While not a line pattern, it has the plain, clean style of an Arts & Crafts piece, akin to Tiffany's "Gramercy" or "Hamilton," and, as do those pieces, likely dates from the second or third decade of the 20th century.
The handle wraps around to form an open loop.
Never monogrammed, it is in excellent condition....
A souvenir item, the handle portrays a standing miner wearing boots and a hat, holding a chunk of ore in his left hand and with his right hand leaning on a crow bar or such.
The figure is standing on a base that reads, "Struck it at last."
The caricature is sculp...
Price for the two pieces.
The line is number "26," by Whiting, and this number, along with the company "lion" logo and "Sterling," appears on the backsides of this youth set, comprised of a 6 3/8" long fork and 5 7/8" long spoon, with a combined weight of 2.1 T. oz.
Each piece is engraved "Ellen Burdett" in script on...
Judging from this example, which is a 5" long by 3 1/4" high to the rim, 5 1/4" to the top of the upraised handle, and relatively heavy at 5.2 T. oz., basket, the firm made high quality reproduction pieces.
This would be a fitting size for candies or bon bons.
This is Georgian in manner, with an oval bowl with raised ends sitting on a square base, pe...
Price for the pair.
While modest and unpresuming in terms of function, size, and design, this pair of matching, 3 3/4" long, .5 T. oz. combined, master salt spoons nonetheless reflect the full quality of craft for which the firm was known.
They have broad, upturned, "Tipt" ends, beveled edge handles...
This example is based on a 5 7/16" long, just over .6 T. oz., fork in Whiting's "Louis XV" pattern. It is fitted with a finger slot (with trim matching the pattern) on the back, intended to direct the way the child would hold the piece.
Clearly novel, and perhaps widely embraced, as a Google search turns up contemporaneous advertisements appearing...
Delicate in portraiture, the design resembles the company's "Buttercup" as well as Watson's "Meadow Rose," both from the same general period.
This example is a large, 8" long, heavy at 2.1 T. oz., solid silver tomato server.
An early piece, this has decorated shoulders on the 3" diameter, reticulated blade. This detail appears...
Price per piece, two available.
The pattern, "La Reine," was made by Reed & Barton and first issued in 1893.
It incorporates a high relief, leaf and scroll motif, which apropos of the name, exhibits a French design influence.
Never monogrammed, it is in very good condition, with the only signs of use being light surface scratches consistent with age. The bowl remains well-shaped a...
In some instances, the heads are gold, and that is the case with this 2 3/8" diameter, approximately .6 T. oz., open cuff bracelet.
Indeed the marks identify this aspect of the piece, as they include Shiebler's "winged S" emblem, model number "...
Price for the set of six.
In the "Angelo" pattern dating from 1910, they were made by the J.B. & S.M. Knowles company of Providence, Rhode Island, and retailed by "A. Frankfield" of New York City, and so marked, along with "Sterling" and "Pat."
Each one is engraved "Zorah" in script, set sideways on the handle.
They are in superb estate condition, showing no wear wha...
Fully in the Art Nouveau style, the undulating rim is decorated with four tulip blossoms, one each at the extremities, all joined by trailing leaves and accented with bu...
It is marked for the partnership of "Gould, Stowell & Ward," which was one of the associations in which James Gould, born 1795 in Salem, Massachusetts, participated as a principal.
Other marks are "Baltimore," "Patent 1850," and "11-12," for the local assay mark, which at .917 is midway between coin and sterling silver.
The pattern is a "Grape" or "Grapevine" on something of an "Olive" background ...
Price for the set of eight.
These are older examples of Gorham's "Buttercup," marked with the company's "lion, anchor, G" emblem, "Sterling," and "Patent 1900."
They are in outstanding estate condition, showing no polishing wear, without bends or nicks on the blades, and having bright, even finishes.
While the fronts have never been monogrammed, and the backsides are p...
Price for the pair.
They measure 3 7/8" from arm tip to arm, stand 1 1/2" at the highest, are 2 3/8" across at the top opening of the body, rest on beaded edge, rimmed bases that are 1 1/2" in diameter, and weigh 2.5 T. oz. the pair.
Made by Gorham, they are imprinted ...
Price per piece, two available.
The design incorporates numerous blossoms and buds along with trailing leaves on both sides of the handle and the heel reverse.
This example is a 5 3/4" long, .8 T. oz., grapefruit or citrus spoon. It has a lengthy, narrow, deep, bowl with a flange rim and pointed tip, which is finished in a bright gold wash front and back.
The handle has a delicate script "CLM" monogram on the fr...
Stamped "Crosby & Brown" for the retailer that operated 1851-52, it is also imprinted "V.L.&B.," for significant Boston silversmith Vincent Laforme & Brother, active 1850-54.
The Boston Museum of Fine Arts holds a pitcher attributed to him, with extensive notes about the piece and maker available online, including this biographical detail, ...
This 2 3/4" high, 4 1/2" top diameter, heavy at 7.1 T. oz., bowl is emblematic of their work and the movement.
It sits on a footed base 2 3/8" in diameter, and has an applied rim on the upper lip.
The body is plain and smooth on the outside, but retains a hand hammered surface on the interior.
Apart from the hallmarks which i...
The satin finish exterior is bright cut engraved in a leaf and scroll theme interpreted in an Aesthetic manner. Both edges have a repeating beaded design that looks like knurling.
There is a reserve within the engraving that is inscribed "TGM," while the inner side reads, "From J.W.F. Jr. Dec. 25, '99.," so very likely it was a Christmas present given well over a century ago.