Price per piece, five available.
It is an engraved "Lily" pattern set on an "Old English" handle, and shows the influence of Aesthetic (Eastlake) design sensibilities in its naturalistic and abstract motifs.
The background behind the engraving has a satin finish along with an "FMA" feathered script monogram.
It is in superb estate condition....
Marked "Stieff," "Sterling," and with a date symbol for 1923, it is an appropriate size for a butter or similar-sized dish, measuring 4 7/8" in outside diameter, has a 3/16" high inside rim that is 4 3/8" across, stands 1 5/8" to the top of the knob finial, and weighs 3.6 T. oz.
The pattern is a high relief, highly detailed, "Rep...
It is an unusual size, but fits the hand very well. The top rim splays outward slightly, while the base curves inward to a perfectly flat base. The entire surface is finished is a gold wash and engraved with a boot and spur crest.
It is marked in the interior for London, 1788-89, sterling silver, and with a maker's mar...
Price for the group of eight.
The square one has a lined base, engine turned top, is marked "925" and "FS" in a circle, and weighs 26 grams (just over .8 T. oz.). The next largest is rectangular with rounded corners, plain-surfaced, marked with the Blackinton emblem, and weighs 16 grams (approximately .5 T. oz.).
The small oval has ...
Price for the pair.
Stamped "International," with the Simpson, Hall, Miller "shield and helmet" emblem, "Sterling," and "121 15 /2," they weigh 18.2 T. oz. combined. As, however, the undersides indicate they are "weighted reinforced," the actual silver content is only a fraction of this, e...
It was made by Dominick & Haff in 1891, as indicated by the company emblem with date imprinted on the underside, and retailed by Rand & Crane, both firms of New York City. Other marks include "Sterling" and model number "135."
It was presented to "Harriet Neilson Shriver" on "Marc...
Generally cast, they all bear in common innovative design features, with a preponderance falling within the Art Nouveau style, particularly fine execution and finishing, and often, as in the instance of this massive, 10 1/8" long, 5.1 T. oz., example, commanding presentation.
There were several designs offered in this subset of large spoons, of which this i...
It is something of a utilitarian item with a straightforward design. The handle pattern is essentially "Old English," with a rounded and down turned end, but without a tipt backside. It has a "C.A.G." monogram on the front, with a subtle dip in the surface below this which may be an old monogram removal, or just a slight ...
Most frequently found as teaspoons, the series was produced in a variety of other place and serving pieces. Large items such as this 9 5/8" long, nearly 3.5 T. oz., serving fork, however, are quite rare.
The design detail shows to advantage at the scale of this. The surface is highl...
Indeed the plain, upturned and rounded end, "Antique" pattern, handle is engraved "C.G.B." in a feathered script over "Nov. 29, 1888." corresponding with the above span of years.
The iconography includes a pair of upraised (presumably eagle) wings that appear to rise out of a crown, which itself sits over a lion rampant on a shield. Lastly, there is a rearing steed projecting out of a castle turret set below the above images.
Based on the 1899 "Wentworth" pattern, it includes an image of a plump, completely baby-like, winged cherub draped in a garland of roses, all set in very high relief that rises off the handle sculptural-like.
The figure is surrounded by beading, below which are more fully developed rose blossoms.
The handle backside is...
It is fully hallmarked for Newcastle, England, 1774-75, sterling silver, and makers William Stalker & John Mitchison.
Typical of the form, it has a tapered shank that goes from 3/8" wide to a pointed tip. This has beveled edges, with feathering on the upper portions front and back. This is also the place where the marks are located on one side and a "WWS" monogram on the other.
The 1 1/8"...
Stamped with the company "lion, anchor, G", emblem, "Sterling," and model number "456" on the underside, it is actually part of a desk ensemble, namely the underplate, or as labeled, a tray, for a multi-lobed ink bottle.
Original purpose aside, it is attractive in its own right, featuri...
The lower portions of the handle where it joins the bowl suggest an Egyptian Revival influence, while other areas point toward Renaissance Revival inspiration. In addition, the dense floral clusters employ imagery similar to Gorham's "Cluny" pattern that was designed by Antoine Heller, who was highly regarded for his Classical motifs.
It has a 1/2" high sidewall with a scalloped edge and a series of raised scrolls that appear to mimic breaking waves.
The center bottom of the piece has an oval dome that is engraved "HCE" in lined script. Ridges radiate out from this, suggesting a sunburst.
This example is a 9" long, 3.3 T. oz., berry spoon in "Grapevine."
William Hood in Tiffany Silver Flatware notes that this was made with a variety of bowl forms, and the shell or fluted design on this is observationally one of the less common ones. It is finished with a bright gold wash front and backsides.
An early production item, t...
The griffin set against a Moorish style background composition is emblematic of the Renaissance Revival period of the 1870s.
The bowl is plum shaped, with a flange rim and central vee running from the handle to the midpoint of the base. It is finished with a...