Made by Philadelphia's George Sharp, who is most associated with this style, and particularly so his "Ball End," it is stamped "Patent 1863," "G.S.," and "Sterling," on one of the facets of the six-sided handle.
The cube is substantial, measuring 3/4" square, and si...
This 6" long, heavy at 1.2 T. oz., sugar spoon is an early example, marked with the Whiting lion logo, "Sterling," "Pat. Ap.23" and the name of the retailer, Boston's "A. Stowell & Co."
It is in immaculate estate condition, retaining every bit of its original sharp detail on the shells and acanthus elements of the design. The finish is bright and the...
Price for the pair.
A simple but well-executed "Tipt" pattern, they show the modest beginnings of a manufacturer which later produced some of the most elaborate designs of its time.
Each of these measures 8 3/4" long and has a feathered script "MAP" monogram set sideways on the handle. The pair weigh 2.8 T. oz.
They are in very good condition. Free of polishing wear, ...
Price for the pair.
Each one is also engraved on the reverse "HEA" in stylized Art Nouveau period script, further confirming their dating.
Measuring 4 1/2" long and relatively heavy, weighing marginally above 1.0 T. oz. the pair, they are the size of large demitasse or small after dinner coffee spoons.
They are in immaculate est...
The manufacturer's name appears on the backside of this 9" long, just over 3.1 T. oz., large serving, likely pudding, spoon. Other marks incl...
It measures 9 5/8" overall and weighs 3.2 T. oz. The serving area is 4" long by 2 1/4" at the widest.
The pattern, "Corinthian," originated with John Polhamus, whose mark "J.P. Patent 868" and "Sterling" appears on the backside. The design was later taken over by George Shiebler.
This particular example was retailed by "Tiffany & Co.," as also indicated on the reverse. This dates from just at the cusp of the time ...
It has a broad, slightly down turned, "Reverse Tipt" handle and a shell bowl.
There is a fancy script "D W" set sideways on the handle.
It is in superb condition, showing no polishing wear, bends, nicks, or burrs, and having a clean, bright finish.
Marks on the reverse are the Johnson & Godley three part "eage, J&G, lion" emblem and the name of the retailer, "...
It is stamped on the bottom with the words "Sterling" and "Hand Made," along with a "lion."
Plain walled, it has a flat bottom, gadroon top rim, and a gold wash interior finish.
There is a fitted and hinged lid that has a natural or composite pineapple finial with cast silver leaves and knob top.
It is in excellent condition. The body is free of...
This example is a 5 13/16" long, approximately 1.0 T. oz., bon bon or nut (almond) scoop.
It has a 2 3/8" wide by 2" deep serving area. This has cupped and scalloped shoulders, a curved front edge, a reticulated surface, and retains slight traces of an original gold wash.
There is a script "CGD" monogram on the handle.
The condition is outstanding. Pattern detail...
There is another subtlety to the design that is evident on this example which is a 7" long, weighty at nearly 2.4 T. oz., gravy ladle.
Writing in "Tiffany Silver Flatware," William Hood notes that the antefix (the anthemion design on the...
This example is 4 3/8" long, not quite .5 T. oz., and marked for sterling (lion), Birmingham, England (anchor), and 1902 (letter b). It is without a maker's identification, but the design may be telling.
Another pointer may lie in the inscription on the backside of the engraved bowl. It reads in script, "P....
They are large at 6 5/8" long, and heavy at 1.7 T. oz., and combine a variety of period design elements. They may be pickle tongs, for use with a tall caster.
The lower portions of the arms are blocky where they join with the substantially-scaled talon grips.
This area is joined to ...
Other pieces available in this pattern.
It features a variety of fruit, including hanging peaches, along with pears and grapes tumbling out of a cornucopia, on the handle.
This example is a 5 7/8" long, approximately 1.0 T. oz., sardine fork.
The backside of the handle has a small leafy detail on the end. The portraiture of the leaf varies from piece to piece. Otherwise the reverse is plain ...
A 6 3/4" long, relatively weighty at 1.4 T. oz. item, this small to medium sized serving spoon was produced by George Shiebler in the late 19th century.
The pattern name is "Sandringham" and the design is consistent with this appelation, in that it is English courtly.
The handle, which has beaded margins, is capped with what appears to be a near exact representation of the three feather herldic badge of the Prince of Wales.
References list the issue date of this pattern as 1895, b...
The body is glass, cut in a flower, perhaps aster or daisy, leaf, and scroll design.
This is all capped with a solid sterling collar with a rolled rim and fitted lid.
The lid has a dome top, a thumb lift attached to a hinge, and is engraved "JMD" in script. ...
Essentially decorative rather than utilitarian, it was likely meant to be gazed upon, like a plaque, or at best put into light service.
The entire piece is a representation of an iris blossom. The design is no less than ebullient, with the petals o...
They are fully marked on the arms for London, 1802-03, sterling, and the family partnership of Peter (son of Hester), Ann (sister-in-law of Peter), and William (nephew of Peter) Bateman, represented as "PB/AB/WB."
It has cup grips, shaped arms, and a slightly concave arch that is engraved with a feathered script "CH" monogram.
All outward facing surfaces are...
Made by San Francisco's Vanderslice & Co., and so marked, along with "Pat. Sep. 1874," the pattern name is "Comstock," which references the monumental ore find in Nevada that fueled a surge in silver manufacturing in the United States.
The design is Renaissance Revival in orientation and reflects as well the Victorian sensibiliti...