Catalog

An early example of Whiting's "Lily," this pair of 4 15/16" long, heavy at just under 1.0 T. oz., tongs are marked with the company "lion" logo, "Sterling," and "Pat. App. For."

"Lily" is an enduringly popular, Art Nouveau pattern that essentially set the standard for this floral interpretation after its introduction in 1902.

Absent noticeable polishing wear, this pair show the design to full advantage, retaining all the fine flower and leaf elements for which the line is known, as well ...

The marks on this 3 1/8" top diameter, 1 1/8" high, bowl standing on a 2" wide rim base and weighing a relatively heavy 2.9 T. oz., beg identification, although the quality of work bespeaks a skilled producer.

They are "MKH" and "JAH" in block lettering, "Hand Wrought," and "Sterling."

The piece is compellingly appealing in its simplicity of design, good heft, and the high quality of its workmanship.

In flawless condition, it exhibits precise construction, is perfectly round, and has...

One of several umbrella partnerships that Walter S. Brower, Albany, New York, established, Hall, Hewson & Brower, whose "HH&H in a diamond surmounted by an eagle" appears on the backside of this 7 5/16" long, just under 1.2 T. oz., coin silver, master butter knife, operated 1846-52.

This is also imprinted "J.S. Sanders," for the nearby Schenectady, New York, jeweler who retailed this.

A flat-surfaced piece with a high shouldered, pointed end, handle that angles downward to the broad, 1" ...

As is so much the mark of George Shiebler's work, this late 19th century, 5 1/2" long, button hook reflects imaginative and innovative design characteristics.

The handle, about half the overall length, is sterling silver, so marked, along with Shiebler's "winged S" emblem and the model number "5264," while the lower portion with the actual "hook" that defines the piece, is plated steel.

The silver portion is comprised of a central rod wrapped by two strands of heavy wire that encircle th...

Identified in Catherine Hollan's work Philadelphia Silversmiths as a member of "the extended Butler-Peters-McCarthy families from New London, CT," James Butler established himself in Philadephia and became closely associated with that city's James Watts with whom he was actually in active partnership as Watts & Butler for one year, 1867.

Butler also used an animal head over chevron emblem, as found on this 7 1/8" long, T. oz., preserve spoon, that is similar enough to that used by Wat...

This 8 5/8" long, nearly 1.4 T. oz., spoon is marked only "Sterling," but the pattern is Whiting's 1880 "Antique Tip," which is itself similar to Knowles' "Antique."

It has a pointed tipt end with scroll detailing and a raised fleur-de-lis drop.

The length of a tablespoon, the oversized, wide and deep with a pointed end, bowl suggests this was designed to function as a versatile server.

While relatively plain, it is adorned with an embellished Old English "L" monogram that stands for...

Measuring 7 3/8" long and weighing just under 1.2 T. oz., this solid silver cheese knife dates from the second decade of the 20th century.

The pattern is "Chippendale Old" made by Frank Smith. It features a raised acanthus leaf design set on the terminal end of the handle and the backside heel of the blade. The front of the handle is otherwise smooth and tapered, while the reverse has a midrib.

The handle curves downward where it joins the nubbed shoulders of the blade, which has a bev...

The scroll and leaf pattern on this mid 19th century, 5 3/4" long, .8 T. oz., sugar spoon was one manufactured by Farrington & Hunnewell, and in this instance retailed by "C.A.W. Crosby," both Boston firms.

The pattern is a "Scroll and Leaf" design, here accompanied by a stylized shell form bowl that may be singular to this form.

The handle reverse is engraved in script with the name "Viola."

It is in excellent condition, evidencing no polishing wear and having a fine finish. The bow...

A weighty item at 1.0 T. oz., this 5 7/8" long teaspoon is a superb example of Wallace's figural "Irian" pattern.

It portrays a full-sized, semi-draped, female image with three putti surrounding her head. One of these is cupid like and is pointing a bow and arrow at her.

Additional detailing includes orchid blossoms, leaves and other flowers, front and back sides, all presented in an Art Nouveau manner, which is consistent with the 1902 date of this line.

The handle reverse is engra...

