It has a broad, down turned, "Reverse Tipt," handle end, a narrow shank with beveled edges, and high, rounded shoulders off the bowl.
The bowl has a pointed tip and a raised shell design on the backside heel.
It is stamped "R[ichard]. Smith" and "Newark," along with a "lion, D, bust...
A 6 1/4" long, just over .8 T. oz., example, this item is stamped "Geo. Howe.," for a jeweler who worked during the third half of the 19th century, in Lynn, Massachusetts, a city just north of Boston.
It has a "Pointed Antique Tipt" handle that is extensively engraved in a leaf and scroll design. There is a reserve area that wa...
Made of coin silver, this dates c. 1865.
The pattern is described as "ornamental" in Rainwater's "Encyclopedia of American Silver Manufacturers." The design appears on both sides of the handle and features anthemion leaves, along with other period detailing.
The bowl is a shell form in the manner o...
It is a solid silver ice cream slice or knife in Frank Smith's "Newport Shell" pattern, which features a shell end handle with beaded border on the front, and double lined edges and the shell crest on the backside.
The commanding blade is essentially rectangular, measuring 6 1/2" at the longest and 1 7/8" at the widest. With largely flat margins, there is one scalloped area on the upper edge, and a rolling ...
The pattern is "Lotus," which is an Egyptian Revival design that is nearly identical to Gorham's pattern of the same name, save Whiting's version shows five fronds while Gorham's has three.
It is solid silver, with a flat handle joined to an upswept blade with a scalloped top edge.
It has a plain, concave body that is ringed on the top and bottom margins by a series of five, cast, high relief, winged cherub or putti faces.
Childlike in appearance, their mien is consistent with this being a birth or baptism p...
It has an end that mimics Jensen's "Pyramid" and design elements around the band that abuts the stainless steel opener that are reminiscent of his "Bittersweet" and "Cactus."
Cubic and angular in construction, the handle is robust and tapers inward somewhat.
Without a monogram or inscription, the piece remains in excellent condition. The silv...
It reflects a form that saw various expressions in the mid 1860s. The common characteristics of this style are a faceted, which this is, or tubular stem, surmounted by any number of ends, for example, knob, ball, sphere, cube, or as in this instance, "dome."
The top on this is more precisely a hemisphere, wit...
It is model number "S623," as stamped below the hinge, along with "Sterling." Gorham's "lion, anchor, G" hallmark appears on the underside of cap, as well as "Sterling" and a date symbol for "1890." All these marks repeat on the lower rim, save the date symbol there is for 188...
It also has a steel rod that makes up nearly two-thirds of the total length of the piece. This is six-sided and pointed. It appears to be a skewer although it is often identified as a sharpener or hone. Typically, however, these latter were rounded and had knurled surfaces.
Price for the pair.
The pattern is "Newport Shell," dating from 1910. In addition to the shell end which lends the pattern its name, the design incorporates a beaded border on the front, and a lined border on the back, of the handle.
This form, nut picks, also...
The pattern, "Bead," was introduced in 1880, and in addition to a namesake beaded border, it features a fully articulated, high relief, shell at the handle end. This element shows particularly well at the scale of this piece.
The 7 1/2" long by 2 1/2" at the widest, b...
Made by Gorham, whose "lion, anchor, G" hallmark, along with "Sterling" and the model number "B698" are imprinted on one edge, and the name of the retailer, Boston's "Bigelow, Kennard & Co." on another edge, it is commonly identified as a page turner, but catalogues of its circa 1900 period, label it a paper cutter.
The design is as impressive as the piece itself. It repeats on both side of ...
It has a hollow handle and a silver plate blade, which component is something of a rarity when found in good condition, as such blades are subject to wear and, soon after the 1900 date of this design, were supplanted by stainless steel composition.
The pattern is akin to Durgin's "New Art," showing high relief iris blossoms, with long, sinuous, leaves trailing up the handle.
The blade is flat a...
This item possesses all the attributes that make a vintage piece of flatware desirable, namely, it is an unusual form in a sought after pattern by a premier maker, and in superb condition.
It is an early example of the "English King" pattern, marked "Tiffany & Co.," "Sterling," "Pat. 1885.," and "M.," with this letter identifier dating its manufacture to no later than 1891.
A sugar sifter, it measures 5 3/4" long and weighs a substantial 1.7 T. oz.
The bowl measures 2 1/2" by 1 1/4...
Price for the pair.
The sugar stands 4" high to the top of the swing handle, and rises 2" from the 2" diameter rim base to the edge of the rim which is 3 3/4" across. It weighs approximately 3.4 T. oz.
The pitcher is 3 3/8" tall, 3" across to the handle tip, has a 1 1/2" rimmed base, and weighs 3.0 T. oz.
The design is a stu...
Marked only "Coin," without a maker's or retailer's identification, the rounded handle with notched tip essentially matches Gorham's early, 1865, "Italian" pattern, and the quality of manufacture suggests such a significant maker.
This is bordered by fine wriggle work engraving and has an elegant period "EC" feathered script monogram set in the center of the plain area of the surface.
The lower por...
It is stamped "S. Kirk & Son" in italics on the underside, which is a mark that Rainwater in "Encyclopedia of American Silver Manufacturers" dates 1880-90. It is also imprinted with the peculiar-to-Baltimore "11 oz." standard, which designates silver content more than coin and less than sterling.
The entire surface save for a reserve area that is engraved with ...