circa 1816, length 10 3/4 inches, wear to pattern, minor dents and other sins, engraved with crest and motto "Tria Juncto in Uno," four by maker S P and two by someone else.
Knives are always tough to find in antique King's and related patterns. These are especially well suited to use, with their stainless blades by Robert F. Mosley of Sheffield which look to have been done in the 1930's.
About as close as we get to shabby chic...
length 2 3/4 inches, gilt bowls, excellent condition, monogrammed "P" obverse, Old English. Please see second photo for marks.
with broad double swell fiddle and short front midrib decoration, length 7 1/4 inches, weight 6.14 Troy ounces, monogrammed "EGM" (script, obverse), superb condition.
McDannold first worked in Mt. Sterling, then in Covington. Though his work is not quite so scarce as that of some other makers, it is quite a happy event indeed to find a set of Kentucky spoons in such exemplary condition.
length 5 5/8 inches, total Troy weight 6.22 ounces, superb condition, faintly gilt tines, monogrammed as shown (please see third photo).
These are particularly choice examples, extra heavy, with excellent detail and die depth. To my eye, this is one of R & B's most attractive designs. For further discussion of what makes a pattern aesthetically successful, see Design New England, November-December 2012, pp. 60-64
retailed by Hennegan Bates and presumably the work of S. Kirk, just shy of 5 3/8 inches long, fine condition, monogrammed "A".
length 6 1/4 inches, monogrammed "LES" script obverse, fine condition, retailed by The Cowell & Hubbard Co.
double struck King's pattern with conforming hand chased double thread on blade and eleven lobed shell drop, length 7.5 inches or if you'd prefer 18.75 cm, weight 1.92 oz. Troy, a few minor scratches as shown in third enlargement but excellent overall condition, scarce.
We could only wish that it had a fine old family name but alas there is no engraving and happily no removal.
Italian, Florence circa 1880. What makes an object extraordinary? In the case of a sculpture, it must be well modelled. Then, it must be cast by a capable founder so that every last detail of the clay model is captured in the metal. Finally, the condition must be flawless. Our bird meets all three criteria without ruffling a feather. Height 2 3/4+ inches, weight 3.44 oz...
G. Keller, Paris circa 1920. Fine condition, no monogram, good weight, 2 3/4 by 1 inches. I could think of many uses for this on your nightstand but would probably get myself into trouble by mentioning them...
Banks and Biddle Company, length 8 1/4 inches, excellent condition, monogrammed "C" (script, obverse). A classic example of Philadelphia style bright cut engraving. Marked with trademark only, but our guess is that it's sterling rather than coin silver.
engraved on reverse of blade, length 10 3/8 inches, monogrammed with Old English style "F" (?), excellent condition, weight 2.62 Troy ounces.
die rolled border and engraved cartouche centering monogram "Des." (or perhaps it's Wes, or even Ves?) diameter 1 3/4, height 2 inches, weight a pleasantly hefty 2 oz. Troy, some light wear to engraving but fine overall condition, marked only "sterling / 11".