This example is a 6 1/16" long, relatively weighty, 1.1 T. oz., almond scoop.
The flower is "buttercup," which is gracefully arrayed on both the front and back sides of the handle. The pattern shows fine die work and finish, and is set in high, sculptural-like, relief.
The bowl is generously proport...
It is large, measuring 8 7/8" long, with an essentially round bowl that is 3" in diameter and 1/2" at the deepest, and heavy, weighing nearly 2.8 T. oz.
Rarely found, this is not a named line pattern with Gorham, but it is in the manner of a "Pointed Antique" with a broad, slightly down-turned, end. It has notched shoulders where it joins the bowl, an...
With one exception, standard references offer no information about this mark, and that one identifies it with David Mendel, 1852-65.
A private source, citing Boultinghouse "Silversmiths of Kentucky," notes there are two possibilities, David a...
This piece is a 6 1/8" long, just over .8 T. oz., sugar spoon.
It is unusual in that the upper end of the handle is hollow, while the lower portion is tubular. This provides for a thicker than usual grip, and also enables more detailed design elements, which include a blossom, bud, and sinuous leaves set against a textured background.
The bowl is decorative, in keeping with the overall de...
This example is a 6 5/8" long, approximately 1.0 T. oz., preserve spoon or large sugar spoon.
The style is characteristic of the period, with an "Oval Thread" pattern handle and a shell bowl. The backside carries a script "JAL" monogram.
In very good condition, it is essentially absent wear and has a warm, bright, patina. The bowl is free of dents, dings, cracks, or burrs.
Marks are a ...
Made by Gorham, whose "lion, anchor, G" emblem is stamped on the inside, it is model number "673" which is also imprinted on the interior, along with the word "Sterling."
Dating circa 1880, it is Aesthetic or Eastlake in style, engraved in a pattern that is part foliate and part stylized.
It has a fancy, feathered script, "HMR" monogram.
Model number "18," as identified on the underside, along with the rare "left lion" version of Gorham's hallmark, the word "Coin," and the name of the retailer, "W.H. Talbot & Co.," Indianapolis. Interestingly, most sources cite Talbott for spelling of this firm, with the exception of Kovel's which cites Hiatt "The Silversmiths of Kentucky" as its source and uses a single "T."
The double-sided pattern is "Empire" aka "New Empire" dating from 1892. It employs various shell motifs, including the overall form of the bowl, and a pair of flanking, scrolled rosettes at the tip of the handle.
The bowl is squared, rather than rounded or oval, and has a partially rubbed gold wash on the front and backsides.
It is without a monogram or removal and in mint estate condition. Pattern deta...
The 3/4" deep, nearly round, 2" diameter, bowl with a central vee, flanged shoulders, and slightly tipped lip, on this 6" long, 1.2 T. oz., sauce ladle is engraved in a Palmetto leaf motif that is evocative of Egyptian Revival style. The bowl interior also retains most of its original, bright...
Dating from early in the 19th century, it has a sterling bowl that is 1 3/4" in diameter and 3/4" deep. There is a silver fitting off this which is joined to a twisted baleen handle with a silver tipped end.
The bottom center of the bowl is stamped "D.R," possibly for David Reid of Newcastle.
It is in excellent condition. The bowl remains well-shaped, free of dents, nicks, or burrs. The fittings betwee...
The pattern is "Eton" which is a strong Art Nouveau floral design. It features a high relief iris blossom on the center of the handle, just below a reserve area, and smaller blossoms on the top end and join with the bowl.
The bowl itself embodies the flowing lines of Ar...
Considerable online information is available about this volume, and given no book expertise is here represented, evaluation of this has to rest in outside sources. This comes through a family channel, not commercial or otherwise.
It is fully authentic, with a plate on t...
Offered as a three piece set, this is the pot. It stands 6" tall to the top of the finial, has a main body that is 4" at the widest, 5" to the end of the spout, and has a sterling and ebonized wood handle that extends 4 1/4" at a slight upward cant from the body. It weighs 14.1 T...
First, its weight is substantial at just over 1.0 T. oz. Second, it is in exceptionally fine estate condition, essentially without wear, and having a bright, even, finish.
The "French Thread" aka "Fiddle Thread" pattern stands alongside many other iterations of this popular design, and the shell bowl is a common form. The shap...
The pattern is Whiting's late 19th century "Dresden," which is a charming and intricate floral design that features what appear to be forget-me-not blossoms and leaves trailing up the handle. A shell surmounts the handle tip and there is acanthus leaf detailing in other areas. The pattern repeats with slight variation on both sides of the handle.
The lower portion of the handle is plain an...
Staunch and clean, these were made to a standard and no doubt intended to serve dutifully while presenting with a quiet nobility.
The elongated cup grips have high shoulders that, which, along with the length of the arms, have beveled edges. The arch i...
This piece is a 6 1/4" long, approximately .9 T. oz., sugar spoon.
It has an elongated, plum-shaped bowl with hatched edge shoulders. The interior has a matte finish.
The handle portrays a maiden in courtly garb, carrying a kettle in one hand and a pitcher and saucer in the other.
It is without a monogram or removal and in very good condition. It ...
Fully expressed on both the front and backsides of the handle, but with different portraiture, the design incorporates multiple blossoms set forth in intricate, precise, detail.
This example is a 6 1/8" long, approximately .5 T. oz., olive spoon.
The plum-shaped bowl has a pierced interior, cut in leaf and apostrophe shapes.
The piece ...