, and though about a hundred years old they are in essentially new condition. Length five inches, no monogram.
Philadelphia circa 1790, a fine, large and massive piece, length 14 inches, length of bowl five inches, weight 6.87 Troy ounces, marked JA struck twice in cut cornered rectangle. There is a minor fill at the edge of the bowl (please see fifth photo) and some scratches on reverse, but excellent overall condition.
This spoon is not monogrammed and does not appear ever to have been, which is most unusual for early American silver.
dessert spoons, Paris circa 1780, .950 standard, maker's mark LTA (please see fifth photo), total Troy weight 20.75 ounces, some light wear but fine overall condition, with crest as shown though one spoon also has a period script "S" monogram. The forks measure 20.5 and the spoons 19.5 centimetres.
French silver from this period is quite scarce. Price is for the total of eight pieces.
Baltimore MD circa 1790, round downturned end with just a hint of a rear midrib extending 3 inches down the handle, unusual double arched drop, length 8 3/4 inches, some tip wear as shown but good overall condition, monogrammed "H" in period script. How certain are we of this attribution? Well, if it's American then the spoon is most certainly Dowig...
length 8 7/8 inches, one has a stainless blade which sadly has been set in with lead solder (the handle rattles a bit; there's a minor dent), the other an original blunt s/p blade, monogrammed "BHS".
length 5 1/8 inches, monogrammed obverse "PDS" in trailing Art Nouveau script, a few very minor scratches but fine overall condition. Could one wish for no mono, or perhaps a nice Old English "S"? Yes indeed, but this is one of few sets we've owned in over twenty years...
circa 1816, length 10 3/4 inches, wear to pattern, minor dents and other sins, engraved with crest and motto "Tria Juncto in Uno," four by maker S P and two by someone else.
Knives are always tough to find in antique King's and related patterns. These are especially well suited to use, with their stainless blades by Robert F. Mosley of Sheffield which look to have been done in the 1930's.
About as close as we get to shabby chic...
length 2 3/4 inches, gilt bowls, excellent condition, monogrammed "P" obverse, Old English. Please see second photo for marks.
length 5 5/8 inches, total Troy weight 6.22 ounces, superb condition, faintly gilt tines, monogrammed as shown (please see third photo).
These are particularly choice examples, extra heavy, with excellent detail and die depth. To my eye, this is one of R & B's most attractive designs. For further discussion of what makes a pattern aesthetically successful, see Design New England, November-December 2012, pp. 60-64
retailed by Hennegan Bates and presumably the work of S. Kirk, just shy of 5 3/8 inches long, fine condition, monogrammed "A".
length 6 1/4 inches, monogrammed "LES" script obverse, fine condition, retailed by The Cowell & Hubbard Co.
double struck King's pattern with conforming hand chased double thread on blade and eleven lobed shell drop, length 7.5 inches or if you'd prefer 18.75 cm, weight 1.92 oz. Troy, a few minor scratches as shown in third enlargement but excellent overall condition, scarce.
We could only wish that it had a fine old family name but alas there is no engraving and happily no removal.
Italian, Florence circa 1880. What makes an object extraordinary? In the case of a sculpture, it must be well modelled. Then, it must be cast by a capable founder so that every last detail of the clay model is captured in the metal. Finally, the condition must be flawless. Our bird meets all three criteria without ruffling a feather. Height 2 3/4+ inches, weight 3.44 oz...
G. Keller, Paris circa 1920. Fine condition, no monogram, good weight, 2 3/4 by 1 inches. I could think of many uses for this on your nightstand but would probably get myself into trouble by mentioning them...
Banks and Biddle Company, length 8 1/4 inches, excellent condition, monogrammed "C" (script, obverse). A classic example of Philadelphia style bright cut engraving. Marked with trademark only, but our guess is that it's sterling rather than coin silver.
engraved on reverse of blade, length 10 3/8 inches, monogrammed with Old English style "F" (?), excellent condition, weight 2.62 Troy ounces.