It is stamped on the bottom "Sterling," "Hand Made," and with a lion passant, but without a maker's identification, although it is clearly American in origin.
Note: the style follows after a tea caddy form made popular by renowned silversmith William G. DeMatteo, Bergenfield, New Jersey, who also used the term "Hand Made," and whose son followed him in the tr...
Marked "Stieff," "Sterling," and with a date symbol for 1923, it is an appropriate size for a butter or similar-sized dish, measuring 4 7/8" in outside diameter, has a 3/16" high inside rim that is 4 3/8" across, stands 1 5/8" to the top of the knob finial, and weighs 3.6 T. oz.
The pattern is a high relief, highly detailed, "Rep...
Made for Colonial Williamsburg as part of an exclusive line, it is described in a 1976 catalog as "A design of classic simplicity copied from a bowl made by Philip Syng (1676-1739)."
It sits on a tiered base that is 3" across, and has an applied upper rim.
There is a line "MSB" script monogram on the side.
In exceptionally fine condition, it sits eve...
It is a double die struck, meaning the pattern appears on both sides of the handle, coin silver, "Kings" design, with the name "M. Higbie" inscribed on the front in cursive lettering, and a shell design on the backside heel of the bowl.
Stamped "T.B & Co." and with a three part, "bust-lion-D" hallmark, it appears to trace to Taylor & Baldwin of Newark, New Jersey, with a late 1830s date...
Price for the set of ten.
The pattern is Durgin's 1890 "Shell." Having a slender, essentially tubular, central shank, the ends where the raised shells are situated are broad and rounded.
These embody a refined elegance. The design is understated, while the highly tactile finish has a satin smoothness.
The tines are delicately-scaled, with the outer two of the three splayed outw...
This example of his work is "French Thread," aka "Fiddle Thread," 6 1/4" long, not quite 1.0 T. oz., sugar shovel.
High walled and flat-bottomed, the shovel form used by numerous manufacturers, was an alternative to a bowl, and appeared in pieces as small as a master salt spoon up to berry size.
This has an engraved "eagle head" crest in lieu ...
It is something of a utilitarian item with a straightforward design. The handle pattern is essentially "Old English," with a rounded and down turned end, but without a tipt backside. It has a "C.A.G." monogram on the front, with a subtle dip in the surface below this which may be an old monogram removal, or just a slight ...
Price for the group of seven.
Three were made by Gorham, marked lion, anchor, G, and have feathered script "SC" monograms. They measure 6" long each, while the set weighs approximately 1.8 T. oz. They carry the retail name "Rhoads," for Charles G. Rhoads of Lancaster, Pennsylvannia.
The second set is also coin silver, and comprised of four spoons, 5 7/16" long, approximately 2.3 T. oz. collectively, with feathered script "SST" mono...
This example is an impressively scaled at 9 5/8" long, 3.1 T. oz., serving spoon. It has a large scoop bowl with rolled, flange shoulders and a broad, rounded end. The reverse of the bowl has a matte finish while the obverse has a bright finish.
The matte surface handle has a rounded end and eleven applied daisies. These are joined by a ...
Solid silver, it is a 2" high, 2 1/2" top diameter, 1.9 T. oz., master salt dip that sits on a rimmed pedestal base 1 1/2" across.
It is round and smooth walled with a triple lined border around the outside top, and has never been monogrammed or inscribed. The interior retains traces of an...
A "French Thread," aka "Fiddle Thread," design, it was made by New York City's Henry Hebbard, who with his contemporary and sometime partner John Polhamus, was one of Tiffany's major suppliers in the 1850s and 60s.
Hebbard's "star, H, anchor" pseudo hallmark appears on the reverse, along with "Tiffany & Co.," and "Sterling."
It is engraved "EAS" in a delicate sc...
It measures 7" across, stands 2" tall, has a tapering body that rests on a 2 3/4" wide base, and weighs a robust 11.8 T. oz.
Made by Tiffany & Company, it is so marked on the underside, along with "Sterling Silver," "925/1000," and an "m" for John C. Moore II, director from 1907-47.
It carries the model number "18941...
This item possesses all the attributes that make a vintage piece of flatware desirable, namely, it is an unusual form in a sought after pattern by a premier maker, and in superb condition.
It is an early example of the "English King" pattern, marked "Tiffany & Co.," "Sterling," "Pat. 1885.," and "M.," with this letter identifier dating its manufacture to no later than 1891.
A sugar sifter, it measures 5 3/4" long and weighs a substantial 1.7 T. oz.
The bowl measures 2 1/2" by 1 1/4...
Price per pair, two pairs available.
They are early examples of "English King," marked "Tiffany & Co.," "Sterling," "Pat. 1885," and "M," this last mark dating them no later than 1891.
They have matching "W" monograms engraved in delicate script lettering on the handle fronts, and are in choice estate condition.
Pattern detail remains crisp, showing no polishing wear, and the finishes are bright and even. The bowls are well-shaped, showing no tip...
This was a period when Tiffany made reproduction items or designs inspired by older, especially English Georgian, holloware, and that is the case with this piece. It is round, cauldron shaped, and stands on three pad feet with acanthus leaf sprays where the legs are attached.
There is a rolled rim upper edge ...
The pattern, "Hamilton," dates from 1938, the late Art Deco period.
The thick handle is fiddle shaped with a double lined border, and otherwise plain save for a bit of extra shaping around the shoulders.
Never monogrammed, this is in very fine estate condition. Apart from light surface scratches, there are no signs of use. The tines remain pointed, straight and even, while the finish has a soft...
The handle is upraised, has a satin finish front and back, and protruding knobs on the sides, all of which are distinguishing features between "Japanese" and "Audubon."
This piece is a 7" long, substantial weight at 1.5 T. oz., (sweet) jelly spoon. Smaller than a berry or preserve spoon, and larger than a sugar, this seems...
It was offered in three versions, plain, acid etched, and with applied elements. This pair of tongs are acid etched, showing a leaf and vine design on one arm and clover blossom and leaves on the other.
The work is intricate, precise, and artfully expressed. The etching wraps around the edges of the handle, which feature lends the pattern i...