"New York Modern: Arts and the City" by Scott & Rutkoff
Condition is like new. The book is crisp and clean with fine dust jacket. There is a small area on upper right of front free endpaper where a small label, probably identifying previous owner, has been removed.
Handsomely illustrated and engagingly written, "New York Modern" documents the impressive collective legacy of New York's artists in capturing the energy and emotions of the urban experience over the past five decades. 61 illustrations. 448 pp. New York City's crowded streets and energetic people, its vast population and enormous extremes of wealth and poverty, its towering buildings and technological marvels have marked it as the quintessential modern city since the turn of the century. Artists in particular identified with New York's newness, believing that it embodied the future and celebrating the excitement of the modern urban lives they both witnessed and led. In New York Modern, William B. Scott and Peter M. Rutkoff explore how the varied features of the urban experience in New York inspired the works of artists such as Isadora Duncan, Alfred Stieglitz, Georgia O'Keeffe, Eugene O'Neill, Duke Ellington, Clifford Odets, Elia Kazan, Miles Davis, John Coltrane, Jackson Pollock, Merce Cunningham, John Cage, Allen Ginsberg, Arthur Miller, James Baldwin, and Diane Arbus, who together shaped twentieth-century American culture.In painting, sculpture, photography, film, music, dance, theater, and architecture, New York artists redefined what it meant to be "modern." Rooted in the urban realism of Walt Whitman, Thomas Eakins, and Edith Wharton, New York artists combined the revolutionary ideas and styles of European modernism with vernacular images drawn from American commercial, folk, and popular culture in their attempts to respond to the cacophony of voices and blur of images drawn from the city's bars and cafes, tenements and townhouses, skyscrapers and docks.Unlike Paris, London, or Berlin, New York's complexity made it impossible for any single school, academy, or patron to enforce a dominant style or aesthetic. New York artists refused to accept any unified, prescriptive notion of the modern. Instead, by the 1950s, New York Modern had matured into an artistic culture that welcomed diversity and controversy. Neither a style nor a school, New York Modern was an artistic dialogue—part engagement, part resistance, part alienation, part celebration—that invited artists from a variety of backgrounds and with divergent concerns to voice their particular understandings of urban life and its relationship to modern art. Their independence and vitality established New York as America's (and arguably the world's) cultural center in the twentieth century. Handsomely illustrated and engagingly written, New York Modern documents the impressive collective legacy of New York's artists in capturing the energy and emotions of the urban experience.