The pattern is "Tuscan," which is an "Olive" variant developed by Michael Gibney (later marketed by Whiting) and in this instance retailed by New York's prominent "Ball, Black & Co.," whose name, along with "Sterling," is imprinted on the handle backside.
The name "Benedict" is engraved on the front, while "ABG" ap...
It has a flat, solid silver, handle with a square end, and a pointed and tapered blade, and may be a (butter or cheese) spreader or for fruit. Whatever its function, it is not a readily found piece.
Never monogrammed or inscribed, ...
It is engraved "Martha" in script on the handle front, and "Akron. O." "Dec. 25. 1891." on the reverse.
Made by Wood & Hughes, the pattern is that company's "Venetian," which is a Moorish or Renaissance Revival design.
The plum-shaped bowl is relative large and elongated at 3" by 1 13/16" wide, by 3/4" at the deepest. It has a central groove in the base, a flange rim, ...
It is stamped "KLF & Son" and "Sterling" for the renowned Finnish born and trained silversmith Karl F. Leinonen, who headed the (Boston) Handicraft Shop from 1901 to at least 1932.
The design of this is in the manner of Georg Jensen,...
The pattern is known as "Fox Head" or "Wolf Head," indicative of the three dimensional animal figure situated at the tip of the handle. This is embellished by ivy leaves that appear on both sides of the handle and backside heel of the bowl.
The actual sifter is round, 2 1/2" in diameter, has an essentially flat bo...
It is fitted with a natural, likely bone, handle that has a rounded end and polished surface.
The bowl has a small, flat, hood that covers the heel, and a silver sleeve that accommodates the handle.
The piece is in excellent condition, showing no bends, tears, or other damage in the bo...
It was made by Gorham, whose "lion, anchor, G" emblem, the word "Sterling," and model number "B2306" are imprinted on the inner wall.
It is engraved "Betty" flanked by "four years old . . . April 3 1904.," which date is consistent with the low tone Art Nouveau style of the piece.
The undulating edges have applied, acanthus leaf pattern rims, while the body has ...
Price for the set of six.
They are a "French Thread" aka "Fiddle Thread" design with slightly upturned handle ends, and oval, pointed, bowls.
Dating circa 1840, they are all stamped "G W & H" for the New York City partnership of William Gale, Jacob Wood & Jasper Hughes, along with a right facing eagle and bust pseudo hallmark that McGrew in his work on marks id...
This 7" long, 1.4 T. oz., preserve spoon is an example of the original pattern, retaining side knobs and having a pointed anthemion tip.
It is marked "Tiffany & Company," "Sterling," Pat. 1869," and with a lower case "m," dating it no later than 1891.
It is a fine representation of the design sensibilities and manufacturing skills of the period.
The stem is twisted while the scalloped edged handle end is flat with a slightly upturned tip. The surface of this has an engine turned background complimented with bright cutting and a wriggle work border on the backside.
It is solid silver, made by the Watson Company, whose "crown, W, lion," emblem, the word "Sterling," and the model number "A65" appear on the underside.
It is fully in the Mid Century Modern style, building upon sleek, plain, and clean design lines that are emblematic of the 1950s and 60s. It could readily serve as a prop in the home of Ward ...
This example is a 7 7/8" long, relatively weighty 1.0 T. oz., lettuce fork.
The overall condition is excellent and there is no monogram or removal. The tines retain a portion of an original gold wash and are pointed and free of bends or burrs. The pattern detail remains well-d...
This 6 7/8" long, .9 T. oz., spoon dates from the earliest years of the firm, and may have been produced by it.
It has a flat handle, with notched edges and an anthemion shaped tip. The surface front is extensively engraved with diamond bright cutting, wriggle work, and cross hatching. The backside shows much simpler, lar...
Price for the set of eight.
Marked "Sterling," they were retailed by Boston's Crosby & Morse (1864-69) and carry forward some of the design sensibilities of earlier coin silver flatware.
They have plain handles with rounded and upturned terminals. The lower sections are engraved in a period design with a central palmette motif, while the ends have script "EL" monograms. The backsides are unadorned.
The pattern is Alvin's "Raleigh," issued in 1900. It is a fancy bead and scroll design, with an upturned handle end.
The blade is essentially round and flat, and has a slightly tapered edge and measures 3 1/2" by 3". It has scalloped shoulders and an intricately cut surface.
The piece is without a monogram o...
Price for the set of six.
Each one measures 7 1/2" long, which is an unusual size by contemporary convention in that it is lengthier than a dessert spoon but not quite as long as a tablespoon. In their time, when large scale was favored, these would have served as standard place pieces.
They have a substantial feel, although they weigh marginally les...
In this case, the primary piece is a 5 7/8" long, approximately 1.0 T. oz., teaspoon in Reed & Barton's "Les Cinq Fleurs," which is a highly textured, Art Nouveau floral design.
The bowl is bright cut engraved in a representation of the American Civil War, "Soliders and Sailors Monument" in "Cleveland, O.," as inscribed around the actual port...
Stamped "Coin" on the larger blade, there is no further identification, save that this belonged to "Emily" as engraved in script on the reserve area on one side of the engine turned surfaces of the handle.
There is a repeating line and star design on the upper edge of one of the blade braces, and a line a...