This style of tea strainer is designed to hang from the spout of a tea pot.

The body is a basket, in this instance 2 1/4" in diameter and 1" deep, with a bail handle that is attached to a double wire prong that is held in the spout by tension. The total weight is nearly .5 T. oz.

This circa 1900 example made by Blackinton is model number "64" as stamped on the underside, along with the company sword emblem, and the word "Sterling."

The basket has a scalloped edge that is imprinted wi...

Measuring 7" long and weighing not quite 1.0 T. oz., this preserve or jelly spoon traces to Boston, circa 1860.

It is stamped ". F&H ." for Farrington & Hunnewell, along with "Pure-Coin," which is a New England regional term designating the silver content.

The arched handle has a fan-shaped end, which along with the main shank, is finely engraved in an intricate leaf and scroll design. Boston design of the period is often associated with restraint, if not severity, and the embellishment...

Described in Maryland Silver published by the Baltimore Museum of Art, as the "best known" of the family of silversmiths that included his father, brother, and son, Andrew Ellicott Warner was also "the most prolific Baltimore silversmith next to Kirk."

This example of his work is a 5 7/8" long, .7 T. oz., teaspoon.

Stamped with his name and the Baltimore "11 oz." standard designation, which equates to midway between coin and sterling, it dates from the mid 19th century.

Having...

Model number "1907," as imprinted on the underside, along with Gorham's "lion, anchor, G" emblem, "Sterling," and a date letter for "1880," this mug is large and exceptionally attractive. Furthermore, it references significant historicity in its inscription.

It stands 3 5/8" tall, has a diameter of 2 7/8", a maximum span of 4 3/8" to the end of the handle, and weighs just under 6.0 T. oz.

The body is plain walled and has a satin finish on the upper section, while the lower portion has a ...

A replica of a style that has its origins in the pre-Georgian era (see Old Friends item 2971f), this pair of sugar nips carry hallmarks in two places for London, sterling silver, 1921, and maker HF, likely Harrison Fisher, which was a Sheffield based firm.

They measure 4 5/8" long, are 1 3/4" across at the handles when closed, and open to a span of 3 5/8" at the shell grips. Weight is .9 T. oz.

Each arm is cast solid silver with a round finger grip attached to arms that are a series of ...

Measuring 7 1/8" long and weighing approximately 1.0 T. oz., this spoon has a broad, "Fiddle Tipt," handle, and high, pointed shoulders off the bowl.

It is stamped "S. Kirk & Son" along with the Baltimore standard mark "10.15," which is roughly equivalent to coin, and in this particular combination of marks was used 1846-61.

Well-proportioned and clean looking, this presents in a quietly stately manner.

There is a feathered script "G" monogram on the front of the otherwise plain pie...

Lacking a specific definition, console bowls are generally low and wide items, well-suited to hold fruit or decorative arrangements, and that is the case with this item.

It measures 7" across, stands 2" tall, has a tapering body that rests on a 2 3/4" wide base, and weighs a robust 11.8 T. oz.

Made by Tiffany & Company, it is so marked on the underside, along with "Sterling Silver," "925/1000," and an "m" for John C. Moore II, director from 1907-47.

It carries the model number "18941...

An early, harder to find and more sought after than later production items, this 5" long, approximately .7 T. oz., Art Nouveau period "Francis I" lemon fork is marked with Reed & Barton's "eagle, R, lion" emblem, "Sterling," and in very fine, precise lettering set along the edge, "Pat. June 25 07."

Newer pieces are marked "Reed & Barton."

It has three, elongated, tines joined to a pierced heel.

The backside is engraved "GSP" in a delicate script.

It is in mint estate condition. ...

One of the most impressive pieces in any given flatware line, Saratoga chip servers are characterized by their very large, deeply cupped and pierced, bowls.

The piercing is what distinguishes them from their similar, kindred but more common and less dramatic in appearance, cracker scoops.

These features are all present in this 8 5/8" long, 3.1 T. oz., example made by Gorham in its 1893 "Luxembourg" pattern.

The design is rococo in nature, featuring an asymmetrical array of scroll and...