This katana (69.09 cm [27.2 inches] cutting edge) was purchased in May, 2014. Signed Kashu Ju Kanewaka Tsukuru/Zo. It was left in the care of a second party subsequently invited into the investment. I hold title as the principal and also retain correspondence introduced with the purchase as well as a Shinsa document (images of tang [nakago] attached - note the three mekugi-ana [retaining holes] though ubu [not shortened].) I am offering $500 for the safe return of the katana and another $500 for information establishing the identity of the original source of one or more transactions that might have occurred after the second party was unable to account for the katana (the same week of May, 2014.) I will offer $200 for corroborated identity and contact information of any party now possessing the katana and resulting in successfully completed communication confirming same. Inscription on the other side of the tang gives a date consistent with Kanewaka I. But the shinsa dismisses the attribution and judges the katana and mei as Kanewaka III. The verso further includes a cutting test inscription (futatsu-do.) The Russo-Japanese war tsuka (hilt), if not also the later saya (scabbard), may have been subsequently stripped. The blade may appear different if polished but the nakago will remain constant. If this sword is offered to you, it is not offered with clear title. If you have purchased this sword, you do not have title to it and you cannot resell it. It is LOST or STOLEN property. Contact me immediately to return this sword to my possession.
A nicely shaped bronze, tripod bombe incense burner with opposing, ribbon handles rising from the rim. A 16 character Xuande mark centered on the bottom. The vessel comparatively thinly formed (relative to 17th and earlier 18th century examples and so estimated late 18th century to early 19th century) nevertheless with a notable weight to mass ratio: 2.59 lb (1.175 kg) Length - handle to handle - 6 7/8 inches (17.463 cm). Height to handles about 4 3/8 inches (11.113 cm) or to rim about 3 3/8 inches (8.573 cm). Condition is presentable with good patina and wear from handling and in good state with the exception of a patched casting flaw including a line to the mark (see images of the underside with mark.)
A Japanese blue and white porcelain model of a figure in boat. The boat with decorated panels of fishing scenes - on shore, in boat and traveling overland with fishing poles. One of the panels with boat decoration resembling the present model with auspicious symbol and fret decoration suggesting a basketry canopy. A removable piece with modeled figure rests loosely atop the boat as if a partial cover - the boat apparently intended to to hold perhaps burning incense. Kiln sand adheres irregularly to the foot of the boat. Good condition. Length, 5 1/2 inches (13.9 cm). Height, 3 3/4 inches (9.5 cm)
Emperor and Empress Hina dolls. Extraordinary condition perhaps owing to the original tomobako (storage boxes.) The heads (signed below the necks), hand, and feet being lacquered, carved wood. Painted crystal, inlaid eyes. There is no composition material - the dolls and all the accessories made with metal, lacquer, wood and paper (can't tell if the beads on the Empress' crown are glass or coral.) The Empress' fan with beautifully hand painted scene. A completely circular label on each box. One rubbed rectangular lable on one of the boxes can make out "DAIMARU OSAKA". Daimaru Dry Goods changed its name to simply Daimaru in 1928. A decade later, the United States began adopting increasingly limiting trade restrictions against Japan. This history and the doll quality put these between 1928 and 1939. Emperor height, 8 1/8 inches (20.64 cm) to topknot. Empress height, about 7 3/8 inches (18.7 cm) to topknot or about 8 1/16 inches (20.48 cm) including the tiara. Add another 3 1/2 inches height to each for the tatami and lacquer bases. The well crafted tomobako (boxes) each are 14 3/16 inches x 14 13/16 inches x 9 9/16 inches.
A finely decorated 18th century Imari style, Hizen ware jar. Three Friends of Winter decoration on one side and summer blooms on the verso. Decorated delicately in soft, clean blue underglaze depicting prunus, bamboo, peonies, rockery, chrysanthemums and paulownia with blooms and young bamboo leaves picked out in persimmon and gilt enamel. The porcelain body of refined, white kaolin. Excellent condition (cover missing.) The blue in our pictures appears a little richer due to the studio lighting. Height, 4 1/2 inches (11.44 cm). Provenance, Ex R. Scott Gladden - collector, dealer (early Trocadero member), artist, friend
A slip inlaid olive drab celadon stoneware pottery pear form bottle vase. Decoration of fish in black inlaid slip over a ground of white slip inlaid punched flowerheads. Possibly Japanese (see Korean legacy wares from provinces in Kyushu [Hizen, Higo, Satsuma] illustrated in Morse) and possibly Korean Joseon era punchong ware. Signed on bottom. Excellent condition. Indeterminate age (capped conservatively with this listing and likely at least a little earlier.) This strongly potted piece (1.01 kg, or 2.23 lb) would make a handsome addition whether Japanese or Korean to a more informed collector. Height, 7 3/4 inches (19.7 cm)
Japanese Kamakura-Bori lacquer box on tray. The cover with bold, high-relief carving of bird in branch - the almost black surface rubbed to a soft, coral-red toned burnished finish. The softly irregular honeycomb textured ground with leathery texture continuing to the sides of the box bottom and into the rim of the tray with edges also rubbed to the underlying coral-red and burnished smooth. Signed under the tray. Surfaces with some distress from use including minor rubbing and scratching with very little lacquer loss. One smaller side of the cover had been detached and poorly glued back with the complication of some warping. This object presents a very promising conservation project. Tray length, 7 3/4 inches (19.7 cm)
Rare "Buddha Asuka (B)" woodblock print by Kiyoshi Saito, 1955, number 40 of only 50 printed, signed in white ink and sealed in red ink both on the image area. Signed and sealed printed label "self-carved self printed" also included (attached to paper backing removed to inspect condition.)
