It has a 1/2" high sidewall with a scalloped edge and a series of raised scrolls that appear to mimic breaking waves.
The center bottom of the piece has an oval dome that is engraved "HCE" in lined script. Ridges radiate out from this, suggesting a sunburst.
This example is a 9" long, 3.3 T. oz., berry spoon in "Grapevine."
William Hood in Tiffany Silver Flatware notes that this was made with a variety of bowl forms, and the shell or fluted design on this is observationally one of the less common ones. It is finished with a bright gold wash front and backsides.
An early production item, t...
The griffin set against a Moorish style background composition is emblematic of the Renaissance Revival period of the 1870s.
The bowl is plum shaped, with a flange rim and central vee running from the handle to the midpoint of the base. It is finished with a...
It measures 2" tall to the rim, 2 3/4" at the highest point of the arms, has a body that is 3 1/2" wide, 5 1/4" handle tip to handle tip, 2 3/8" across on the bottom, a top opening of 2 3/4", and weighs 4.6 T. oz.
Likely a sugar bowl, it stands on its own.
Elegantly understated in design, the body is cauldron shaped with a sawtooth edge rim, and has...
The pattern is "Passaic," introduced by Unger Brothers in 1900.
Known for its innovative Art Nouveau designs, executed in both flatware and jewelry, the style of this goes in another direction, to the rococo. It employs a variety of scrolls, leaves, and delicate flower blossoms presented i...
This 6 1/8" long, approximately 1.0 T. oz., sauce or cream ladle is an example of this practice. The rarely found pattern is a very close match to Whiting's "Berry," introduced in 1880.
The handle is more slender than Whiting's and also ...
"Lily" is an enduringly popular, Art Nouveau pattern that essentially set the standard for this floral interpretation after its introduction in 1902.
Absent noticeable polishing wear, this pair show the design to full advantage, retaining all the fine flower and leaf elements for which the line is known, as well ...
They are "MKH" and "JAH" in block lettering, "Hand Wrought," and "Sterling."
The piece is compellingly appealing in its simplicity of design, good heft, and the high quality of its workmanship.
In flawless condition, it exhibits precise construction, is perfectly round, and has...
The handle, about half the overall length, is sterling silver, so marked, along with Shiebler's "winged S" emblem and the model number "5264," while the lower portion with the actual "hook" that defines the piece, is plated steel.
The silver portion is comprised of a central rod wrapped by two strands of heavy wire that encircle th...
Butler also used an animal head over chevron emblem, as found on this 7 1/8" long, T. oz., preserve spoon, that is similar enough to that used by Wat...
It has a pointed tipt end with scroll detailing and a raised fleur-de-lis drop.
The length of a tablespoon, the oversized, wide and deep with a pointed end, bowl suggests this was designed to function as a versatile server.
While relatively plain, it is adorned with an embellished Old English "L" monogram that stands for...
The pattern is "Chippendale Old" made by Frank Smith. It features a raised acanthus leaf design set on the terminal end of the handle and the backside heel of the blade. The front of the handle is otherwise smooth and tapered, while the reverse has a midrib.
The handle curves downward where it joins the nubbed shoulders of the blade, which has a bev...
The pattern is a "Scroll and Leaf" design, here accompanied by a stylized shell form bowl that may be singular to this form.
The handle reverse is engraved in script with the name "Viola."
It is in excellent condition, evidencing no polishing wear and having a fine finish. The bow...
It portrays a full-sized, semi-draped, female image with three putti surrounding her head. One of these is cupid like and is pointing a bow and arrow at her.
Additional detailing includes orchid blossoms, leaves and other flowers, front and back sides, all presented in an Art Nouveau manner, which is consistent with the 1902 date of this line.
The handle reverse is engra...
It is stamped ". F&H ." for Farrington & Hunnewell, along with "Pure-Coin," which is a New England regional term designating the silver content.
The arched handle has a fan-shaped end, which along with the main shank, is finely engraved in an intricate leaf and scroll design. Boston design of the period is often associated with restraint, if not severity, and the embellishment...
It stands 3 5/8" tall, has a diameter of 2 7/8", a maximum span of 4 3/8" to the end of the handle, and weighs just under 6.0 T. oz.
The body is plain walled and has a satin finish on the upper section, while the lower portion has a ...
They measure 4 5/8" long, are 1 3/4" across at the handles when closed, and open to a span of 3 5/8" at the shell grips. Weight is .9 T. oz.
Each arm is cast solid silver with a round finger grip attached to arms that are a series of ...
It is stamped "S. Kirk & Son" along with the Baltimore standard mark "10.15," which is roughly equivalent to coin, and in this particular combination of marks was used 1846-61.
Well-proportioned and clean looking, this presents in a quietly stately manner.
There is a feathered script "G" monogram on the front of the otherwise plain pie...