Consistent with that, this example measures 6 7/8" long and is quite heavy, at 1.7 T. oz.
The pattern is "Dauphin" by Durgin, issued in 1897.
Apropos of the name, the design is French in manner. It features a variety of high relief flowers and leaves, with a ribbon border. The backside heel of the roughly 2" diameter bowl features an expanded leaf portraiture, interpreted in a free-flowing, Art Nouveau...
Hotchkiss & Schreuder of Syracuse, NY, operated under various names from the mid to late 1800s. The "H&S" mark (along with "Sterling") imprinted on the blade of this 7" long, relatively weighty at 1.2 T. oz., master butter knife in the company's "Unique" pattern was used 1864-71 according to an entry in Rainwater's "Encyclopedia of American Silver Manufacturers."
The design is characteristic of the period, incorporating leaf and anthemion elements rather abundantly employed. It is doubl...
Priice per piece, three available.
This example is a 7" long, weighty at 1.2 T.oz., dessert or oval soup, place spoon. It was made by Whiting, whose lion emblem, along with the words "Sterling" and "Pat 1862," appear on the backside.
The design incorporates three defining elements, all of which are derivative of the name. The dominant o...
Priced as a set.
This pair of of items is reflective of their high quality work. They are in the fashion of earlier styles, executed in an Arts & Crafts manner.
The main piece is a 5 5/8" diameter handle tip to handle tip, 1.1 T. oz., tea strainer. The actual strainer section m...
It is an original production example of Alvin's early 20th century, Art Nouveau, "Old Orange Blossom," informally known as "OOB."
It is imprinted with the Alvin emblem, and the words "Patent" and "Sterling," all in very fine lettering as would be expected of an early piece.
The handle end is upturned and has an Old English "W" monogram that is very shallowly inscribed and only faintly visib...
This example is a large, 10 1/2" long, just under 2.6 T. oz., serving spoon. It has an extra wide and deep bowl, to be distinguished from a nearly identical version with a smaller bowl.
This is assembled from a variety of parts, rather than being die struck as a unit, or a single casting. This approach was pop...
The holder is sterling silver with a lattice body with beaded detailing on the upper rim and handle. The 2" diameter lid has a raised flower, perhaps wild rose, and leafy scroll design with a solid thumb grip.
The liner is ruby red glass and is original to the piece, as is the 3 3/4" long, sterling bead and twist pattern mustard ladle. The total weight of the silver is 2.5 T. oz.
This 11 1/4" long example has an engraved margin, but is otherwise plain and without any erasures.
The large, 6" long by 3 1/4" at the widest, blade is sterling silver, as is the shank which is fitted with a turned, appearing to be rosewood or mahogany, handle. The piece weighs 4.8 T. oz., including the handle, which comprises a relatively insignificant a...
This example is an 8 1/8", .9 T. oz., olive spoon. It is long-handle, versus standard size, which is less than 6".
The flowers are delicately scaled and arrayed around the end of the handle, with trailing leaves and buds set along the length of the shank.
The pierced bowl has flange edges, a pointed tip, and retains most of an original pale gold fin...
Made for Colonial Williamsburg as part of an exclusive line, it is described in a 1976 catalog as "A design of classic simplicity copied from a bowl made by Philip Syng (1676-1739)."
It sits on a tiered base that is 3" across, and has an applied upper rim.
There is a line "MSB" script monogram on the side.
In exceptionally fine condition, it sits eve...
Price for the pair.
Each one has three legs and stands 1 1/4" high to the top of base and 1 5/8" tall with the liner in place, and is 1 3/4" wide at the maximum. The combined weight of the metal is .7 T. oz.
German in origin, they are stamped "800" for the grade of the silver. These marks are on the rims, and are flanked by two other imprints. These are so small they are indecipherab...
This example of the line is a medium sized, 4 3/4" long, moderately heavy at nearly 1.3 T. oz., pair of sugar tongs.
Naturalistic in their portraiture, the three leaves that adorn each leg of the tongs are nonetheless precisely arrayed within the overall design, with one on the bottom and two on the top, surrounding an open area with lined margins.
The leaves are offset with several...
Price for the set of six.
They were made by Alvin, whose company emblem, "Sterling," and "Patent" appear on the backsides, in very fine, precise, raised lettering as it should be on original pieces..
The pattern is "Majestic," which is a multi-motif floral Art Nouveau line that in this instance portrays irises. It was introduced in 1900.
There is a single, large blossom set midw...
The pattern is "Armor," issued by Whiting Manufacturing Company in 1871. It incorporates acanthus leaf elements, an area of scaling that is perhaps intended to evoke chain mail, and other details that are Gothic Revival in style.
The serving end is what defines this likely vegetable fork, and it is commanding.
Measuring 4 1/8", it has five, 2 1/4" long, tines. It is e...
Sculptural in manner, it was made by Watson, whose design and execution in silver manufacturing consistently reflects a high standard.
The subject is drawn from the nursery rhyme "Little Bo Peep" and features a complexly detailed, three dimensional, portraiture of the miss herself.
She is adorned with a big bonnet hat, is wearing a corseted bodice that i...
The lower portions of the handle where it joins the bowl suggest an Egyptian Revival influence, while other areas point toward Renaissance Revival inspiration. Lastly, the dense floral clusters employ similar imagery to Gorham's "Cluny" pattern that was designed by Antoine Heller who was highly regarded for his Classical motifs.
This particular piece stands apart for two reasons. One is the quite spectacular p...
The nearly round bowl measures 2" by 1 1/2" by 1/2", has a ribbed and decorated interior and scalloped edges.
The piece is in mint estate condition, and is without a monogram or removal. Pattern detail remains well-defined, down to the pollen flecks on the lily flower petals, and the stippled detailin...
Among those who pursue ultimate quality, Robinson has an outstanding reputation. Indeed, "Cigar Aficionado" magazine states in an article available online, "one can make a case that James Robinson's sterling flatware is the world's best crafted. The reason is simple: it's one of only two sources left anywhe...