mother of pearl handles, length 7 1/4 inches, monogrammed "JMW" (script, conjoined), one has a bit of tip distress as shown in photo number four, another some minor scratches and a few blades are set in at a slight angle but fine overall condition. Singles are rare enough, but it is quite unusual to find a set of these...
excellent condition, monogrammed "W" (see second photo), length 5 3/8 inches, weight 6.21 Troy ounces. These have an embossed decoration on the bowl which we suspect that later versions of this piece do not possess.
Gale & Mosely, New York circa 1830, double struck-- for the uninitiated, this means the pattern is both front and back, length just shy of 8 1/2 inches, some very slight tine wear on a few (we've pictured the worst one in enlargement number four) but superb overall condition, weight 30.74 Troy ounces (!!) or 2.79 each on average, no monogram.
One would be hard-pressed indeed to find a better set of dinner forks.
bowls, marked only "sterling" and "J.E.Caldwell & Co." To say that these are "highly carved" would be an understatement, and though about a hundred years old they are in essentially new condition. Length five inches, no monogram.
an original set at that-- all with date letter "F", S.K. in rectangle, 11 over 12, and city mark. Length 8 3/8 inches, weight 31.1 Troy ounces, all monogrammed "M" (reverse, period script, see third photo) most have some slight tine wear but the pattern is in very good condition. One or two are hard to find, but a set of twelve is rare, and this is not a word which we use lightly!!!
Our only American assay office was located in the city of Baltimore, circa 1814-30. Here is your chance ...
Let's be optimistic and start off with the bull, which measures one inch long by 5/8 high, excluding pedestal. He is fully three dimensional and sports a pair of small (approximately 6 points each) but fully cut diamonds as befits such an enthusiastic fellow. The base is hand engraved with two stock symbols and prices: V 13 1/4, C 64, which no doubt had fond associations for the original owner. Next the bear, just shy of 5/8 inches long and 1/2 inch high excluding pedestal, this little beast...
Philadelphia circa 1790, a fine, large and massive piece, length 14 inches, length of bowl five inches, weight 6.87 Troy ounces, marked JA struck twice in cut cornered rectangle. There is a minor fill at the edge of the bowl (please see fifth photo) and some scratches on reverse, but excellent overall condition.
This spoon is not monogrammed and does not appear ever to have been, which is most unusual for early American silver.
dessert spoons, Paris circa 1780, .950 standard, maker's mark LTA (please see fifth photo), total Troy weight 20.75 ounces, some light wear but fine overall condition, with crest as shown though one spoon also has a period script "S" monogram. The forks measure 20.5 and the spoons 19.5 centimetres.
French silver from this period is quite scarce. Price is for the total of eight pieces.
Baltimore MD circa 1790, round downturned end with just a hint of a rear midrib extending 3 inches down the handle, unusual double arched drop, length 8 3/4 inches, some tip wear as shown but good overall condition, monogrammed "H" in period script. How certain are we of this attribution? Well, if it's American then the spoon is most certainly Dowig...
length 8 7/8 inches, one has a stainless blade which sadly has been set in with lead solder (the handle rattles a bit; there's a minor dent), the other an original blunt s/p blade, monogrammed "BHS".
Waterbury CT circa 1840, length 7 1/4 inches, total Troy weight 6.67 ounces, fine condition, monogrammed "H.A. Shiels" obverse in period script.
Though this mark would appear to be previously unpublished, we are attributing it to Horace, since the only other possible firm might have belonged to Hiram Hotchkiss, who would have been ten or twenty years old when Fiddle Thread was in the height of its popularity.
length 2 3/4 inches, gilt bowls, excellent condition, monogrammed "P" obverse, Old English. Please see second photo for marks.
length 5 5/8 inches, total Troy weight 6.22 ounces, superb condition, faintly gilt tines, monogrammed as shown (please see third photo).
These are particularly choice examples, extra heavy, with excellent detail and die depth. To my eye, this is one of R & B's most attractive designs. For further discussion of what makes a pattern aesthetically successful, see Design New England, November-December 2012, pp. 60-64
retailed by Hennegan Bates and presumably the work of S. Kirk, just shy of 5 3/8 inches long, fine condition, monogrammed "A".
length 6 1/4 inches, monogrammed "LES" script obverse, fine condition, retailed by The Cowell & Hubbard Co.
double struck King's pattern with conforming hand chased double thread on blade and eleven lobed shell drop, length 7.5 inches or if you'd prefer 18.75 cm, weight 1.92 oz. Troy, a few minor scratches as shown in third enlargement but excellent overall condition, scarce.
We could only wish that it had a fine old family name but alas there is no engraving and happily no removal.
Italian, Florence circa 1880. What makes an object extraordinary? In the case of a sculpture, it must be well modelled. Then, it must be cast by a capable founder so that every last detail of the clay model is captured in the metal. Finally, the condition must be flawless. Our bird meets all three criteria without ruffling a feather. Height 2 3/4+ inches, weight 3.44 oz. Troy (!!), marked with city mark and .800 in circle, for a digitally "flipped" positive image of the monogram pleas...
G. Keller, Paris circa 1920. Fine condition, no monogram, good weight, 2 3/4 by 1 inches. I could think of many uses for this on your nightstand but would probably get myself into trouble by mentioning them...