Catalog

At 6" long and weighing 1.0 T. oz., this example of Gorham's Versailles pattern is an early issue, old style, ice cream spoon, marked "Copyrighted," "lion, anchor, G," and "Sterling" on the backside.

Its distinguishing feature is the shell bowl with scalloped edges and a ribbed interior. This is finished in a matte gold on the front except for the heel, which along with the entire backside, has a bright gold surface.

The figure on this multi-motif line is a cherub hold...

A liturgical spoon of a form that traces to the earliest centuries of the Christian church, notably the Coptic Orthodox tradition, this near miniature 3 5/8" long, .26 T. oz. (8 grams), silver piece features a long, narrow, faceted handle with a pointed tip.

This is attached to an ovoid bowl with a curved device.

Such replica pieces were inspired by items found in what is identified as the Traprain Hoard of ancient artifacts unearthed in East Lothian, Scotland.

In a description o...

A specialty, limited production, piece, this 6 1/4" long, very heavy at 1.32 T. oz., spoon shows exceptional crafting.

It was made by Towle, whose "T in a standing lion" emblem and the word "Sterling" is imprinted on the handle backside.

Rendered in an Arts & Crafts manner, it has a reticulated handle portraying something of a Chippendale design.

No doubt made to demonstrate that Towle, located in Newburyport, Massachusetts, had the capacity to produce items equivalent in calibe...

Generously sized at 1 1/2" high and 1 3/4" in diameter, and weighing .74 T., the style of this napkin ring suggests an 1860s to 1880s date of manufacture.

Appealingly simple in design, it features rolled rims adjoining knurled bands top and bottom. These are separated from a central, plain, concave band by raised beading.

The central band is finished in a bright gold wash, as is the entire inside surface, which is an unusual detail for a napkin ring. The name "Jennie" is engr...

A 6" long, .8 T. oz. spoon with an "Old English," i.e. "Reverse Tipt," handle, this is stamped with the "lion, K, crown" emblem of Philadelphia silversmith Peter Krider and the word "Sterling."

A sugar spoon, although it bears some similarity to an ice cream spoon, it has a plum shaped, pointed end bowl with flange shoulders and a midrib down the center.

Likely dating from the 1870s, this exhibits the exquisite bright cut engraving for which Philadelphia silver of the period was renowned. ...

Watson Newell's "Orchid" is one of numerous floral designs the company produced in the early part of the 20th century that yet stand as exemplary expressions of Art Nouveau design.

This example is a 5" long, .9 T. oz., cream ladle.

The flower is fully three-dimensional, rising out of the end of handle and folding over on itself in a highly expressive manner, with trailing leaves tracing their way up the handle margins, front and back sides.

The scalloped edge bowl has a flange margin an...

Unusual for Whiting in regard to the pattern which is a "Twist" handle with a faceted, four-sided, solid end, and the bowl form which is an elongated, gold washed, shell with a cupped heel with flange shoulders, this 6 1/8" long, .7 T. oz., item is likely a sugar spoon.

Dating from late in the 19th century, it is marked with the Whiting "lion with W" logo, "Sterling," and the number "30" on the heel backside.

Never monogrammed, it remains in outstanding condition, with the only wear being ...

A 7 1/8" long, just over .9 T. oz., this item is emblematic of its c. 1880 period.

Marked only "Sterling" and "27" on the otherwise plain backside, the maker is unidentified and neither the shape of the blade and handle, nor the particular engraving is definitive as they are singular.

Decidedly "Aesthetic," i.e. "Eastlake," in mode, the bright cut and wriggle work engraving portrays ferns, grasses, flowers, along with non-representational detailing.

A pickle knife that could double as a...

A major name in mid 19th century Boston silver production and retailing, Farrington & Hunnewell was the maker of this 6 7/8" long, .9 T. oz., coin silver preserve spoon marked "< F & H >."

F&H were masters of bright cut and fine engraving, which this piece illustrates. The work on the front of this portrays anthemion and leaf detailing against a fine line background that mimics engine turning.

The handle has a rounded end with a slight "Tipt" backside, and a shield form reserve, whi...

