The rounded end, arched handle, features a representation of a "Basket of Flowers." This motif, along with "Sheaf of Wheat," were popular design embellishments in a period when coin silver was largely plain.
It also has a "Shell Back" drop on the heel and is engrave...
A syrup jug or pitcher, the base is panel cut glass, with a sterling collar and hinged lid. The glass handle is blown and applied.
The lid has a raised bead, almost egg and dart, trim around the edge. This detail repeats on the scrolled, solid silver handle.
In very good condition, there are few signs of wear, largely evident in fine scratches on the outside base, as well as a bit of cloudine...
Made for Colonial Williamsburg as part of an exclusive line, it is described in a 1976 catalog as "A design of classic simplicity copied from a bowl made by Philip Syng (1676-1739)."
It sits on a tiered base that is 3" across, and has an applied upper rim.
There is a line "MSB" script monogram on the side.
In exceptionally fine condition, it sits eve...
It is a double die struck, meaning the pattern appears on both sides of the handle, coin silver, "Kings" design, with the name "M. Higbie" inscribed on the front in cursive lettering, and a shell design on the backside heel of the bowl.
Stamped "T.B & Co." and with a three part, "bust-lion-D" hallmark, it appears to trace to Taylor & Baldwin of Newark, New Jersey, with a late 1830s date...
Price for the set of ten.
The pattern is Durgin's 1890 "Shell." Having a slender, essentially tubular, central shank, the ends where the raised shells are situated are broad and rounded.
These embody a refined elegance. The design is understated, while the highly tactile finish has a satin smoothness.
The tines are delicately-scaled, with the outer two of the three splayed outw...
This example of his work is "French Thread," aka "Fiddle Thread," 6 1/4" long, not quite 1.0 T. oz., sugar shovel.
High walled and flat-bottomed, the shovel form used by numerous manufacturers, was an alternative to a bowl, and appeared in pieces as small as a master salt spoon up to berry size.
This has an engraved "eagle head" crest in lieu ...
It is something of a utilitarian item with a straightforward design. The handle pattern is essentially "Old English," with a rounded and down turned end, but without a tipt backside. It has a "C.A.G." monogram on the front, with a subtle dip in the surface below this which may be an old monogram removal, or just a slight ...
Price for the set of three.
Measuring 5 7/8" long and weighing 1.8 T. oz. the set, they are in a broad "Fiddle Tipt" pattern which is a characteristic design for the region, along with high, pointed shoulders off the bowls.
Never monogrammed, they are in choice condition, showing no wear, with well-shaped bowls that are free of dents, bends, or tip we...
Price for the group of seven.
Three were made by Gorham, marked lion, anchor, G, and have feathered script "SC" monograms. They measure 6" long each, while the set weighs approximately 1.8 T. oz. They carry the retail name "Rhoads," for Charles G. Rhoads of Lancaster, Pennsylvannia.
The second set is also coin silver, and comprised of four spoons, 5 7/16" long, approximately 2.3 T. oz. collectively, with feathered script "SST" mono...
This example is an impressively scaled at 9 5/8" long, 3.1 T. oz., serving spoon. It has a large scoop bowl with rolled, flange shoulders and a broad, rounded end. The reverse of the bowl has a matte finish while the obverse has a bright finish.
The matte surface handle has a rounded end and eleven applied daisies. These are joined by a ...
The pattern is "Clinton Engraved," which features an Adamesque, flower and swag motif delicately etched on the otherwise plain (with a tipt backside) surface of "Clinton."
Never monogrammed, this is in flawless condition, absent polishing wear, having an even finish, and fre...
Solid silver, it is a 2" high, 2 1/2" top diameter, 1.9 T. oz., master salt dip that sits on a rimmed pedestal base 1 1/2" across.
It is round and smooth walled with a triple lined border around the outside top, and has never been monogrammed or inscribed. The interior retains traces of an...
A "French Thread," aka "Fiddle Thread," design, it was made by New York City's Henry Hebbard, who with his contemporary and sometime partner John Polhamus, was one of Tiffany's major suppliers in the 1850s and 60s.
Hebbard's "star, H, anchor" pseudo hallmark appears on the reverse, along with "Tiffany & Co.," and "Sterling."
It is engraved "EAS" in a delicate sc...
It measures 7" across, stands 2" tall, has a tapering body that rests on a 2 3/4" wide base, and weighs a robust 11.8 T. oz.
Made by Tiffany & Company, it is so marked on the underside, along with "Sterling Silver," "925/1000," and an "m" for John C. Moore II, director from 1907-47.
It carries the model number "18941...
This item possesses all the attributes that make a vintage piece of flatware desirable, namely, it is an unusual form in a sought after pattern by a premier maker, and in superb condition.
It is an early example of the "English King" pattern, marked "Tiffany & Co.," "Sterling," "Pat. 1885.," and "M.," with this letter identifier dating its manufacture to no later than 1891.
A sugar sifter, it measures 5 3/4" long and weighs a substantial 1.7 T. oz.
The bowl measures 2 1/2" by 1 1/4...
Price per pair, two pairs available.
They are early examples of "English King," marked "Tiffany & Co.," "Sterling," "Pat. 1885," and "M," this last mark dating them no later than 1891.
They have matching "W" monograms engraved in delicate script lettering on the handle fronts, and are in choice estate condition.
Pattern detail remains crisp, showing no polishing wear, and the finishes are bright and even. The bowls are well-shaped, showing no tip...
The use to which this 5 7/8" long, heavy at 1.1 T. oz., teaspoon was put is without question as the handle is engraved "Baby" in script.
In good overall condition, retaining clear pattern detail and without damage, it does show overall wear, particular so in the bowl which has some pinpri...
This was a period when Tiffany made reproduction items or designs inspired by older, especially English Georgian, holloware, and that is the case with this piece. It is round, cauldron shaped, and stands on three pad feet with acanthus leaf sprays where the legs are attached.
There is a rolled rim upper edge ...