Catalog

Colonial Williamsburg commissioned Baltimore's Stieff Company (later Kirk-Stieff) to produce the revivalist Queen Anne line of flatware, which was introduced in 1940 and sold through "CW."

Queen Anne is a Hanoverian design with a rounded-end, upturned handle with a midrib and a rattail bowl back.

A companion pattern, Williamsburg Shell was added in 1970.

This offering is for an original, estate set of 12 complete, 5 piece, place settings in Queen An...

A pattern with a history rooted in the Aesthetic movement, Tiffany's original Japanese (to be distinguished from later produced and renamed Audubon) was the first of numerous American flatware patterns to be issued in a multi-motif bird motif, as indicated by William Hood writing in Tiffany Silver Flatware.

Drawing upon research provided by Gorham scholar Sam Hough, Hood further notes, "In this same period [1869] Tiffany and Gorham started to conceive of producing ...

This piece is fully hallmarked for sterling silver, London, 1891-92 and the partnership of "J.T. Heath" and "John Middleton," operating as "Hukin & Heath." This firm was renowned for producing items inspired by famed English designer "Christopher Dresser."

This 10 3/4" tall silver and cut glass claret jug is in full conformity with other examples of such Dresser items from this source, and as such is an important example.

Similar examples are held at the Victoria and Albert Museum i...

A high style piece representative of the finest quality silver work generated in mid 19th Boston, this item is a substantial-sized water pitcher.

It stands 11" tall to the highest point of the lofty handle, has a bulbous, eight panel, baluster-shaped body that is 6" across at the widest, sits on a rimmed, 4 1/2" diameter, octagonal base, weighs 25.75 T. oz., and holds four pints (64 ounces) of liquid.

Each of the eight panels is engraved in a delicately rendered leaf and floral moti...

Impressive on multiple counts, the most immediate feature of this chalice or goblet is its commanding size.

It stands 8 1/8" tall, has a top diameter of 3 7/8", sits on a 4" wide foot, and weighs 12.7 T. oz.

Made by Gorham, it is stamped on the underside with the company's "lion, anchor, G" emblem, "Sterling," model number "935," and date letter "O" for 1882.

A presentation piece, it is a study in decorative embellishment.

The upper edge of the body is encircled by a die rolled band ...

Rooted in Moorish design and dating from the encompassing 1870s Renaissance Revival period, Whiting's Arabesque features a standing griffin with widespread wings set against a vine, leaf, and rosette background, all of which are quintessential elements of this design motif.

This ensemble is an ice cream set comprised of a server along with eleven (alas one of the no doubt once twelve has been lost to the group) individual spoons.

These are all part of a rarely found original set, no...

Soup ladles in the Victorian era were characteristically large and this example is dramatic validation of this convention.

It measures 14" long and weighs 8.1 T. oz.

The capacious helmet-shaped bowl is 4 1/2" long by 3 1/2" at the widest, and 1 1/2" at the deepest (see image 2). It has a bright gold finish on the interior.

Made by Gorham, whose "lion, anchor, G" emblem, "Sterling," "Pat. 1864," and the name of the retailer, "Geo. W. Webb & Co.," Baltimore, the pattern is "Medallion."

This wine funnel is a two piece item consisting of a 3 1/2" diameter, 1 3/8" high, strainer basket, and the actual fitted funnel that is 3 1/2" long. The two pieces together weigh 3.3 T. oz.

The bowl is fully hallmarked with a "lion," "leopard," date letter "C" for 1818-19, duty "bust," and "W.B" in a double rounded cartouche for William Bateman, whom Jackson's Hallmarks identifies as "very good (best of the Batemans)."

The funnel is counter stamped with a "lion," "bust" and corresp...

A matched pair, this 9" long fork and 8 7/8" spoon could be used in combination as a serving set or individually.

Heavy items, the fork weighs nearly 3.6 T. oz., and the spoon close to 3.4 T. oz., for just under 7.0 T. oz. combined.

The pattern is Gorham's Coligni. These are early, original issue, items marked with Gorham's "lion, anchor, G," "Sterling," and "Copyrighted '89" on the backsides.

This Antoine Heller design stands alongside other enduring Gorham patterns originated b...