Made by Frank Smith, Federal Cotillion, was introduced in 1901 the year the Victorian era ended and the Edwardian one began, which likely explains the original name of the pattern, Edward VII.

A nearly identical design to Whiting's King Edward, also dating from 1901, the pattern is a stately interpretation of a traditional English Kings.

This example is a 5 3/4" long, just over 1.1 T. oz., sugar spoon.

It has a generously proportioned bowl with decorated heel...

A noted 19th century Philadelphia silver manufacturer, William Faber, later joined by his sons, produced items of high quality and lasting appeal as evidenced in this solid silver 7 1/2" long, 1.1 T. oz., master butter knife.

Dating circa 1870, the handle is of a form that Faber favored. It has a curved surface handle with a gently pointed tip and scalloped sides. This is bright cut and wriggle work engraved in a period, toward a Greek Revival style, design that incorporates a leaf and flower...

A 7 3/8" long, 1.1 T. oz., preserve spoon, this 19th century piece is marked "Sterling" without a manufacturer's identification.

Essentially flat-handled with a shaped margin, raised central oval, and bright cut engraved detailing, the style suggests maker Fessenden of Providence, Rhode Island.

The rounded end, shallow, bowl, has flanged and notched shoulders, a central raised vee, and is wriggle work engraved in a leaf motif set against a matte ground.

The handle front is engraved "E.C...

This 6" long, very heavy at 1.4 T. oz., teaspoon is an early production example of Gorham's "Cluny," marked with the company's "lion, anchor, G" emblem, "Sterling," and "Copyrighted."

Originated by renowned designer Antoine Heller, the pattern features dense, high relief, floral elements with rosette and palmetto accents.

A commemorative item, it is engraved in the bowl "Stroudsburg" in script, as well as with the date "Nov. 10. 1903" on the handle backside.

Apparently little if ever us...

Marked with Gorham's "lion, anchor, G" emblem, along with "Sterling" and "Pat 1885," this youth fork measures 5 7/8" long and weighs .9 T. oz.

The pattern is St. Cloud, which was one of the outstandingly successful designs produced by Antoine Heller in his long and consequential career with Gorham.

It is in very good condition. The dense leaf and shell motif remains well-defined, showing minimal polishing wear. The tines remain straight and pointed, although they evidence faint r...

A 6" long, just under 1.0 T. oz., item, this ladle has a bowl that measures 2" in diameter and is 1/2" deep.

It is a cream or sauce ladle in Whiting's Heraldic, which apropos of the pattern name, is dominated by the image of a medieval helmet set at the top of the handle. The remainder of the design incorporates a dense array of high relief, scrolling acanthus leaves.

The bowl on this is the fancier of two that Whiting used for this line. It has a scalloped rim and raised, leafy ...

Specialized implements, toast or bread forks typically follow after the form of this 6 1/4" long, approximately .8 T. oz. (23 grams), example with three long tines and a relatively short handle.

Late Victorian in style and hollow, it has a Pointed Antique handle with raised Scroll and Leaf detailing on the shoulders of the tine area.

The tines are pointed and tapered, with the outer two wavy.

The handle backside is engraved in an elegant, feathered script, "K.J.W." monogra...

A 6 7/8" long, .9 T. oz., piece, this fully original olive spoon is marked with the "helmet over shield" emblem of International Silver Company, along with "Sterling."

The pattern is Margaret Old issued in 1907, preceding Margaret New, introduced in 1912.

Both patterns are identical save the earlier one includes a design detail at the join between the handle and bowl, tine, or serving end, while the later pattern is plain in the same area.

The straightforward pattern shows...

An early production piece, this 6 1/8" long, 1.1 T. oz., sugar spoon in Frontenac is stamped with the "Indian head" emblem of the Simpson, Hall, Miller division of International Silver, along with "Pat." and "Sterling."

The design is Art Nouveau in manner and portrays lily blossoms on the slightly upturned handle, front and back, as well as on the interior shoulders of the sinuous, shell-shaped, bowl.

The detail of the work is precise and rendered in relief.

Never monogram...