Working in the early decades of the 20th century (and later absorbed into Currier & Roby), Henckel produced quality work, often in an Arts and Crafts style, as evidenced by this 7 1/8" long, weighty at 3.1 T. oz., pai...
Examples show up in both coin and sterling silver, and are sometimes marked with the firm's "D" emblem and sometimes left unmarked.
This large, 9 3/4" long, and weighty at 3.2 T. oz., ice cream server is imprinted "Sterling" and "Pat. Apd. For."
The pattern incorporates a raised spray of meadow flowers, grasses, and ...
It is stamped "S.N. Story" for the Worcester, Massachusetts silversmith and jeweler. Also marked "Pure Coin," which was a regional term, this was likely made in Boston.
The pattern is "Olive," which was a very popular design in the period.
What sets this apart from other examples is its intermediate size, shell bowl, solid weight, quality manufacture, and good condition.
Made in two versions, solid background and pierced, it is replete with scrolls, acanthus leaves, and delicate leaves with flowers, all set in moderately high relief.
Elegant without any embellishment, this pierced, 8 1/8" long, 1.4 T. oz., jelly knife is made all the more so by the addition of an overall vermeil, i.e. gold gilt, surface, and rich, multi-colored enamel...
The backside of the handle on this 4 5/8" long, .6 T. oz., (baby) food pusher has a more simplified design than the front and coincidentally resembles Gorham's "Norfolk" of the same period.
It is a full...
Dating from 1900, it is figural and naturalistic both. The end of the handle portrays what appears to be a bearded lion, whose cheeks are pond lilies. Elements of the beard fuse into tendrils, accented by an additional blossom and leaves, that trail along the upper margins of the handle of this 8 7/8" long, heavy, 3.2 plus T. oz., large cold meat fork. ...
The pattern was introduced in 1934 (one source offers 1931), although the mark on this 4 1/8" long, substantial weight, .8 T. oz. tea caddy spoon, "Georg Jensen in an oval of dots" over "Sterling" and "Denmark," was used from 1945 onward, so it dates between then and the 1970s when production was discontinued.
Deceptively simple in design, the pattern features a slight...
It is marked "S[amuel]. Hoyt & Co" and "266 Pearl St" for the well-documented New York City maker who worked by himself as well as in numerous partnerships. This location dates 1836-50.
An "Oval Thread" pattern, it is without a monogram or removal and is in especially fine condition.
The hand polished only finish is bright and even. The tines remain...
The handle is twisted on the lower portion, with a broad, rounded end having a slightly tipt backside. The front is engine turned and bright cut engraved, and includes a shield reserve that is engraved "MN" in Old English lettering.
The pierced bowl has a scalloped edge, with en...
They are early production items, marked with Whiting's "lion" logo, "Sterling," "Pat. 1902," and "R'd 1902."
In superb condition, each arm retains excellent, precise detail to the lily design, which is set in high relief. The talon grips are finely articulated and without bends or cracks. The overall finish is bright and even.
Just slightly smaller than a tea or dessert knife, it is a youth size piece.
An "Oval Thread" design, it is stamped "Bigelow Bros. & Kennard" for the prominent Boston firm of the period. It is also marked "Sterling," which is early for this date; coin would be expected.
It is solid silver, with a flat handle, and blunt-end blade.
Made in Boston, it is stamped "H.B. Standwood & Co.," for a firm that eventually became a part of "Shreve, Crump & Low."
The pattern is a scroll design similar to one produced by Farrington & Hunnewell, also of Boston, in the mid 19th century.
The inscription, a large, fancy "S" over "1877," postdates the actual manufacture of the piece by about twenty years.
Other elements include flower blossoms, acanthus leaves, a shell, and a fruit or berry at the end of a scalloped edge handle.
This example is a large, 11 1/2" long, approximately 4.0 T. oz., fish slice. The blade has a shaped and curved upper side and shoulders, both with a...
It is an old, i.e. early production, piece marked with the Whiting "lion" logo, "Sterling," "Pat. 1902," "Reg. 1902," and the name of the retailer, "F.W. Reich."
The blade comprises more than half the length of the piece and has a scalloped upper edge, and upswept, pointed tip.
Both the handle and the blade are...
Dating from the George III period, it is fully and clearly hallmarked for Dublin, 1777, sterling, and maker Michael Homer, whose dates are appropriate to this.
It has a "Hanoverian" style handle, with a down turned, reverse tipt handle that is extensively engraved in bright cut and wriggle work on the front.
There is a feathered script "VL" monogram on the f...
Price per piece, five available.
This 5 1/2" long, relatively heavy at .9 T. oz., egg spoon is such an example.
It is a "Bead" pattern, with the design appearing on both sides of the handle. The reverse has a fancy script "CBD" monogram.
The oval bowl is generously sized at 1 3/4" long and 1" across at the widest. It retains an original, bright gold wash front and back surfaces.
It is in excellen...
It bears a Baltimore assay mark of a "Maryland shield and the letter C" that was used 1825-30, along with "S. Kirk" in script.
The assay standard for this time was established by law at 11 parts out of 12, or 91.7% silver (vs. 92.5% for sterling and 90% for coin), commentary in the Baltimore Museum of Art volume "Mary...
Its origins are Irish, with hallmarks indicating it was made in Dublin in 1821 by Joshua Buckton, as indicated by the "I pellet B" imprint. James Brady also dates from the same time, but his mark is absent the pellet.
It is an "Old English" pattern, with a down-turned, reverse tip handle and a thumb drop on the bowl backside.
There is a feathered script "AMcC" monogram engraved on the fro...