These include figures such as a standing woman with an arc of stars around her head and a banner reading "Genovepha Parisis," and a pair of cherubs flanking the top front of the handle.
City landmarks are represented by a rendering of the full façade of "Notre Dame," while other, more generic, symbols include a wooden ship powered by sail and oars, birds with raised wings, acanthus, ivy, and laurel leaves, ...
Price per piece, two available.
This example is an early production piece, marked "Tiffany & Co.," "Sterling," "Pat. 1869," and with a lower case "m."
It is a 6 5/8" long salad fork, and, as became a benchmark with Tiffany silver, is heavy, weighing nearly 1...
It is solid sterling silver, with a flat blade that measures 7 1/2" by 1 3/4". This has a beveled lower edge, and upswept, pointed tip. The upper edge is perfectly straight.
The pattern is "Corona" by Dominick & Haff. This is a double shell design that appears on both sides of the handle. The handle front ha...
The pattern is "Alameda" aka "Ivy." It strongly resembles Gorham's "Corinthian" of the same c. 1870 date, but with the addition of a spray of raised ivy leaves and berries set against a stippled ground.
The bowl has a central rib and something of a pie crust border....
This example is a 5 7/8" long, just over .9 T. oz., sugar spoon. It has an acid etched surface that portrays two birds and a portion of a third, all sitting on branches. The backside has the rippled border that gives t...
Companion sugar spoon also available.
It is stamped "S.H. Johnson" for the early 1860s New York firm which had a short life before becoming the generally better known Kidney, Cann, & Johnson. There is also a three part, "bust, SHJ in a lozenge, lion" pseudo hallmark which is a second identifier of the company.
The flat, oval, handle is bright cut with wriggle work detailing. T...
It was made by Frank Smith, whose "lion and S" emblem is stamped on the inside lower rim, along with the word "Sterling."
It is entirely plain, and without a monogram or inscription, or removal of same.
In choice estate condition, it remains perfectly round and is free of bends, nicks, or blemishes. The finish is bright, with a rich patina.
It measures 6" long when fully assembled, and 3 1/8" when folded up. Solid sterling, the holder and perforated cap weigh .7 T. oz. combined, while the base and brush together weigh another .7 T. oz.
The body is a high relief floral and leaf repousse design. There is a central reserve which is engraved with an embellished script "TB" monogram.
The natural bristle brush stores i...
It is a floral, multi-motif line, with the name of the particular flower identified on the backside of each piece. The flower on this 7 1/4" long place or dessert spoon is identified as a "petunia."
It has a 2" by 1 1/4" by 5/8" deep, pierced bowl that is finished in a pale matte gold wash. The shoulders are embellished with the scroll design of the pattern, and there is a small flange around the entire rim.
The handle is inscribed with a cursive "ES" monogram.
It is in excellent condition. Free of polishing wear, the pattern detail remains clear and well-defined. The finish is bright. ...
This example is a 9 5/8" long, nearly 2.7 T. oz., cake saw. It has a solid, flat handle, and all-silver blade. The blade has a saw-tooth upper edge, which is characteristic of this item.
Without a monogram or removal, this is in exceptionally fine condition. There i...
Unremarkable in terms of function, this 6 3/16" long, just under 1.0 T. oz. sugar spoon, still stands forward for its quality of design and manufacture.
It is a "King" or "Kings" pattern that compares well with other companies' interpretations of this English-inspired motif.
This has an oversized, 2 1/4" by 1 1/2", shell bowl with a frosted matte gold fini...
The company's third line, it was originally issued as "King's" or "King" in 1870, sometimes referred to as "Old King" to distinguish it from the later "English King." It was briefly reissued in 1908, then called "Cook," and finally again reintroduced in 1956 under the name "Saratoga" by which it is known today.
This example is from the earliest period...
This 8 5/8" long, nearly 1.9 T. oz., coin silver tablespoon is marked with the "T.U" and "I.V" indicative of that partnership.
It has a rounded, "Reverse Tipt," down-turned, end and a pronounced drop on the bowl. The shank is narrow, thick, and smoothly joined with th...
Most frequently found as teaspoons, the series was produced in a variety of other place and serving pieces. Large items such as this 9 5/8" long, nearly 3.5 T. oz., likely fish serving fork, however, are quite rare.
The detail of the Art Nouveau design shows to advantage at ...
It is a sophisticated piece, and all the more so for its early date. It is a "Kings" pattern, with a pronounced shell end with leafy borders. The backside heel of the bowl also has a shell imprint. The ...
The pattern, "Marechal Niel, dates from 1896. Independent from its heft, Marechal Niel is appealing because it is an outstanding design. It offers a high relief, multi-dimensional portraiture of the rose which is its namesake. It is double die struck, meaning the design appears on both the front and bac...
Priced as a pair.
The engraving is Aesthetic in manner, which is consistent with the 1884 date of this design. The backsides are plain, save for elegant, feathered script "ARF" monograms.
The 7" long knife is solid silver while the four-tine fork measures 6 1/8". The two together weigh 1.8 T. oz., ...