length 5 3/4 inches, weight .77 oz. Troy, excellent condition, monogrammed "S". It is safe to assume that the olive fork was made in at least two sizes, this being the shortest.
length 5 5/8 inches, total Troy weight 6.22 ounces, superb condition, faintly gilt tines, monogrammed as shown (please see third photo).
These are particularly choice examples, extra heavy, with excellent detail and die depth. To my eye, this is one of R & B's most attractive designs. For further discussion of what makes a pattern aesthetically successful, see Design New England, November-December 2012, pp. 60-64
with high relief cast bust of Van Dyck, length 9 inches, weight 3.24 Troy ounces, no monogram. Truly one of Antoine Heller's greatest designs, and among Gorham's most sculptural patterns.
There is a file cut (visible from side and reverse only; see fourth photo) which we've pictured in excruciating detail, and some light pitting on the blade which we've mostly polished out and probably will address a bit more, as time allows. Aside from this, the condition is excellent.
with acid etched Art Deco engraving, height 4 5/8; top diameter 3 inches, total Troy weight 17.0 ounces, one minor flea bite on rim (please see fifth enlargement-- we'll burnish this out a bit before shipping) but excellent overall condition, monogrammed as shown.
a sugar sifter length 7 1/8 inches; weight 1.74 oz. Troy, and a scalloped engraved bowl preserve spoon length 9 inches; weight 2 Troy ounces. Both pieces are marked only "STERLING," (attributed to Wendt) have fully gilt matte finish bowls and are in immaculate condition. We do not recall having seen this pattern before.
Philadelphia circa 1790, a fine, large and massive piece, length 14 inches, length of bowl five inches, weight 6.87 Troy ounces, marked JA struck twice in cut cornered rectangle. There is a minor fill at the edge of the bowl (please see fifth photo) and some scratches on reverse, but excellent overall condition.
This spoon is not monogrammed and does not appear ever to have been, which is most unusual for early American silver.
London 1929, comprising two pepper castors, two open salts and mustard pot (with cobalt liner), weighable silver 32 Troy ounces, excellent condition, no monogram. This set is of the finest quality. Nothing which you may purchase "new and off the shelf" will match it.
length 8 1/2 inches, weight 2.8 Troy ounces, no monogram, a few minor knife cuts on the tines (ask us very nicely and we'll polish these out a bit) but excellent overall condition.
If ever an item cried out to be given as a wedding gift, this it.
round upturned end with full front midrib and thirteen-lobed shell drop, length 4 5/8 inches, engraved with initials "D N", weight .32 oz Troy, some annoying abrasions in bowl but very good overall condition.
Faithful readers of our little web page know we never tire of mentioning that Burt was a substantial and by all reports jovial fellow who weighed three hundred and eighty pounds.
length 5 5/8 inches, weight .45 oz. Troy, pointed downturned end with rounded drop and thirteen-lobed shell below, excellent condition, monogrammed "B".
Come ye citizens of Portsmouth and reclaim thy heritage!!
Many of our faithful readers have no doubt been wondering, "Has Cherner resigned, retired, been fired, got tired or perhaps become discouraged with the overall lack of interest in antiques unless they are being chased by strange folks on the telly"? Well, no, we actually took a bit of vacation and mostly stayed out of the shops so have little new to show but this lone Tiffany spoon.
If the hostess gift still lives, then this (and a pound of great coffee) would make a fine one...
Philadelphia circa 1790, with round downturned end and rounded drop, length 14 1/4 inches, weight 6.0 Troy ounces, monogrammed "RRC" (period script, obverse), with a scratch below these initials as shown and a few minor nicks in bowl but very good overall condition.
In an attempt to distinguish this ladle from its peers, we'll mention that the bowl has a slight boat shape when viewed head on, as you may see in photo number four.
dessert spoons, Paris circa 1780, .950 standard, maker's mark LTA (please see fifth photo), total Troy weight 20.75 ounces, some light wear but fine overall condition, with crest as shown though one spoon also has a period script "S" monogram. The forks measure 20.5 and the spoons 19.5 centimetres.
French silver from this period is quite scarce. Price is for the total of eight pieces.
length 8 1/2 inches, monogrammed "Cora 1900," fine condition, weight 3.39 Troy ounces, retailed by R. Mockford of Trumansburg, NY.
Born in Winchester, England (1839), Mockford trained as a miller. He originally established himself in Tompkins County as a baker and flour merchant, then a jewelery pedlar, and finally a retail jeweler. For a peek back in time at how his mill would have looked in 1890, see photo number five.
length 10 1/4 inches, weight 3.5 Troy ounces, superb original condition, monogrammed "B". This is truly a grand piece of silver. Often, fine details of die-struck patterns were embellished by hand chasing, and a light finger over the grapes and tendrils here will reveal to the touch a slight burr still left from the silversmith's tools.
length 12 5/8 inches, weight 8.69 Troy ounces, monogrammed "L" (script, obverse), some light wear and minor scratches in bowl but fine overall condition and truly a grand old piece of Tiffany flatware which unlike others of its kind (see a similar but scrawnier example on the bay of eeehs, item 221269578302) won't make quite such a big dent in your bank account...
length 9 5/8 inches, weight 4.86 Troy ounces, monogrammed "M" (obverse, Old English), gilt tines with a bit of table wear to gold wash on underside but excellent overall condition.
Most American silver manufacturers of the late nineteenth and early twentieth centuries offered some variant of the Chrysanthemum pattern. As faithful readers of our little web page will know, here is my favorite one of them all...
diameter 9 5/8; height 4 1/4 inches, weight 25 Troy ounces, fine condition, no monogram, craftsman Herbert Taylor. Please see third photo for marks.
This pattern, known as "berry in calyx", is among Stone's best designs. A nearly identical though not quite so desirable piece is held by Yale University Art Gallery, see Chickering p. 147, plate 134. Similar examples may also be seen in the collection of Boston's Museum of Fine Arts, and the Detroit Institute of Arts.