It has a 4 5/8" by 3" at the widest, blade with raised shoulders that have flange shoulders with scalloped edges.
The handle has a fan shaped end. It and the blade are extensively engraved in a stylized design that suggests a dating circa 1870.
The backside is plain save for the imprinted word "Sterling," without a maker's or retailer's identification.
It appears barely ever to have been u...
The fiddle shaped handle has beveled edges, a tipt backside, and curves downward. It has a feathered script "MTP" monogram on the front. There is an exposed drop where the handle joins the bowl.
A "Chinese Export" piece, it is stamped with four pseudo hallmarks used by "Wongshing," aka "Wong Shing," located in Canton c. 1810-35 according to...
Price for the pair.
Dating circa 1975, they are reproduction items based on actual period pieces.
One is a 5 1/8" tall, 3.1 T. oz., pepper or salt caster. The other is a 1 3/8" tall, 3" base diameter tapering to a 2 3/8" top diameter, 1.8 T. oz., trencher salt with its original clear glass liner.
Estate items in original condition, these ...
It is stamped "Sterling" and "Black, Starr & Frost," for the New York City retailer that succeeded "Ball, Black" in 1874.
The handle is a rounded end "Antique." The pierced bowl has coffered walls and is finished with a gold wash inside and out.
The form is evocative of one commonly used by John Wendt who had a relationship with Ball, Black that ended...
Price for the set of six.
The "Ivy" design on these six, 5 7/8" long, 3.5 T. oz. the lot, matching teaspoons, is one of the firm's signature patterns. Made to both a coin and sterling standard, these are marked "Sterling," dating them to 1870 or later according to silver scholar D. A. Soeffing.
Each one has a feathered script "M.A.S." monogram ...
This example is a 7 3/8" long, approximately 1.2 T. oz., master butter knife. The intricacies of the design are repeated in the extensive engraving on the front of the blade. This is an added enhancement.
There is also an endearing inscription on the handle that reads in feathered script, "M.T. to S. & R.L."
It is in excellent co...
Two spoons available.
The pattern is Unger Brothers' Art Nouveau "Douvaine."
An expressive design, it features a dolphin or fish like image at the tip of the handle, and a renaissance or wizard like figure set midway on the handle.
This is all surrounded by an array of flowing detail that includes a crossed ribbon motif that extends down t...
Price per piece.
They are long versions of an olive serving spoon and fork, with the former measuring 8 3/4" and weighing just over .9 T. oz., while the latter is 8 7/8" long and weighs just under .8 T. oz.
The spoon has a lattice work bowl with decorated shoulders. It and the two hooked tines on the fork are finished in a satin gold wash.
Neither piece has ever been monogrammed, and both of them ar...
It is marked "H.I. Sawyer," for Henderson Inches Sawyer, who worked in New York City 1835-45, then Hartford, Connecticut, 1845-58.
It also carries a "lion" pseudo hallmark that McGrew identifies in his benchmark work on marks as characteristic of the Hartford area, so this item likely traces to Sawyer's (earlier based on s...
It is marked Bailey & Co. (1848-78) for the firm that became Philadphia's renowned "Bailey, Banks & Biddle." It also carries the pseudo hallmark of manufacturer "Taylor & Lawrie," who sold to "Bailey & Kitchen," forerunner of "Bailey & Co."
Citing D.A. Soeffing, Dorothy Rainwater in her "Encyclopedia of American Silver Manufacturers" notes, "In 185...
Matching pitcher available.
It is English "Georgian" in style, with a bulbous lower body and slender neck, lending it an overall lofty look. It stands on three modified paw feet, and has a lengthy curved spout that is attached at the base and rises to the height of the rim.
The double cee scroll handle is hollow and retains its original insulators....
The piece is a citrus or grapefruit spoon in Durgin's late 19th century "Chrysanthemum" pattern, with a script "PCL" monogram on the front.
It is in excellent condition, free of polishing wear, and with a well-shaped bowl that is without dents or nicks. The bowl retains sligh...
Few equal, and none exceeds, the design on this 7" long, approximately 1.3 T. oz., coin silver preserve spoon made by Boston's Farrington & Hunnewell. The portraiture is artful, realistic and balanced. While decorative, it is constrained, resulting in a design that would have been appealing even to the most decorous of Victorian se...
The piece measures 6 1/16" long and, consistent with the line and the firm, is robust weight at 1.5 T. oz.
It is inscribed "F O'D" in script on the front.
It is in very good condition. There is some slight overall polishing softening of detail on the high spots of the des...
The patent references the "Leaf" pattern on this, which is quite similar to Gorham's "Josephine" of the same period, as well as one produced by William Gale.
An impressive item, likely a fish, or possibly entree, serving fork, the dominant feature is i...
An estate piece dating from the first part of the 20th century, the bottle itself is high quality cut glass fitted with a substantial all silver cap that is 1 1/4" high and 1 7/16" in diameter....
It is a very early example of Kirk's touchstone "Repousse" pattern. it is stamped "S. Kirk 1015.," which the Baltimore Museum of Art reference work on Maryland silver indicates was used 1846-61. The silver standard is roughly equivalent to coin, and is one of several measures uniquely employed in Baltimore at various times during the 19th century.
The repousse appears on...
Price for the set of ten.
The pattern is Wallace's "St. Leon, which is a densely articulated floral design dating from 1890. The flowers and leaves are portrayed in intricate detail, but exactly what they are is uncertain. One source suggests columbine.
All matching, they have script "MR" monograms on the backsi...