The marks are rubbed, but clear enough to identify the maker's stamp, TC on the horizontal intersecting with WC on the vertical, belonging to Thomas and William Chawner, as attributed by Grimwade in the "unregistered marks" section. The leopard and lion are blurred but legible, while the date letter is difficult to identify precisely, but the Got...
This 7 1/2" long, weighty at 2.1 T. oz., tablespoon is an early example of his work and is imprinted on the backside "W. Mitchell Jr." in a banner.
It is a "Reverse ...
The pattern is Dominick & Haff's "Renaissance," which features images of Florentine style, bearded figures on the end of the handle and the backside heel of the bowl.
This example, retailed by Boston's "Bigelow, Kennard & Co.," as indicated on the handle reverse, along with the D&H three part emblem, the word "Sterling," and "Pat-d. 94.," is the pierced version of this pattern.
The more common examples of "Renaissan...
Price for the set of six.
First, they are exceptionally fine, extra weight, 5.9 T. oz. the group, examples of Wood & Hughes' Moorish or similar, Renaissance Revival, "Venetian" pattern.
Second, they are anniversary presentation pieces, with mirror inscriptions front and back sides of the handles. The reverses read "HCA" in an elegant, feathered script "HCA" over "Nov. 3d, 1852." The obverses are identical save for a different year, "1877."...
While a relatively contemporary piece, the scrolled terminal pattern, "Onslow," is an older English design, and the three tine configuration also harkens to an earlier period, all defining this as a reproduction piece.
Never monogrammed, it is in excellent estate condition. There is no visible wear, the t...
The pattern is "Tuscan," which is an "Olive" variant developed by Michael Gibney (later marketed by Whiting) and in this instance retailed by New York's prominent "Ball, Black & Co.," whose name, along with "Sterling," is imprinted on the handle backside.
The name "Benedict" is engraved on the front, while "ABG" ap...
It has a flat, solid silver, handle with a square end, and a pointed and tapered blade, and may be a (butter or cheese) spreader or for fruit. Whatever its function, it is not a readily found piece.
Never monogrammed or inscribed, ...
It is engraved "Martha" in script on the handle front, and "Akron. O." "Dec. 25. 1891." on the reverse.
Made by Wood & Hughes, the pattern is that company's "Venetian," which is a Moorish or Renaissance Revival design.
The plum-shaped bowl is relative large and elongated at 3" by 1 13/16" wide, by 3/4" at the deepest. It has a central groove in the base, a flange rim, ...
It is stamped "KLF & Son" and "Sterling" for the renowned Finnish born and trained silversmith Karl F. Leinonen, who headed the (Boston) Handicraft Shop from 1901 to at least 1932.
The design of this is in the manner of Georg Jensen,...
The pattern is known as "Fox Head" or "Wolf Head," indicative of the three dimensional animal figure situated at the tip of the handle. This is embellished by ivy leaves that appear on both sides of the handle and backside heel of the bowl.
The actual sifter is round, 2 1/2" in diameter, has an essentially flat bo...
It is fitted with a natural, likely bone, handle that has a rounded end and polished surface.
The bowl has a small, flat, hood that covers the heel, and a silver sleeve that accommodates the handle.
The piece is in excellent condition, showing no bends, tears, or other damage in the bo...
Price for the set of six.
They are a "French Thread" aka "Fiddle Thread" design with slightly upturned handle ends, and oval, pointed, bowls.
Dating circa 1840, they are all stamped "G W & H" for the New York City partnership of William Gale, Jacob Wood & Jasper Hughes, along with a right facing eagle and bust pseudo hallmark that McGrew in his work on marks id...
This 7" long, 1.4 T. oz., preserve spoon is an example of the original pattern, retaining side knobs and having a pointed anthemion tip.
It is marked "Tiffany & Company," "Sterling," Pat. 1869," and with a lower case "m," dating it no later than 1891.
It is a fine representation of the design sensibilities and manufacturing skills of the period.
The stem is twisted while the scalloped edged handle end is flat with a slightly upturned tip. The surface of this has an engine turned background complimented with bright cutting and a wriggle work border on the backside.
It is solid silver, made by the Watson Company, whose "crown, W, lion," emblem, the word "Sterling," and the model number "A65" appear on the underside.
It is fully in the Mid Century Modern style, building upon sleek, plain, and clean design lines that are emblematic of the 1950s and 60s. It could readily serve as a prop in the home of Ward ...
This example is a 7 7/8" long, relatively weighty 1.0 T. oz., lettuce fork.
The overall condition is excellent and there is no monogram or removal. The tines retain a portion of an original gold wash and are pointed and free of bends or burrs. The pattern detail remains well-d...
This 6 7/8" long, .9 T. oz., spoon dates from the earliest years of the firm, and may have been produced by it.
It has a flat handle, with notched edges and an anthemion shaped tip. The surface front is extensively engraved with diamond bright cutting, wriggle work, and cross hatching. The backside shows much simpler, lar...
Price for the set of eight.
Marked "Sterling," they were retailed by Boston's Crosby & Morse (1864-69) and carry forward some of the design sensibilities of earlier coin silver flatware.
They have plain handles with rounded and upturned terminals. The lower sections are engraved in a period design with a central palmette motif, while the ends have script "EL" monograms. The backsides are unadorned.