Producers of fine silver, much of which demonstrated artful bright cut work, the company also produced this die struck pattern that bears strong similarity to one, also unnamed, produced by George Sharp in the same 1860s period (see Old Friends catalogue item 3170), and which in turn is akin to Knowles &...
The pattern is a "French Thread" aka "Thread."
The shank, which is stamped in two places "W.G & S" for William Gale & Son, New York City, 1850-66 various years, is four sided and attaches to an open heel area with pointed shoulders.
All surfaces of the serving end are extensively and attractively e...
This 7 1/2" long, weighty at 2.1 T. oz., tablespoon is an early example of his work and is imprinted on the backside "W. Mitchell Jr." in a banner.
It is a "Reverse ...
Dating from the last quarter of the 19th century, it was made by Wood & Hughes, whose "WwH" emblem, the word "Sterling," and the model number "41" is imprinted on the inside lip of the lower half.
The design is exceptional, deriving from the intricate reticulation on both the top and bottom halves of the ball.
In addition to apostrophe like cuts, there is a 1/2" wide band on each...
The portraiture on this 8 3/4" long, just under 2.0 T. oz., coin silver, berry spoon is anecdotally referred to as the "Diana Medallion," as identified by D.A. Soeffing in his 1988 benchmark work on this class of silver. He describes this design as "particularly Grecian in its appearance."
This is an exceptionally fine example in...
The example on this 7 1/8" long, relatively weighty at 1.6 T. oz., place fork is commonly referred to as "Diana" for the classical, female goddess portrayed without variation on all the pieces.
It dates from 1863 and was made to a coin silver standard, as indicated by the "WwH" stamped on the reverse with no additional marks.
Produced at a time when the company was enjoying great prosperity and was especially productive, it exhibits sophisticated design and high quality execution. This is especially evident in the plum-shaped, notched edge, bowl that is intricately engraved and finished with a matte gold surface on the interior and bright gold on the exterior.
It is engraved "Martha" in script on the handle front, and "Akron. O." "Dec. 25. 1891." on the reverse.
Made by Wood & Hughes, the pattern is that company's "Venetian," which is a Moorish or Renaissance Revival design.
The plum-shaped bowl is relative large and elongated at 3" by 1 13/16" wide, by 3/4" at the deepest. It has a central groove in the base, a flange rim, ...
It has a long, relatively narrow, blade, with a sawtooth upper edge, which is the requisite component for the form.
The pattern is Wood & Hughes' 1870s "Zephyr," which is a Renaissance Revival or Moorish inspired design. Indeed, the blade front on this is engraved in an arabesque pattern, which has Islamic style origins.
There is a fancy Old English "J" monogram inscribe...
This 8 3/8" long, 1.8 T. oz., serving spoon is a particularly fine example of the pattern, and fine piece overall.
Moorish or Renaissance Revival in style, with a repeating motif on the mid and lower portions of the handle, the pointed end has fins or wings that suggest an arch and thereby lend the design an architectural quality.
This area is plain and i...
While a relatively contemporary piece, the scrolled terminal pattern, "Onslow," is an older English design, and the three tine configuration also harkens to an earlier period, all defining this as a reproduction piece.
Never monogrammed, it is in excellent estate condition. There is no visible wear, the t...