The late 19th century pattern is expressive, portraying an abundance of chrysanthemum blossoms and leaves arrayed on both front ...
The pattern is Towle's courtly "Georgian." It resembles a Corinthian style column surmounted by a basket of roses and draped with a garland of roses. A third rose detail is set midway up the handle. The reverse adds shell and acanthus leaf components in addition to the roses, all of which rou...
It is large, measuring 8 7/8" long, with an essentially round bowl that is 3" in diameter and 1/2" at the deepest, and heavy, weighing nearly 2.8 T. oz.
Rarely found, this is not a named line pattern with Gorham, but it is in the manner of a "Pointed Antique" with a broad, slightly down-turned, end. It has notched shoulders where it joins the bowl, an...
With one exception, standard references offer no information about this mark, and that one identifies it with David Mendel, 1852-65.
A private source, citing Boultinghouse "Silversmiths of Kentucky," notes there are two possibilities, David a...
This piece is a 6 1/8" long, just over .8 T. oz., sugar spoon.
It is unusual in that the upper end of the handle is hollow, while the lower portion is tubular. This provides for a thicker than usual grip, and also enables more detailed design elements, which include a blossom, bud, and sinuous leaves set against a textured background.
The bowl is decorative, in keeping with the overall de...
Made by Gorham, whose "lion, anchor, G" emblem is stamped on the inside, it is model number "673" which is also imprinted on the interior, along with the word "Sterling."
Dating circa 1880, it is Aesthetic or Eastlake in style, engraved in a pattern that is part foliate and part stylized.
It has a fancy, feathered script, "HMR" monogram.
Model number "18," as identified on the underside, along with the rare "left lion" version of Gorham's hallmark, the word "Coin," and the name of the retailer, "W.H. Talbot & Co.," Indianapolis. Interestingly, most sources cite Talbott for spelling of this firm, with the exception of Kovel's which cites Hiatt "The Silversmiths of Kentucky" as its source and uses a single "T."
The 3/4" deep, nearly round, 2" diameter, bowl with a central vee, flanged shoulders, and slightly tipped lip, on this 6" long, 1.2 T. oz., sauce ladle is engraved in a Palmetto leaf motif that is evocative of Egyptian Revival style. The bowl interior also retains most of its original, bright...
Considerable online information is available about this volume, and given no book expertise is here represented, evaluation of this has to rest in outside sources. This comes through a family channel, not commercial or otherwise.
It is fully authentic, with a plate on t...
Offered as a three piece set, this is the pot. It stands 6" tall to the top of the finial, has a main body that is 4" at the widest, 5" to the end of the spout, and has a sterling and ebonized wood handle that extends 4 1/4" at a slight upward cant from the body. It weighs 14.1 T...
The pattern is Whiting's late 19th century "Dresden," which is a charming and intricate floral design that features what appear to be forget-me-not blossoms and leaves trailing up the handle. A shell surmounts the handle tip and there is acanthus leaf detailing in other areas. The pattern repeats with slight variation on both sides of the handle.
The lower portion of the handle is plain an...
Staunch and clean, these were made to a standard and no doubt intended to serve dutifully while presenting with a quiet nobility.
The elongated cup grips have high shoulders that, which, along with the length of the arms, have beveled edges. The arch i...
This piece is a 6 1/4" long, approximately .9 T. oz., sugar spoon.
It has an elongated, plum-shaped bowl with hatched edge shoulders. The interior has a matte finish.
The handle portrays a maiden in courtly garb, carrying a kettle in one hand and a pitcher and saucer in the other.
It is without a monogram or removal and in very good condition. It ...
Fully expressed on both the front and backsides of the handle, but with different portraiture, the design incorporates multiple blossoms set forth in intricate, precise, detail.
This example is a 6 1/8" long, approximately .5 T. oz., olive spoon.
The plum-shaped bowl has a pierced interior, cut in leaf and apostrophe shapes.
The piece ...
Matching berry spoon also available.
This example is a 7" long, 1.2 T. oz., preserve spoon marked with Shiebler's "winged S," and the words "Sterling," and "Patent." It has a plum-shaped bowl, with a ribbed heel and midline leading to a slightly pointed tip. Finished in a bright gold wash on the front and a matte gold surface on the backside, the bowl interior is engraved in an aesthetic manner featuring fern fron...
The first factor that stands out is that they are made of solid sterling silver. Grape shears typically have steel cutters, while these are clearly marked on the backside of the lower blade "Howard & Co.," the date "1892," "New York," and "Sterling." To be sure, they do have darkened sur...
This is an older piece, with a reinforced arch, and decorative beading on the claw grips.
Without a monogram or removal, they are in superb condition. There are no bends, nicks, dents, or polishing wear. The finish is lustrous.
Marks are the Towle lion emblem, "Sterling," and "Pat. 1895."
It is apparently modified from a Whiting "Louis XV" pattern. It retains the "Sterling" and "Pat. 1891" marks of that line, accompanied by "Geo. C. Shreve & Co." It apparently dates between 1891 and 1894, when the name of the firm became "Shreve & Co."
The piece incorporates two modifications, both of which reflect h...