A turn of the 20th century design, it was made by Alvin, whose company emblem and the word "Sterling" is imprinted on the handle backside in fine lettering.
The flowers on this item include an iris set midway on the handle, and roses at the terminus. These are accompanied by intertwined leaves, accent...
The date is consistent with the style of the piece, which reflects the Colonial Revival/Adamesque sensibilities that came into their own during the first decades of the 20th century.
The approximately 2.0 T. oz., sterling silver body is oval, with reticulated sides that have beaded band margins and solid, cee scroll handles. It sits on two ball feet...
The pattern, "Violet," by Whiting, was well-received in its time, and remains one of the most well-regarded Art Nouveau floral designs of its early 20th century period.
The portraiture conveys the relaxed, almost languid, feeling that characterizes the Art Nouveau style.
Subtle features, such as the shape of t...
The pattern name is "Unique."
The scalloped edge blade with fancy engraving is set at a right angle to the handle and is joined to it with a ...
Stamped "R. Fisher Jr." for Richard, it also carries his working address, "331 Broadway, N.Y.," and is a scarce example of his individual work.
It is a "French Thread" aka "Fiddle Thread" design with a relatively short and deep shell bowl, with a broad end and a strong taper to the heel. The ...
The pattern is "Acorn," which is one of Georg Jensen's defining designs.
Emblematic of the Danish Modern mode, it features a stylized acorn set at the tip of the columnar handle.
This is an exquisite example, showing no wear whatsoever, with even, pointed tines, and a brilliant finish.
Marks are "Georg Jensen" set within a circle of dots, used since 1945, "Sterling,"...
A "French Thread," aka "Fiddle Thread," design, it was made by New York City's Henry Hebbard, who with his contemporary and sometime partner John Polhamus, was one of Tiffany's major suppliers in the 1850s and 60s.
Hebbard's "star, H, anchor" pseudo hallmark appears on the reverse, along with "Tiffany & Co.," and "Sterling."
It is engraved "EAS" in a delicate sc...
The pattern is "St. Cloud," one of the outstandingly successful designs produced by Antoine Heller in his long and consequential career with Gorham.
It is in very good condition. The dense leaf and shell motif remains well-defined, showing minimal polishing wear. The tines remain straigh...
It has an "Old English" handle, i.e. down turned, round end, with a tipt back, and a long drop on the bowl.
Well-made and without a monogram or inscription, it is in very good condition. The marks are clear, the bowl is free of dents or tip wear, and the finish is soft and even.
This premier San Francisco firm was known for its Arts & Crafts designs, and this essentially falls within that category.
It has a solid, four sided handle that is joined by a ball at the lower end to the two tine fork.
The tines are lengthy at 2", slender, and finished in a gold wash.
Apart from a slight bit of waviness in one tine, there is no visibl...
This example is 9" long, approximately 1.8 T. oz., (probably berry) serving spoon. The plum-shaped bowl is elongated, relatively narrow, and has a lip edge. It is finished in a satin matte gold wash front and back sides.
The otherwise plain handle has an embellished leaf script "P" monogram.
Price per piece, two available.
It was made by Unger Brothers whose entwined "UB" surrounded by "Sterling" and "925 Fine" mark appears on the backside.
The pattern is "Secret of the Flowers," dating from 1904. It is one of Unger's several near legendary, female figure, Art Nouveau designs issued in the one year.
It is without a monogram or removal and in excellent condition. Pattern detail remains well-defined, without polishing wear. The b...
Price for the set of six.
They were made by Watson, whose "crown, W, lion" mark (used 1910 forward) and the word "Sterling" are stamped near the upper ball ends.
Much of this sort of thing was produced by notions manufacturers whose quality does not match these made by a major silver firm.
The bowls are heart-shaped, with the lower portion of the tubes where they are attached angled dow...
Identified in company catalogs of the period (see image 2) as a "bread" fork, it is commonly identified today for toast, all of which is a small distinction.
The piece is hollow, with an elaborate scroll design that is the same on both sides of the handle and three, one straight and two curved, tines.
Without a monogram or r...
The top is silver mounted, fitted with a 2" collar with a hinged lid that rises to a maximum height of 1 3/4".
The cap is chased in an acanthus leaf and floral design and has a large, script "ER" monogram set in the upper center.
The rim is stamped "Sterling," "Black, Starr & Frost" (used 1874-1908) for the renowned New York City firm, and with the company's ...
Stamped "H & M" for the partnership of (Henry) Hebbard & (George) Moore, New York City, it dates 1861-65.
It is also stamped "Sterling," and while coin silver was still the dominant standard in this period, Hebbard retailed much of his output through Tiffany, which required sterling, so he likely produced with this in mind.
The design is singular, but characteristi...
The handle is a "Fiddle Thread," aka "French Thread," pattern, and has a filled core, while the blunt end blade is solid silver.
The entire weight of the piece is 1.7 T. oz.
It was made by William Gale & Son (1853-59), whose "W.G & S" is imprinted on the blade backside.
Both the handle and the blade are extensively engraved in a period design that includes acanthus leaves, trailing leav...
This example is a 6 1/2" long, 1.2 T. oz. sauce ladle.
The handle is slender and elongated, and is joined to a 2" diameter, round shell bowl with a scalloped rim and a flat bottom. This is finished on both sides with a bright gold wash that extends to the lower of two...