We were going to send these straight into the smelter's gaping maw, but then thought that perhaps just perhaps there might be an Agnes or three who'd want to see herself immortalized on a spoon...
Let's start off the New Year here on BCAS in a small way, with this pair of miniature silver candlesticks.
Though only 2 1/8 inches tall they are nonetheless an accurate and well constructed George III reproduction, with square base (1 1/2 inches) and sunken centers. Dorothy Rainwater described Meyer as "a noted maker of silver miniatures."
Then again, you could log on to the Bay of Eeehs and try to beat down the consignor who's got his listed for nine hundred dollars...
A splendid addition to any table, though it would fit in especially well with Old Maryland, Engraved.
One of Frank Smith's better designs, and one of Yours Truly's favorite patterns...
Similar in design and construction to its larger cousin known as the "Louvre Bowl," (see Drucker, p. 188) because it is in the permanent collection of that institution.
One of these days, a more scholarly colleague will reveal the true name of this pattern...
Silver scholar and author D. Albert Soeffing describes this portrait as "a rather plain woman," and though it lacks the sophistication of some Medallions, there is a certain undeniable charm to her face. A great entry level item for the budding silver collector, should such a creature still exist...
These are perfectly plumb, but wide angle distortion has caused one to look a bit akilter, and for this we must apologize, dear reader.
Knives are always tough to find in antique King's and related patterns. These are especially well suited to use, with their stainless blades by Robert F. Mosley of Sheffield which look to have been done in the 1930's. About as close as we get to shabby chic...
One would be hard-pressed indeed to find a better set of dinner forks.
Over the years, we've bought and sold many pieces of Blossom. This one is in exemplary condition, with gentle hammer marks on spoon bowl and fork tines; each petal of the blossom with full detail.
DeMatteo produced objects for Colonial Williamsburg, and often used designs by the 18th century Virginia silversmith James Geddy as his inspiration. These were marked I ˖ G in addition to the usual trademarks (see third photo).
Over the years, we've bought and sold more than a few items by the DeMatteo family. This is unquestionably the best we've had the privilege to offer.
This pattern has always been a personal favorite. Note the expressiveness of the eyes, which you may examine up close in photo number three.
Place pieces are much rarer than servers in this grand old Durgin pattern whose name is a subject of some disagreement, which leads me to believe that not many were produced.