Exceptionally quality, it has three, cast and applied, pad feet, with raised anthemions where they join the body. The splayed rim has a repeating leaf and bead design, while the interior is finished in a bright gold wash.
It is stamped on the underside "Eng'Sterling," which was a term in limited use circa 1870, and below this "925-1000" flanked by an Old Engli...
This example is an impressively scaled at 9 5/8" long, 3.1 T. oz., serving spoon. It has a large scoop bowl with rolled, flange shoulders and a broad, rounded end. The reverse of the bowl has a matte finish while the obverse has a bright finish.
The matte surface handle has a rounded end and eleven applied daisies. These are joined by a ...
Price for the set of twelve.
They are unusual form with narrow, 1 7/8" long by 15/16" at the widest, deep at 3/8", bowls with oval tips and gold finishes both front and back sides.
They are clearly distinct from typical citrus or orange spoons but are likely to be used for eating fruit.
The pattern is Gorham's "St. Cloud...
It features the figure of a bearded man at the handle terminus, a pedestal urn laden with fruit midway up the handle, and an array of other fruit and acanthus leaf elements overall.
This example is a 9" long, very heavy at 4.3 T. oz., berry spoon.
The bowl is large, 3 5/8" long by 2 7/8" at the widest, has decorated flange shoulders, and retains traces of an original gol...
Made by Durgin, whose "D" emblem appears on the backside, along with "Sterling" and "Pat. Apd. For," it measures 6" long and weighs .8 T. oz.
The piece is well-crafted, with a sculptural quality to the detailed, high relief, imagery that includes a box turtle at the join between the handle and bowl and the word "...
Other marks include a "lion, anchor, G," and the name of the retailer, Baltimore's "Geo. Webb & Co."
The design incorporates a large, fan-like, anthemion end attached to a tubular handle. The backside of the anthemion is plain with a leafy border, and never monogrammed.
The bowl is melon fo...
Price for the pair as a set.
Made by George Sharp of Philadelphia, they are stamped with his "lion, S, lion" emblem, as well as "Tiffany & Co.," who would have retailed this pair about the mid 1860s. Presumably they are sterling rather than coin silver, given that Tiffany early on required this.
They are exceptionally large items, with the fork measuring 10 3/4" long and weighin...
He evidently designed a considerable amount of quality jewelry, and less so, flat and holloware, based on the ratio of what internet searches yield.
Although not identified as a worker for Georg Jensen, his name frequently seems to surface in conjunction with that renowned maker. His work is decidedly Danish Modern, in a Jensenesque manner.
It is an English, Victorian era item, fully hallmarked for George Adams of London, with a date letter for 1852. Chawner was of the Firm Chawner & Co., which reference work "Jackson's Hallmarks" describes as "the most important [English] mid 19th century firm of spoon ma...
Price for the set of eight.
Issued by Gorham in 1882, the pattern is "Fontainebleau," which is a design that features characters from the French Court of Francis I (see image 2 for all the figures). The specific image on these is a woman garbed in a bustled dress, carrying a kettle in one hand and supporting a large cup or mug in the other.
These are early examples, all marked with Gorham's "lion, anchor, G...
The handle is upraised, has a satin finish front and back, and protruding knobs on the sides, all of which are distinguishing features between "Japanese" and "Audubon."
This piece is a 7" long, substantial weight at 1.5 T. oz., (sweet) jelly spoon. Smaller than a berry or preserve spoon, and larger than a sugar, this seems...
Price for a set of six.
This image is one of six, matching pieces made by the partnership of John Langlands & John Robertson of Newcastle, each one of which features a stylized shell with foliate elements.
They measure 5" long each and weigh 2.5 T. oz. the lot., and have down turned, reverse tipt, "Old English" handles with exposed drops.
The fronts have a feathered script "JML" monogram.
All are in very g...
It was offered in three versions, plain, acid etched, and with applied elements. This pair of tongs are acid etched, showing a leaf and vine design on one arm and clover blossom and leaves on the other.
The work is intricate, precise, and artfully expressed. The etching wraps around the edges of the handle, which feature lends the pattern i...
It is replete with scrolls, acanthus leaves, and delicate leaves and flowers, all under a rococo mantle and set in moderately high relief.
There were two versions, one with a solid background and one pierced. This 6 1/4" long, .9 T. oz., youth fork is the latter.
It was never monogrammed or inscribed, and is in very fine condition. It has a warm finish, retains excelle...
Not surprisingly, the two dominant names in 19th century silver, Gorham and Tiffany, generated the greatest variety of pieces in this medium.
This example was made by Gorham in 1881, as indicated by the date letter imprinted on the backside. Other marks include the compan...
This example is an 8 1/4" long, and consistent with the line, weighty at nearly 2.8 T. oz., medium sized cold meat fork. The serving end has four straight tines.
The handle is inscribed with a feathered script "M"...
This was a period when Tiffany made reproduction items or designs inspired by older, especially English Georgian, holloware, and that is the case with this piece. It is round, cauldron shaped, and stands on three pad feet with acanthus leaf sprays where the legs are attached.
There is a rolled rim upper edge ...
Sculptural in nature, it features a raised stalk of blossoms enveloped by leaves, which form the margins of the handle. The ground behind the blossoms is lined, again representative of the leaves, and this also serves as an enhancing design element.
In sum, it reflects influences from the innovative design sensibilities of the Aesthetic m...