We were not able to find a recent auction record for this image with data available. Another mid-century work by Saito (in color) titled Asuka (Kudara Kannon) [possibly confused by the artist with one of the Roku Kannon also of the Horyuji] was bestowed in 1959 by the artist to the Collection of The University of Michigan Museum of Art. It is noted that Saito was creating works in a series of early Nara sculptures around the time. A Saito subject similar to the present, muted work (but printed two years later in a run of 100) of another Nara sculpture, Miroku, was offered in Christies sale 8862, lot 306 together with a Winter in Aizu print.
The muted colors of the present work is a reflection of the somber lighting within the temples housing sculptures of this period.
Condition of the present work is good, with some toning and with brown paper tape around the edges (covering up to about a half inch margin.) A penciled note (from the framer?) appears in the margin on the verso. Some ink bleed on the verso from the original printing not at all compromising the image. Not clear if this was the first framing, the print was nonetheless not removed for some time until we removed the backing to inspect condition (image included of verso before removing paper.) Sheet height about 33 inches, sheet width about 21 1/4 inches. Image height about 29 5/8 inches, image width about 16 inches.
Set of three Japanese blue and white porcelain choko. Alternating panels of bamboo and flower decoration. Three friends of winter roundel inside cups. Patterned bands inside rim and above foot. Good condition with minor "flea bites" to rims. Each about 2 7/8 inches (7.3 cm) high and about 3 3/8 inches (8.57 cm) diameter.
A smaller, woven bamboo hanakago with appealing square, bundled rim and arched handle. Good, functional condition with light indication of use and wear. Roughly 8 1/4 inches (20.95 cm) square. About 11 inches high (27.94 cm)
An intricately woven spherical bamboo hanakago with sharply arching handle. Good, tight functional condition with light indication of use and wear. Height to top of handle about 16 1/4 inches (41.28 cm)
A low lying, nicely woven bamboo hanakago with high, arching handle. Good, functional condition with light indication of use and wear. Length, 13 1/4 inches (33.65 cm). Width, 10 inches (25.4 cm). Height about 13 inches (33 cm).
Japanese silver wire cloisonne vase. Green, aubergine, coral, violet, white, yellow, dark blue and black enamel decoration of bird and flowers all on a light blue enamel background. Two faint, tight hairline cracks issue each about a half inch from different petals of the topmost peony blossom decoration, otherwise good. Height 7 1/4 inches (18.42 cm)
Small Japanese Ginbari cloisonne vase. Gold, orange, pink, green, bronze-brown and black enamel dragon on textured silver colored foil ground. Condition is distressed with crack lines issuing from the foot with a discolored bruise and loss but all on the side opposite the dragon decoration. There is a tiny, inconspicuous nibble along the edge inside the rim of the vase. The vase nonetheless exhibits quite beautifully from a shelf. Single character mark on the foot. Height 3 1/4 inches (8.25 cm)
Japanese Gingari cloisonne vase. Green, red, aubergine, blue, black and yellow enamel dragon on textured silver colored foil ground. Condition is distressed with crack lines issuing from the rim and onto the shoulder and also from the foot light loss and staining. It nonetheless presents quite handsomely from a shelf. Impressed mark on the foot. Height 5 3/4 inches (14.6 cm)
Japanese ko-sometsuke porcelain nagazara (tray form dish) with scalloped corners. With creative blue underglaze depiction of pine boughs and cones in and centered within double lined blue rectangle by the cavetto. The sides with decoration of a literati scroll with berried vines. A narrow key fret band adorns along the outside of the foot rim. A six character mark appears inside the rectangular foot rim. This strongly potted and decorated piece exhibits freedom of expression not bridled by repetitive production of established patterns. We believe it to be from a private kiln under the patronage of some feudal lord and showing independence of both cultivated patronage and accomplished production even if a bit more primitive than production from known, leading kilns. We feel it must be 18th century. Some traces of iron oxide dot the cobalt blue decoration. The unglazed foot burnt in places to a slight buff color. Condition is very good. A few small spots inside the tray rise above the glaze and are burnt brown so dating to the firing. Length 8 1/2 inches (21.59 cm). Width 4 1/2 inches (11.43 cm)
Korean folk art carved wood figure. Bearded man in traditional attire. Holding a pipe in left hand, the right hand positioned to hold a staff and pierced for that purpose (staff missing.) Good condition save a couple chips along the brim of the hat. Height 8 1/2 inches (21.59 cm)
Two Chinese Export porcelain Nanking leaf from spoon rests. Of varying size and decoration, each with landscape in spearhead and lattice borders. The smaller with foot burnt to more of orange color than the larger. The larger with a bit more fritting along the edges. The smaller with a couple rubbed spots to the glaze. Both otherwise in good condition with no cracks and no scratching. Longer, 7 inches (17.78 cm). The other, 6 1/4 inches (15.87 cm).