It has a flat surface, with slightly beveled edges, and rounded ends that taper from 1 1/4" across at the wide end to 1/2" at the narrow end.
Otherwise plain, it has a flourishing, Art Nouveau style, "JA" monogram, suggesting a date circa 1900.
It is in very good condition. There are n...
This piece is a small silver jewel in that its major feature, namely the bright cut Aesthetic period engraving on each arm, that includes a lily of the valley flower, is exquisitely executed in a technique that shows diamond cutting at its finest. The surfaces virtually glisten, all the more so for being set against a satin ...
While Hollister was of no particular distinction, this pickle or early pastry fork is an unusual form in that it has four tines, the lowest one of which is widened. Most examples of such mid 19th century pieces have three tines.
It has a "Tipt" end, rounded and heavily beveled shoulders, and a pointed end bowl.
The backside of the handle has an elegantly rendered, feathered script "TD" monogram.
It is stamped "J.L. [Jared] Moore & Co." (1796-53) for the well-documented jeweler and watchmaker. This particular mark, with the "& Co.,"...
Price per piece, three available.
It is clearly stamped with a castle for Edinburgh, a thistle for sterling, a date letter W for 1828, and a bust duty mark. The maker's initials are "JH," for John Hay whose dates correspond with this.
The handle features a "Kings" pattern on the front, and a plain backside with a thumb drop on the heel of the bowl.
There is a script "G" monogram.
It is in exceptionally fine ...
It is a 7 1/8" long, 1.0 T. oz., flat, solid silver, knife.
About the size of a master butter, it has a long, slender blade that comes to a point and is likely an early for its form, individual fish knife, and thus a scarce find for the period.
The pattern is double die struck, meaning ...
An innovative producer, Dorthy Rainwater in her "Encyclopedia of American Silver Manufacturers" notes that he received a patent for making spoons in 1859, and further that, "the company was one of the first to mak...
Price per piece, five available.
It is an engraved "Lily" pattern set on an "Old English" handle, and shows the influence of Aesthetic (Eastlake) design sensibilities in its naturalistic and abstract motifs.
The background behind the engraving has a satin finish along with an "FMA" feathered script monogram.
It is in superb estate condition....
It is a dresser jar made c. 1900 by Newark, New Jersey's William B. Kerr & Co., whose "mace" emblem, "Sterling," and model number "7200-4" are stamped on the edge of the silver lid, which by itself weighs nearly 2.1 T. oz.
The bulbous glass base is panel cut with a star pattern on the underside.
The lid is relatively plain, with a rimmed and scalloped edge and a line script "EP" monogram in the center.
It is stamped "KLF & Son" and "Sterling" for the renowned Finnish born and trained silversmith Karl F. Leinonen, who headed the (Boston) Handicraft Shop from 1901 to at least 1932.
The design of this is in the manner of Georg Jensen,...
It is stamped "S. Kirk & Son" in italics on the underside, which is a mark that Rainwater in "Encyclopedia of American Silver Manufacturers" dates 1880-90. It is also imprinted with the peculiar-to-Baltimore "11 oz." standard, which designates silver content more than coin and less than sterling.
The entire surface save for a reserve area that is engraved with ...
The glass is etched in a grape and vine design indicating this is intended for jam or jelly, although it is of a size that would function as well for mustard.
The just over .6 T. oz. lid is a "Repousse" design with a solid floral finial. It has a ro...
According to the identifications offered in the "Encylopedia of American Silver Manufacturers," the style of the "S. Kirk & Son" mark, along with the word "Sterling," was used 1925-32, indicating these have considerable age.
The footed, open salt stands 1 13/16" tall on a base that is 1 3/4" in diameter, and has a top opening that measures 2 5/8" across....
The pattern is "Apollo," which is a scroll, bead, and rose design that is very much in keeping with its late Victorian period (1892 issue date).
The cupped server on this is 1 3/4" long by 3/4" at the widest, and has a satin matte finish.
Never monogrammed, it is in excelle...
It is hallmarked with the "pedestal vase" symbol for the prominent Bremen, Germany, firm of Koch & Bergeld, as well as "800" representing the silver standard, and a "crescent" and "crown" for the national marks. This particular configuration was introduced by the company about 1884 and that is also the approximate date of this piece.
This is high fashion and complimented by a fancy leaf style lettered "EGD" monogram.
It could be a plate or equally serve as a wine coaster, of a size that could accommodate either a 750 ml or 1.5 liter bottle.
It is stamped on the underside for p...
Price per pair, two pairs available.
This pair of 7 3/8" long, 2.8 T. oz. combined, coin silver forks are examples of the firm's "Alameda" aka "Ivy" design.
Similar in style to Gorham's Greek Revival "Corinthian" of the same c. 1870 period, it is more embellished than that pattern, with added ivy sprays whi...
The pattern is "Alameda" aka "Ivy." It strongly resembles Gorham's "Corinthian" of the same c. 1870 date, but with the addition of a spray of raised ivy leaves and berries set against a stippled ground.
The bowl has a central rib and something of a pie crust border....