length 5 3/8 inches, excellent condition, monogrammed "MLC" (conjoined script, obverse)
OK, let's get back to our ever-shrinking "gifts under one hundred dollars" category. This bracelet measures 6 3/4 inches long, and though reasonably priced it's well made-- each link is cast rather than stamped, which gives a pleasant heft (mass 27.2 grams). The condition is excellent, and you may view the maker's mark in photo number four.
in rectangle. Is this Joseph Carman? John Chalmers? Joseph Carpenter? Am I failing to Inspire Confidence? Truly, as with many initial marks, the answer may never be known. Length 5 7/8 inches, monogrammed "M" in period script, the bowls are a bit chewed up (see fourth photo) and there is some tip wear-- priced accordingly.
A.B. Griswold & Co, New Orleans, length 5 7/8 inches, monogrammed "ML" (reverse, script with flourishes). These are not in the best condition, with some dents and tip wear, but they did spend time in our great Crescent City... Please see second photo for mark.
choice ones with a nice flat lip around the bowl and in excellent overall condition, length 6 3/4 inches, monogrammed "Maria" (script, reverse, please see third photo).
length 7 inches, no monogram, some very slight wear to the high spots (please see second photo) but excellent overall condition and a rather tough item to find, these days.
Virginia circa 1810, length 5 3/4 inches, monogrammed "T" (??) in period script with flourishes, weight 2.51 oz. Troy the lot, light wear and some minor dents in bowls but superb color and very good overall condition. Clarico's work would appear to be scarce.
lovingly labeled "naive" patterns (see Soeffing, p. 95); 4 7/8 inches long; fine condition; no monogram; applied warrior's head in high relief surrounded by engraving; marked only "COIN 1".
height 1 5/8 inches excluding handle, length across spout 2 inches, a few minor dents which we intend to remove quite soon, if possible; hinge in excellent condition, no monogram.
Picture yourself out on the deck, nursing a pitcher of sangria and bemoaning the state of the economy. But wait, something is missing-- an elegant spoon to keep the lemon rinds from plopping into your drink!! Think ahead, click the mouse, order one up. Don't be caught in such a sorry state...
Length 5 7/8 inches, weight 1.18 Troy ounces, excellent condition, monogrammed "B" (obverse, Old English).
One of Frank Smith's better designs, and one of Yours Truly's favorite patterns...
A handsome (and now famous!) example of medallion jewelry, this pin features four different portraits. Length, 2 1/4 inches; excellent condition. Why is it famous? Please see Suzanne Marshall's fine new book "200 Years of American Manufactured Jewelry & Accessories", p. 45
warriors and one fair handsome maiden all of whom hang from a very Shiebler-esque pin so you can get the "look" for half the price! 2 7/8 inches long, no monogram, excellent condition, please see second photo for mark.
length 2 5/8; height 7/8 inches, excellent condition, no monogram. An especially fine example by this maker, whose jewelry tends to be a bit underrated (and undervalued) in the market at large.
marked with the F.M. monarch - lion - D pseudos commonly associated with Savannah, length 13 1/4 inches, weight 8.7 oz Troy, monogrammed "S S T" (obverse) as shown.
There is a minor, shallow scratch extending downwards from nick on rim of bowl, and a flattened out spot on reverse cartouche where someone buffed out a scratch, long ago. Both are subtle and don't "jump out" at the eye-- overall this piece presents itself extremely well. It is grand in weight and scale.
length 7 1/8 inches, no monogram, many pinprick dents to handle and damage at end as shown in enlargement number two.
Frequent readers of our little web page will know that we are loath to present any item which is not in good condition, but there are occasions when rarity (and price) will overcome this issue.
Shepard Mfg. Corporation, length 5 1/2 inches, fine condition, no monogram.
diameter thirteen inches, no monogram. This item does have some staining and pitting (see fourth photo). Although these issues have been addressed, our patience proved to be finite, and it is not in the usual Cherneresque condition. To make matters worse, someone has tried--and failed-- to efface the maker's mark. In any event, we're still pleased to offer a copper piece from this Boston master who usually worked in silver...