Price per piece, five available.
This 5 1/2" long, relatively heavy at .9 T. oz., egg spoon is such an example.
It is a "Bead" pattern, with the design appearing on both sides of the handle. The reverse has a fancy script "CBD" monogram.
The oval bowl is generously sized at 1 3/4" long and 1" across at the widest. It retains an original, bright gold wash front and back surfaces.
It is in excellen...
Its origins are Irish, with hallmarks indicating it was made in Dublin in 1821 by Joshua Buckton, as indicated by the "I pellet B" imprint. James Brady also dates from the same time, but his mark is absent the pellet.
It is an "Old English" pattern, with a down-turned, reverse tip handle and a thumb drop on the bowl backside.
There is a feathered script "AMcC" monogram engraved on the fro...
An English Georgian piece, it is fully marked for London, sterling, 1812-13, and maker Richard Turner (RT).
Variously identified as a platter, basting, or stuffing spoon, it is intended for heavy duty.
This has a leaf script "M" monogram on the front of the otherwise plain handle.
It is in excellent condition, the only signs of use bei...
It is marked with Alvin's three part emblem, and the words "Sterling" and "Patent," all in fine, precise lettering as it should be on an old piece.
The flower and leaf detail on the handle is rendered in such sharp and clear design that even the pollen on the petals shows.
The bowl has a scalloped edge, with flange shoulders, grooves in the...
It is fully marked for Sheffield, sterling silver, a date letter "h" for 1900-01, and the maker's "RM over EH" in a diamond.
It is Georgian in style, having a center bar with turned ends and a hexagonal middle section. The resting legs have double ball tips.
It is without a monogram or inscriptio...
Presenting with a dramatic and bold look, this 9" long serving spoon is large and very heavy at 4.3 T. oz.
The handle is cast, and as indicated above, incorporates an intricate, asymmetrical, rococo, pierced design, which overall appears as quite grand.
The bowl is generously proportioned, measuring 3 5/8" by 2 5/8" by 3/4" deep. It is a styliz...
This appears on the banding on the upper inner rim and edge of the pedestal base of this 8" top diameter, 4" across the bottom, 5 1/4" tall, 14.9 T. oz., footed bowl, aka tazza or compotier.
The entire piece is characterized by elegant, clean lines, and bright, mirror-like surfaces.
The bowl itself is 2 1/4" deep and has a domed base w...
Price for the pair.
The pattern is a "Tipt," with beveled edges along the margins of the handles. The ends are slightly upturned, and the tines are long and tapered.
Each piece is fully marked with a "lion" for sterling, a "leopard's face" for London, a date letter "e" for 1834-35, a duty mark, and "WJ" for maker William Johnson.
Unadorned save for feathered script "H" monograms, their...
The partnership only lasted two years as Shaver sold out to Brown in 1858, but whose interest he bought back in 1863. All this history indicates the mark on this piece is rarer than most associated with the Shaver name.
The pattern is one described as "ornamental" in Rainwater's "Encyclopedia of American Silver Manufacturers." The design appear...
It has a "Tipt" end, rounded and heavily beveled shoulders, and a pointed end bowl.
The backside of the handle has an elegantly rendered, feathered script "TD" monogram.
It is stamped "J.L. [Jared] Moore & Co." (1796-53) for the well-documented jeweler and watchmaker. This particular mark, with the "& Co.,"...
Price for the pair as a set.
The pattern is "Cantebury" by Towle, issued in 1893. The spoon measures 9" long and weighs 1.2 T. oz., while the fork is slightly shorter at 8 7/8" and lighter at 1.0 T. oz.
Both items have matte finish, gold washed serving ends and are engraved in script "1865-1915" on the handle reverses. There are no monograms or removals on the fronts.
It is an exceptionally large, 12" long, and heavy, nearly 4.5 T. oz., fish slice. At this scale, the shank is thick and the beading high relief.
The blade is elegantly shaped, with a gently curved lower edge, scalloping on the upper end and shoulder, a notched lower corner, and a gent...
This example is a 7 1/2" long, 1.5 T. oz., preserve or jelly spoon. It has the plum-shaped bowl with a flange rim and central rib that Whiting used across several pattern lines.
There is a reserve area at the front of the handle which is a natural location for an inscription. On this piece that ...
This example is an 8 3/4" long, approximately 1.0 T. oz., lettuce fork. Slender overall and with three elongated tines joined by a crossbar, it was designed to be a delicate implement.
The heel of the tine area is slightly cupped, and is embellished with an elaboration of the pattern on the shoulders.
Never monogrammed, this is in choice estate condition. There is no evident polishing wear and th...
It is stamped "Canfield," referencing one of three (later two) brothers, Ira, William and Jared, the majority of whose working years were spent as partners.
The Baltimore Museum of Art reference work, "Maryland Silver," assigns this particular mark to Ira, located in Haddam, Connecticut until c. 1834, and Baltimore after that, where the partnership was situated.
It is also marked "10....
A turn of the 20th century design, it was made by Alvin, whose company emblem and the word "Sterling" is imprinted on the handle backside in fine lettering.
The flowers on this item include an iris set midway on the handle, and roses at the terminus. These are accompanied by intertwined leaves, accent...
A "French Thread," aka "Fiddle Thread," design, it was made by New York City's Henry Hebbard, who with his contemporary and sometime partner John Polhamus, was one of Tiffany's major suppliers in the 1850s and 60s.
Hebbard's "star, H, anchor" pseudo hallmark appears on the reverse, along with "Tiffany & Co.," and "Sterling."
It is engraved "EAS" in a delicate sc...
The pattern is "St. Cloud," one of the outstandingly successful designs produced by Antoine Heller in his long and consequential career with Gorham.
It is in very good condition. The dense leaf and shell motif remains well-defined, showing minimal polishing wear. The tines remain straigh...