This 11 1/4" long example has an engraved margin, but is otherwise plain and without any erasures.
The large, 6" long by 3 1/4" at the widest, blade is sterling silver, as is the shank which is fitted with a turned, appearing to be rosewood or mahogany, handle. The piece weighs 4.8 T. oz., including the handle, which comprises a relatively insignificant a...
Price for the pair.
Made by Tiffany, they are holloware accompaniments to the company's 1872 "Persian" flatware line. The Moorish pattern is replicated on the two handles of the bowl and the single handle of the creamer, with a modification of the design appearing on the banding that encircles both the top and bottom of each piece.
The creamer measures 3 ...
This example is an 8 1/8", .9 T. oz., olive spoon. It is long-handle, versus standard size, which is less than 6".
The flowers are delicately scaled and arrayed around the end of the handle, with trailing leaves and buds set along the length of the shank.
The pierced bowl has flange edges, a pointed tip, and retains most of an original pale gold fin...
Made for Colonial Williamsburg as part of an exclusive line, it is described in a 1976 catalog as "A design of classic simplicity copied from a bowl made by Philip Syng (1676-1739)."
It sits on a tiered base that is 3" across, and has an applied upper rim.
There is a line "MSB" script monogram on the side.
In exceptionally fine condition, it sits eve...
Price for the pair.
Each one has three legs and stands 1 1/4" high to the top of base and 1 5/8" tall with the liner in place, and is 1 3/4" wide at the maximum. The combined weight of the metal is .7 T. oz.
German in origin, they are stamped "800" for the grade of the silver. These marks are on the rims, and are flanked by two other imprints. These are so small they are indecipherab...
The imagery includes a sword, a cross and crown, seeing eye, and the emblematic square and compass.
The most dramatic aspect of the piece is a detailed rendering of the towering "Masonic Temple" built in downtown Chicago in 1892. This is finely detailed and has a gold finish.
Made by Wallace, it is stamped with the company...
This example of the line is a medium sized, 4 3/4" long, moderately heavy at nearly 1.3 T. oz., pair of sugar tongs.
Naturalistic in their portraiture, the three leaves that adorn each leg of the tongs are nonetheless precisely arrayed within the overall design, with one on the bottom and two on the top, surrounding an open area with lined margins.
The leaves are offset with several...
Gerstell also notes that he "held various positions in the community," indicating he was a person of standing and good reputation, and she illustrates both hollow and flatware made by him.
This piece dates late eighteenth century. It is a "Pointed Antique...
Price per piece, two available.
This 8 11/16" long, 2.0 T. oz., likely berry serving spoon, is an early example in the line, marked with the firm's "lion, anchor, G" emblem and "Gorham Mfg. Co," which saw time-bound use. It is also stamped "Patent...
Price for the set of six.
They were made by Alvin, whose company emblem, "Sterling," and "Patent" appear on the backsides, in very fine, precise, raised lettering as it should be on original pieces..
The pattern is "Majestic," which is a multi-motif floral Art Nouveau line that in this instance portrays irises. It was introduced in 1900.
There is a single, large blossom set midw...
This 3 3/16" tall to the rim, 3 5/8" to the top of the handle, 2 11/16" top diameter, 3.2 T. oz., mug traces to that early firm. It bears the company imprint on the underside, which is a "rooster, T&W, and raised arm holding hammer" emblem, alon...
The pattern is "Armor," issued by Whiting Manufacturing Company in 1871. It incorporates acanthus leaf elements, an area of scaling that is perhaps intended to evoke chain mail, and other details that are Gothic Revival in style.
The serving end is what defines this likely vegetable fork, and it is commanding.
Measuring 4 1/8", it has five, 2 1/4" long, tines. It is e...
Sculptural in manner, it was made by Watson, whose design and execution in silver manufacturing consistently reflects a high standard.
The subject is drawn from the nursery rhyme "Little Bo Peep" and features a complexly detailed, three dimensional, portraiture of the miss herself.
She is adorned with a big bonnet hat, is wearing a corseted bodice that i...
This example is a 5 7/8" long, just over .9 T. oz., cream ladle. It is commonly referred to as a "bucket" ladle referencing the shape of the 1 1/2" top diameter, 1" deep, dipping or serving end, which in this case...
The lower portions of the handle where it joins the bowl suggest an Egyptian Revival influence, while other areas point toward Renaissance Revival inspiration. Lastly, the dense floral clusters employ similar imagery to Gorham's "Cluny" pattern that was designed by Antoine Heller who was highly regarded for his Classical motifs.
This particular piece stands apart for two reasons. One is the quite spectacular p...
The company was known for its outstanding Art Nouveau designs in both silver and jewelry, and this follows in that mode. The motif incorporates flanking violet blossoms embossed on front and back sides of the lid, with trailing, wispy leaves framing central reserve a...
The nearly round bowl measures 2" by 1 1/2" by 1/2", has a ribbed and decorated interior and scalloped edges.
The piece is in mint estate condition, and is without a monogram or removal. Pattern detail remains well-defined, down to the pollen flecks on the lily flower petals, and the stippled detailin...
Among those who pursue ultimate quality, Robinson has an outstanding reputation. Indeed, "Cigar Aficionado" magazine states in an article available online, "one can make a case that James Robinson's sterling flatware is the world's best crafted. The reason is simple: it's one of only two sources left anywhe...