An individual place piece in a "Kings" pattern, it has a flat handle and a solid silver blade.
The handle front has a delicate script monogram that appears to be "EKP" while the backside is engraved "'90."
It is in flawless estate condition. Pattern detail remains well-defined, free of polishing wear. The blade is without bends, nicks or burrs, and has barely...
The specific mark on this 7 1/4" long, 1.1 T. oz., "Reverse Tipt," coin silver, place spoon, "J.E. Merriman/123 Pearl St.," traces to his New York period. It is accompanied by a "leopard head, bust, star, leopard head" pseudo hallmark that John McGrew in his volume on manufacturers' marks attributes to an unknown New York City source.
It has a flat surface, with slightly beveled edges, and rounded ends that taper from 1 1/4" across at the wide end to 1/2" at the narrow end.
Otherwise plain, it has a flourishing, Art Nouveau style, "JA" monogram, suggesting a date circa 1900.
It is in very good condition. There are n...
This piece is a small silver jewel in that its major feature, namely the bright cut Aesthetic period engraving on each arm, that includes a lily of the valley flower, is exquisitely executed in a technique that shows diamond cutting at its finest. The surfaces virtually glisten, all the more so for being set against a satin ...
While Hollister was of no particular distinction, this pickle or early pastry fork is an unusual form in that it has four tines, the lowest one of which is widened. Most examples of such mid 19th century pieces have three tines.
Price for the pair.
The style suggests a date from early in their history. They have slender shanks, down turned, "Reverse Tipt," ends, and exposed drops on the heel reverses.
Each one is engraved in a fancy, feathered script, "TM" monogram se...
It has a "Tipt" end, rounded and heavily beveled shoulders, and a pointed end bowl.
The backside of the handle has an elegantly rendered, feathered script "TD" monogram.
It is stamped "J.L. [Jared] Moore & Co." (1796-53) for the well-documented jeweler and watchmaker. This particular mark, with the "& Co.,"...
It is in a "French Thread" aka "Fiddle Thread" pattern and marked "J[ared].L. Moore" for the New York City jeweler and watchmaker working during the second quarter of the 19th century.
The name "Settle" is engraved in script on the handle front, set sideways.
It is in very fine condition, free of polishing wear or other signs of use, and having a bright, ...
Price per piece, three available.
It is clearly stamped with a castle for Edinburgh, a thistle for sterling, a date letter W for 1828, and a bust duty mark. The maker's initials are "JH," for John Hay whose dates correspond with this.
The handle features a "Kings" pattern on the front, and a plain backside with a thumb drop on the heel of the bowl.
There is a script "G" monogram.
It is in exceptionally fine ...
It is a 7 1/8" long, 1.0 T. oz., flat, solid silver, knife.
About the size of a master butter, it has a long, slender blade that comes to a point and is likely an early for its form, individual fish knife, and thus a scarce find for the period.
The pattern is double die struck, meaning ...
An innovative producer, Dorthy Rainwater in her "Encyclopedia of American Silver Manufacturers" notes that he received a patent for making spoons in 1859, and further that, "the company was one of the first to mak...
Price per piece, five available.
It is an engraved "Lily" pattern set on an "Old English" handle, and shows the influence of Aesthetic (Eastlake) design sensibilities in its naturalistic and abstract motifs.
The background behind the engraving has a satin finish along with an "FMA" feathered script monogram.
It is in superb estate condition....
It is a dresser jar made c. 1900 by Newark, New Jersey's William B. Kerr & Co., whose "mace" emblem, "Sterling," and model number "7200-4" are stamped on the edge of the silver lid, which by itself weighs nearly 2.1 T. oz.
The bulbous glass base is panel cut with a star pattern on the underside.
The lid is relatively plain, with a rimmed and scalloped edge and a line script "EP" monogram in the center.
It is stamped "KLF & Son" and "Sterling" for the renowned Finnish born and trained silversmith Karl F. Leinonen, who headed the (Boston) Handicraft Shop from 1901 to at least 1932.
The design of this is in the manner of Georg Jensen,...
It is stamped "S. Kirk & Son" in italics on the underside, which is a mark that Rainwater in "Encyclopedia of American Silver Manufacturers" dates 1880-90. It is also imprinted with the peculiar-to-Baltimore "11 oz." standard, which designates silver content more than coin and less than sterling.
The entire surface save for a reserve area that is engraved with ...
Judging from this example, which is a 5" long by 3 1/4" high to the rim, 5 1/4" to the top of the upraised handle, and relatively heavy at 5.2 T. oz., basket, the firm made high quality reproduction pieces.
This would be a fitting size for candies or bon bons.
This is Georgian in manner, with an oval bowl with raised ends sitting on a square base, pe...
Price for the set of six.
In the "Angelo" pattern dating from 1910, they were made by the J.B. & S.M. Knowles company of Providence, Rhode Island, and retailed by "A. Frankfield" of New York City, and so marked, along with "Sterling" and "Pat."
Each one is engraved "Zorah" in script, set sideways on the handle.
They are in superb estate condition, showing no wear wha...
The pattern is "Apollo," which is a scroll, bead, and rose design that is very much in keeping with its late Victorian period (1892 issue date).
The cupped server on this is 1 3/4" long by 3/4" at the widest, and has a satin matte finish.
Never monogrammed, it is in excelle...