It has a 2" by 1 1/4" by 5/8" deep, pierced bowl that is finished in a pale matte gold wash. The shoulders are embellished with the scroll design of the pattern, and there is a small flange around the entire rim.
The handle is inscribed with a cursive "ES" monogram.
It is in excellent condition. Free of polishing wear, the pattern detail remains clear and well-defined. The finish is bright. ...
This example is a large, 10 1/2" long, just under 2.6 T. oz., serving spoon. It has an extra wide and deep bowl, to be distinguished from a nearly identical version with a smaller bowl.
This is assembled from a variety of parts, rather than being die struck as a unit, or a single casting. This approach was pop...
The rim is scalloped and the tapered sidewalls are undulating. The solid handle is twisted, with a smooth, square, grip at the top.
There is a large scale representation of a wild rose blossom, branch, and leaves acid etched on the otherwise plain body. Acid etching is a technique that produces a more textured surface than simple e...
It is double scallop shaped, with undulating walls with a flange rim. There are six smaller lobes with channels that run to the flat bottom base.
The interior retains a portion of its original gold wash finish.
The outside surface is acid etched in a branch, leaf, and flower motif that is both finely rendered and embl...
This example is a 7 1/2" long, 1.5 T. oz., preserve or jelly spoon. It has the plum-shaped bowl with a flange rim and central rib that Whiting used across several pattern lines.
There is a reserve area at the front of the handle which is a natural location for an inscription. On this piece that ...
It was made by William B. Kerr of Newark, New Jersey. The company emblem, "Sterling," and the model number "2448" are imprinted on the backside of the 3/8" wide, slightly curved, band that forms the body of the piece.
The backside is fitted with a pivoting crossbar to which two prongs that reach to the front are attached.
The surface of the band is acid etched in a swirling, leafy, Ar...
They have an usual, heavily patterned surface, with each arm portraying a dense grapevine, leaf, and fruit design set on an intertwined, trellis-like, background.
The 7/8" wide arch is plain, saved for lined edges and a feathered script "EBB" monogram.
The inside surfaces are smooth, while the grips are cup shaped. ...
Producers of fine silver, much of which demonstrated artful bright cut work, the company also produced this die struck pattern that bears strong similarity to one, also unnamed, produced by George Sharp in the same 1860s period.
This example is a 7 1/8" long, approximately 1.1 T. oz., master butter ...
It was made by New York City's William Gale, who operated in various partnerships over a long history. This has double marks for one of the associations, "William Gale & Son." One of the stamps includes a diamond imprinted with the date "185x," with the final number obscur...
Price for the set of six.
Flynt and Fales also note in their entry on him that he has been referred to as the "honest goldsmith" and that he "supplied well-crafted church silver and other vessels."
The style of these six, matched, 6 1/8" long, 3....
This 7 1/2" long, weighty at 2.1 T. oz., tablespoon is an early example of his work and is imprinted on the backside "W. Mitchell Jr." in a banner.
It is a "Reverse ...
A "Chinese Export" piece, it is stamped with four pseudo hallmarks used by "Wongshing," aka "Wong Shing," located in Canton c. 1810-35 according to one source, and 1820-60 by another source.
Silver standards vary for Export silver, but it broadly conforms to sterling.
Export is generally derivative of English design, and that is true for this which is Georgian in manner, with a down-turned, reverse tipt end, and a...
The fiddle shaped handle has beveled edges, a tipt backside, and curves downward. It has a feathered script "MTP" monogram on the front. There is an exposed drop where the handle joins the bowl.
A "Chinese Export" piece, it is stamped with four pseudo hallmarks used by "Wongshing," aka "Wong Shing," located in Canton c. 1810-35 according to...
Dating from the last quarter of the 19th century, it was made by Wood & Hughes, whose "WwH" emblem, the word "Sterling," and the model number "41" is imprinted on the inside lip of the lower half.
The design is exceptional, deriving from the intricate reticulation on both the top and bottom halves of the ball.
In addition to apostrophe like cuts, there is a 1/2" wide band on each...
The portraiture on this 8 3/4" long, just under 2.0 T. oz., coin silver, berry spoon is anecdotally referred to as the "Diana Medallion," as identified by D.A. Soeffing in his 1988 benchmark work on this class of silver. He describes this design as "particularly Grecian in its appearance."
This is an exceptionally fine example in...
It is engraved "Martha" in script on the handle front, and "Akron. O." "Dec. 25. 1891." on the reverse.
Made by Wood & Hughes, the pattern is that company's "Venetian," which is a Moorish or Renaissance Revival design.
The plum-shaped bowl is relative large and elongated at 3" by 1 13/16" wide, by 3/4" at the deepest. It has a central groove in the base, a flange rim, ...
While a relatively contemporary piece, the scrolled terminal pattern, "Onslow," is an older English design, and the three tine configuration also harkens to an earlier period, all defining this as a reproduction piece.
Never monogrammed, it is in excellent estate condition. There is no visible wear, the t...