Sculptural in manner, it was made by Watson, whose design and execution in silver manufacturing consistently reflects a high standard.
The subject is drawn from the nursery rhyme "Little Bo Peep" and features a complexly detailed, three dimensional, portraiture of the miss herself.
She is adorned with a big bonnet hat, is wearing a corseted bodice that i...
That is the case with this 5 7/8" long, weighty at 2.1 T. oz., presumably wine taster, with a likely late 19th century date.
It has an oversized, seemingly carved, roughly rectangular, 3 1/2" by 2 1/4", handle.
The design is enigmatic, and could trace to multiple origins.
Overall the imagery suggests it found inspiration in Aztec themes. Yet within the detail,...
Price for the pair.
With both pieces measuring a lengthy 9 3/8", and the fork weighing 3.3 T. oz. and the spoon 3.1 T. oz., they could be used together as a set or as individual serving pieces.
The handles are essentially "Old English," with a rounded, tipt back, end. The fronts are engraved in a feath...
It is stamped ". F&H ." for Farrington & Hunnewell, along with "Pure-Coin," which is a New England regional term designating the silver content.
The arched handle has a fan-shaped end, which along with the main shank, is finely engraved in an intricate leaf and scroll design. Boston design of the period is often associated with restraint, if not severity, and the embellishment...
This particular pair are stamped "Ford & Tupper," located in New York City, and "Sterling."
Measuring 8 1/2" long and weighing 4.4 T. oz., they are typical in style and size with other commensurate pieces, but exhibit exceptional design.
There are two substantially scaled arms that are joined by a broad arch, which ...
The pattern is known as "Fox Head" or "Wolf Head," indicative of the three dimensional animal figure situated at the tip of the handle. This is embellished by ivy leaves that appear on both sides of the handle and backside heel of the bowl.
The actual sifter is round, 2 1/2" in diameter, has an essentially flat bo...
The handle backside is plain save for the marks, which are the Frank Smith "lion" emblem and "925/1000 fine."
This example is a 6 1/8" long, relatively weighty at 1.0 T. oz., youth fork.
Although having a reserve area, this was never monogrammed and is in very good condition. Pattern detail remains well-defined and the finish is warm...
It is a solid silver ice cream slice or knife in Frank Smith's "Newport Shell" pattern, which features a shell end handle with beaded border on the front, and double lined edges and the shell crest on the backside.
The commanding blade is essentially rectangular, measuring 6 1/2" at the longest and 1 7/8" at the widest. With largely flat margins, there is one scalloped area on the upper edge, and a rolling ...
Price for the pair.
The pattern is "Newport Shell," dating from 1910. In addition to the shell end which lends the pattern its name, the design incorporates a beaded border on the front, and a lined border on the back, of the handle.
This form, nut picks, also...
This example of the line is a medium sized, 4 3/4" long, moderately heavy at nearly 1.3 T. oz., pair of sugar tongs.
Naturalistic in their portraiture, the three leaves that adorn each leg of the tongs are nonetheless precisely arrayed within the overall design, with one on the bottom and two on the top, surrounding an open area with lined margins.
The leaves are offset with several...
He is also associated with Savannah, Georgia where he spent some of his early working years.
This 6 9/16" long, heavy, 1.5 T. oz., probably youth fork is stamped "Marquand & Co." which dates it 1830-33.
It is a "Kings" pattern with a plain back. The front is inscribed "Rock...
Each arm is stamped "F. [for Foster] Tinkham," born in Middleboro, Massachusetts, and documented working in New York City in 1840 as a jeweler and watchmaker.
The "Fiddle" shape of the arms on these correlates with that date.
The grips are shell form, and the arch is engraved in a very elegant feathered script, "SAE."
They are in remarkably fine condition, and especially so for an item the better part of...
This example of his work is a 7 3/8" long, weighty at 2.0 T. oz., gravy ladle.
It has a twisted handle and broad, shaped, flat handle that is bright cut engraved with an engine turned background.
There is a shield reserve with an Old English "CPK" or "CPR" monogram inscribed on it.
The bowl is generously sized at 2 3/8" by 2" by 5/8" d...
Price for the set of six.
They are a "French Thread" aka "Fiddle Thread" design with slightly upturned handle ends, and oval, pointed, bowls.
Dating circa 1840, they are all stamped "G W & H" for the New York City partnership of William Gale, Jacob Wood & Jasper Hughes, along with a right facing eagle and bust pseudo hallmark that McGrew in his work on marks id...
This example of his work is a 1 3/4" diameter, 1" high, weighty at just over 1.0 T. oz., napkin ring.
In keeping with Gebelein's Arts & Crafts roots combined with his sensitivities to ...
An estate piece dating from the first part of the 20th century, the bottle itself is high quality cut glass fitted with a substantial all silver cap that is 1 1/4" high and 1 7/16" in diameter....
It is apparently modified from a Whiting "Louis XV" pattern. It retains the "Sterling" and "Pat. 1891" marks of that line, accompanied by "Geo. C. Shreve & Co.," and dates between 1891 and 1894, when the name of the firm became "Shreve & Co."
The piece incorporates two variations, both of which reflect highly sophisticated craftsmanship.
One, the handle is reticulat...
It is an English, Victorian era item, fully hallmarked for George Adams of London, with a date letter for 1852. Chawner was of the Firm Chawner & Co., which reference work "Jackson's Hallmarks" describes as "the most important [English] mid 19th century firm of spoon ma...