This solid silver bowls stands 3" high on a rimmed base that is 3 1/4" across, has a top diameter of 7 1/4", and weighs a substantial 14.18 T. oz.

It is marked on the underside with the "hammer over Stone" emblem of Arthur Stone, "Sterling," and "G" for benchman Herman Glendenning, who was with Stone from 1920 to 1936.

Glendenning seems to have been a major presence in the Stone studio. He is referenced numerous times in Elenita Chickering's foundational volume Arthur J. Stone 1847-193...

It is unusual to find an intact set of twelve ice spoons along with their original serving knife, aka slice, and even more so to have the set in such pristine condition as this group.

Made by Frank Smith, whose early "S in a circle" mark and "sterling" are imprinted on the backside of all pieces, along with the name of the retailer, "Worcester & Co.," Lowell, Massachusetts.

The server measures 10" long and weighs 2.7 T. oz., while each of the spoons is 5 3/4" long with the twelve weighing ...

This basket stands 4 7/8" tall to the rim, reaches 7 1/2" to the top of the upraised swing handle, has a top diameter of 5 1/4", stands on a footed base that is 3 1/2" across, and weighs 9.4 T. oz.

Solid coin silver and dating circa 1860, it was made by Wood & Hughes whose "WwH" emblem is stamped on the underside.

It could be a sugar basket for large tea set, or perhaps a sweet meat server.

Very much a period piece, it incorporates design elements popular in the period.

The body and ...

One of several specially designed, numbered, oyster, aka shrimp or seafood cocktail, forks that Gorham presented in its 1886 catalogue (see enlargement 2), No. 10 features a ball top with twisted stems.

This offering is for a full set of twelve matched pieces, all in flawless, original condition.

Each one measures 5 7/8" long, while the group weigh 4.7 T. oz.

They have three tines, the center one of which is spear form, joined to a cupped heel with scalloped shoulde...

Gorham produced a line of specialty, cast, flatware, pieces of which were identified by a number preceded by an H designation. Items included large and small bon bons as well as a series of exceptionally large serving spoons, and perhaps other items.

This example is model number H156, as identified on the backside, which is also stamped with Gorham's "lion, anchor, G" emblem and the word "Sterling." Immensely scaled, it measures 10 1/4" long and weighs an exceptionally heavy 5.5...

Standing 2 7/8" high, with a top diameter of 2 3/8" and a bottom diameter of 1 7/8", a maximum span of 3 5/8" to the end of the handle, and weighing a relatively light but proportional to the overall size, 2.8 T. oz., this mug is marked "WwH" for Wood and Hughes, New York City, and "900/1000" for coin silver.

Baluster form, it has a beaded base with smaller beading encircling the top rim. The area of the body opposite the C scroll, hollow handle is chased in a floral (perhaps hibiscus)...

These six, matching, 19th century, coffee spoons are a statement in design and technique.

Made by Gorham, whose "lion, anchor, G" emblem and the word "Sterling" are imprinted on the reverses, they are 4 7/8" long, and relatively very heavy at 4.37 the group.

Finished in a satin matte gold on all surfaces, they have blue (it may read black in the above composites, but it is a deep blue), yellow, and white enameled handles, executed in an Arabesque with rosettes design.

They...

This 8" long, 2.3 T. oz., solid silver sugar sifter is high Victorian in style. It is also a study in the silversmithing art.

Hallmarked for London, 1875-76, sterling, with a Queen's duty head, and "HH" for maker Henry Holland (later Holland, Aldwinckle & Slater), it carries considerable provenance. Holland and the subsequent firm were recognized as one of the most significant English silver manufacturers of their time.

This is artful in multiple ways.

First to be noted is the overall p...

Gorham's Angelo aka No. 10 flatware pattern forms the core of the fabled (Henry Jewett and Elvira Irwin) "Furber Collection" of silver held at the "Rhode Island School of Design Museum."

Gorham Silver: Designing Brilliance 1850-1970 edited by Elizabeth Williams recounts,

"Sitting down to the Furbers' table, one would have been confronted with a bevy of Gorham flatware--687 pieces in all. The majority of serving and dining utensils are the Angelo pattern, which d...