In some instances, the head is gold, and that is the case with this 2 3/8" diameter, approximately .6 T. oz., cuff.
Indeed the marks identify this aspect of the piece, as they include Shiebler's "winged S" emblem, model number "790x," and "Ster...
Price for the set of six.
In the "Angelo" pattern dating from 1910, they were made by the J.B. & S.M. Knowles company of Providence, Rhode Island, and retailed by "A. Frankfield" of New York City, and so marked, along with "Sterling" and "Pat."
Each one is engraved "Zorah" in script, set sideways on the handle.
They are in superb estate condition, showing no wear wha...
Fully in the Art Nouveau style, the undulating rim is decorated with four tulip blossoms, one each at the extremities, all joined by trailing leaves and accented with bu...
It is marked for the partnership of "Gould, Stowell & Ward," which was one of the associations in which James Gould, born 1795 in Salem, Massachusetts, participated as a principal.
Other marks are "Baltimore," "Patent 1850," and "11-12," for the local assay mark, which at .917 is midway between coin and sterling silver.
The pattern is a "Grape" or "Grapevine" on something of an "Olive" background ...
Price for the set of eight.
These are older examples of Gorham's "Buttercup," marked with the company's "lion, anchor, G" emblem, "Sterling," and "Patent 1900."
They are in outstanding estate condition, showing no polishing wear, without bends or nicks on the blades, and having bright, even finishes.
While the fronts have never been monogrammed, and the backsides are p...
Price for the pair.
They measure 3 7/8" from arm tip to arm, stand 1 1/2" at the highest, are 2 3/8" across at the top opening of the body, rest on beaded edge, rimmed bases that are 1 1/2" in diameter, and weigh 2.5 T. oz. the pair.
Made by Gorham, they are imprinted ...
Price per piece, two available.
The design incorporates numerous blossoms and buds along with trailing leaves on both sides of the handle and the heel reverse.
This example is a 5 3/4" long, .8 T. oz., grapefruit or citrus spoon. It has a lengthy, narrow, deep, bowl with a flange rim and pointed tip, which is finished in a bright gold wash front and back.
The handle has a delicate script "CLM" monogram on the fr...
Stamped "Crosby & Brown" for the retailer that operated 1851-52, it is also imprinted "V.L.&B.," for significant Boston silversmith Vincent Laforme & Brother, active 1850-54.
The Boston Museum of Fine Arts holds a pitcher attributed to him, with extensive notes about the piece and maker available online, including this biographical detail, ...
This 2 3/4" high, 4 1/2" top diameter, heavy at 7.1 T. oz., bowl is emblematic of their work and the movement.
It sits on a footed base 2 3/8" in diameter, and has an applied rim on the upper lip.
The body is plain and smooth on the outside, but retains a hand hammered surface on the interior.
Apart from the hallmarks which i...
The satin finish exterior is bright cut engraved in a leaf and scroll theme interpreted in an Aesthetic manner. Both edges have a repeating beaded design that looks like knurling.
There is a reserve within the engraving that is inscribed "TGM," while the inner side reads, "From J.W.F. Jr. Dec. 25, '99.," so very likely it was a Christmas present given well over a century ago.
A syrup jug or pitcher, the base is panel cut glass, with a sterling collar and hinged lid. The glass handle is blown and applied.
The lid has a raised bead, almost egg and dart, trim around the edge. This detail repeats on the scrolled, solid silver handle.
In very good condition, there are few signs of wear, largely evident in fine scratches on the outside base, as well as a bit of cloudine...
Incorporating regal iconography, the tip of the handle has a rampant, i.e. standing, lion, set atop a columnar handle. The lower section of the handle just above the join with the bowl, features a stately looking, classical female figure draped in flowing robes.
The bowl is fig-shaped, and imprinted in the ce...
The firm was the favored outlet of numerous manufacturers, including Michael Gibney who was the producer of this large, 10 1/8" long, heavy at 3.5 T. oz., pie server in the "Olive" variant "Tuscan" pattern, which design later became associated with Wh...
The pattern is Whiting's "Persian," which dates from 1880, and is a Moorish design in the same genre as Tiffany's pattern of the same name, as well as Whiting's own "Arabesque" and Gorham's "Hindostanee" among others.
The bowl is generously proportioned, 4" by 2 3/8" at the widest, and has a fluted or piecrust rim. The interior is engraved in a stylized...
The pattern is "Clinton Engraved," which features an Adamesque, flower and swag motif delicately etched on the otherwise plain (with a tipt backside) surface of "Clinton."
Never monogrammed, this is in flawless condition, absent polishing wear, having an even finish, and fre...
A multi-motif design, "Berry" portrays a variety of fruit, leaves, and branches, relative to the individual piece, the portraiture on this being blueberry.
In excellent condition, it has never been monogrammed (which would have appeared on the plain backside of the handle). Pattern detail remains w...
Price for the set of eight.
Both patterns are ebullient in the way they interpret iris blossoms in this instance, and additional flowers in "New Art."
This set of eight place aka regular forks all measure 7" long, and as is the case with the line, are heavy, with the group weighing 13.1 T. oz. combined, or well over 1.5 T. oz. per fork.
Seven of them are engraved "MR" ...
A renowned California silversmith known for his modernist designs, and coincidentally a son-in-law of Porter Blanchard, Adler's working dates spanned the middle to later 20th century.
This example is in the "Sunset" pattern. Clean and straightforward, it has an angular end handle and shows the hammering marks characteristic of hand crafted silver, on all surfa...