model 429B, 1 by 5/8 inches, weight 9.7 grams. It is interesting to note that one is marked with Foss' mark and the model number and the other with "Georg Jensen USA Inc" and the (same) model number, as shown in photos two and three.
with acid etched Art Deco engraving, height 4 5/8; top diameter 3 inches, total Troy weight 17.0 ounces, one minor flea bite on rim (please see fifth enlargement-- we'll burnish this out a bit before shipping) but excellent overall condition, monogrammed as shown.
a sugar sifter length 7 1/8 inches; weight 1.74 oz. Troy, and a scalloped engraved bowl preserve spoon length 9 inches; weight 2 Troy ounces. Both pieces are marked only "STERLING," (attributed to Wendt) have fully gilt matte finish bowls and are in immaculate condition. We do not recall having seen this pattern before.
comprising necklace (17 1/2 inches), bracelet (7 inches), brooch (1.75 inch diameter) and earrings. Excellent overall condition, though the safety needs to be reconnected and the threaded post-backs should be replaced with the "pinch" style backs (please see third photo).
Ruopoli worked for Black, Starr & Gorham in addition to making jewelry under his own name. He was a skilled modeller and his cast items are finely finished.
For those of you who favor comparison shopping, pleas...
Philadelphia circa 1790, a fine, large and massive piece, length 14 inches, length of bowl five inches, weight 6.87 Troy ounces, marked JA struck twice in cut cornered rectangle. There is a minor fill at the edge of the bowl (please see fifth photo) and some scratches on reverse, but excellent overall condition.
This spoon is not monogrammed and does not appear ever to have been, which is most unusual for early American silver.
London 1929, comprising two pepper castors, two open salts and mustard pot (with cobalt liner), weighable silver 32 Troy ounces, excellent condition, no monogram. This set is of the finest quality. Nothing which you may purchase "new and off the shelf" will match it.
Berlin circa 1845, length 4 3/4 inches, weight .73 oz. Troy, 12 Loth (.750) standard, excellent condition, monogrammed as shown.
Reasonably reliable Internet sources indicate that this firm was royal jeweler to Prince Friedrich of the Netherlands, and indeed the quality of this spoon is impressive.
length 8 1/2 inches, weight 2.8 Troy ounces, no monogram, a few minor knife cuts on the tines (ask us very nicely and we'll polish these out a bit) but excellent overall condition.
If ever an item cried out to be given as a wedding gift, this it.
round upturned end with full front midrib and thirteen-lobed shell drop, length 4 5/8 inches, engraved with initials "D N", weight .32 oz Troy, some annoying abrasions in bowl but very good overall condition.
Faithful readers of our little web page know we never tire of mentioning that Burt was a substantial and by all reports jovial fellow who weighed three hundred and eighty pounds.
length 5 5/8 inches, weight .45 oz. Troy, pointed downturned end with rounded drop and thirteen-lobed shell below, excellent condition, monogrammed "B".
Come ye citizens of Portsmouth and reclaim thy heritage!!
Many of our faithful readers have no doubt been wondering, "Has Cherner resigned, retired, been fired, got tired or perhaps become discouraged with the overall lack of interest in antiques unless they are being chased by strange folks on the telly"? Well, no, we actually took a bit of vacation and mostly stayed out of the shops so have little new to show but this lone Tiffany spoon.
If the hostess gift still lives, then this (and a pound of great coffee) would make a fine one. Length 4 5...
retailer, with arrow - W - monarch maker's mark, length six inches, with short front midrib and pointy shoulders, monogrammed "Lewis".
These are substantial and well made spoons, weighing in at 4.69 oz. Troy, the lot. The overall condition is excellent. Whether any of this lends them a premium over the silver value, or whether they'll be swallowed up by the smelter's gaping maw remains to be seen...
Philadelphia circa 1790, with round downturned end and rounded drop, length 14 1/4 inches, weight 6.0 Troy ounces, monogrammed "RRC" (period script, obverse), with a scratch below these initials as shown and a few minor nicks in bowl but very good overall condition.
In an attempt to distinguish this ladle from its peers, we'll mention that the bowl has a slight boat shape when viewed head on, as you may see in photo number four.
dessert spoons, Paris circa 1780, .950 standard, maker's mark LTA (please see fifth photo), total Troy weight 20.75 ounces, some light wear but fine overall condition, with crest as shown though one spoon also has a period script "S" monogram. The forks measure 20.5 and the spoons 19.5 centimetres.
French silver from this period is quite scarce. Price is for the total of eight pieces.
length 8 1/2 inches, monogrammed "Cora 1900," fine condition, weight 3.39 Troy ounces, retailed by R. Mockford of Trumansburg, NY.
Born in Winchester, England (1839), Mockford trained as a miller. He originally established himself in Tompkins County as a baker and flour merchant, then a jewelery pedlar, and finally a retail jeweler. For a peek back in time at how his mill would have looked in 1890, see photo number five.
Elizabethtown NJ circa 1826, length 12 7/8 inches, weight 7.44 Troy ounces, excellent condition, monogrammed "MSM" in conjoined period script with flourishes (obverse) and "1801" (reverse), round downturned end with short back midrib, round chamfered shoulders and rounded drop.
A fine, massive and well executed piece of silver with an exceptionally wide (4 3/8 inches), deep and capacious bowl. Voss attributes this mark to Darby, though Elias Davis, Jr. of Newburyport is also within the real...
length 7 1/2 inches, no monogram, excellent condition. If this one doesn't float your boat, please scroll down our list (or type Jensen into the search window and hit enter) to item 2088...
length 10 1/4 inches, weight 3.5 Troy ounces, superb original condition, monogrammed "B". This is truly a grand piece of silver. Often, fine details of die-struck patterns were embellished by hand chasing, and a light finger over the grapes and tendrils here will reveal to the touch a slight burr still left from the silversmith's tools.