Price for the pair.
While modest and unpresuming in terms of function, size, and design, this pair of matching, 3 3/4" long, .5 T. oz. combined, master salt spoons nonetheless reflect the full quality of craft for which the firm was known.
They have broad, upturned, "Tipt" ends, beveled edge handles...
Multi-motif, it features a variety of dense, low relief, floral images, all portrayed on irregularly shaped handles with a raised border on the backsides that resembles bamboo. This detail suggests an Aesthetic influence, and is some similar to Tiffany's "Lap-Over-Edge," introduced five years after "Bouquet."
This example is a 6 1/4" long, 1.2 T. oz., sauce or ...
Judging from this example, which is a 5" long by 3 1/4" high to the rim, 5 1/4" to the top of the upraised handle, and relatively heavy at 5.2 T. oz., basket, the firm made high quality reproduction pieces.
This would be a fitting size for candies or bon bons.
This is Georgian in manner, with an oval bowl with raised ends sitting on a square base, pe...
The scale of pieces in this pattern is large, as evidenced by the fact that this 8 3/4" long, very heavy at 4.7 T. oz., piece is identified as a preserve spoon, when it is actually the size of a typical berry spoon.
Multi-motif, the portraiture on this is lily. The blossoms and leaves fold o...
Price for the two pieces.
The line is number "26," by Whiting, and this number, along with the company "lion" logo and "Sterling," appears on the backsides of this youth set, comprised of a 6 3/8" long fork and 5 7/8" long spoon, with a combined weight of 2.1 T. oz.
Each piece is engraved "Ellen Burdett" in script on...
A souvenir item, the handle portrays a standing miner wearing boots and a hat, holding a chunk of ore in his left hand and with his right hand leaning on a crow bar or such.
The figure is standing on a base that reads, "Struck it at last."
The caricature is sculp...
Price for the set of six.
The primary feature of the pattern is an apparent bat face situated at the end of the handle. This suggests some resemblance to a boar or devil as well.
Other design details include wings, and possibly toes, wrapping around both sides of the handle.
While not a line pattern, it has the plain, clean style of an Arts & Crafts piece, akin to Tiffany's "Gramercy" or "Hamilton," and, as do those pieces, likely dates from the second or third decade of the 20th century.
The handle wraps around to form an open loop.
Never monogrammed, it is in excellent condition....
The theme on this 7 3/8" long, very heavy at just under 3.8 T. oz., gravy ladle is "Paris, the son of Priam," which was one of seventeen different subjects offered in this line (William P. Hood Jr., Tiffany Silver Flatware).
It has a plain, oval, 2 3/8" by 2" by 3/8" deep, bowl, with a large classical face on the backside heel.
There is a block "K.L"...
This item is a three piece, base, liner, and lid, coin silver, butter dish.
The bottom measures 6 1/4" across, stands 1 1/2" high on a rimmed base, and weighs 5.9 T. oz. The fitted liner is 5 1/2" across and weighs 3.1 T. oz. Lastly the lid is also 5 1/2" wide, 2 3/4" high to the top, and weighs 6.3 T. oz.
Relatively plain, the top has a cast cow finial attached by a threaded extension and thumb screw on the underside.
A favored design element of its period, this cow is particularly ...
It is hollow with three tines and is all silver, marked "Sterling," model number "1223," and with a maker's emblem, which is a triangle with a rubbed interior.
There is a feathered script "L" monogram engraved on one side of the handle.
In excellent condition, it is free of dents or splits and has a...
It is in immaculate condition, showing no wear whatsoever, retaining all the precise detail of the original design, and visible for example in such as the grain of the table, the weave in the basket holding fruit, or the spindles in the chair back appearing on th...
The pattern, "Paris" by Gorham, was issued in 1900, at the crest of the Gilded Age, and reflects the same Beaux Arts design sensibilities that generated, for instance, many of Newport's grandest mansions and innumerable monumental public buildings throughout the country that yet stand as iconic reminders of the...
Introduced in 1887, and embodying an Aesthetic sensibility, "Palm" is a floral and leaf design with a large fan or spray element at the terminus that evokes a palm leaf. The design is raised, lending it a chiseled or sculpted quality.
The blade on this is a statement in its own right. It has a sweeping lower edge running to a defined point,...
Price for the set of six.
They are marked "Rhoads" for Henry Zahm Rhoads, a Lancaster, Pennsylvania jeweler and watchmaker. Information in an online biography suggests these date within a narrow time frame, between 1861 when Rhoads returned from an apprenticeship in Virginia at the outbreak of the Civil Wa...
It is in a "French Thread" aka "Fiddle Thread" pattern and marked "J[ared].L. Moore" for the New York City jeweler and watchmaker working during the second quarter of the 19th century.
The name "Settle" is engraved in script on the handle front, set sideways.
It is in very fine condition, free of polishing wear or other signs of use, and having a bright, ...
Model number "18," as identified on the underside, along with the rare "left lion" version of Gorham's hallmark, the word "Coin," and the name of the retailer, "W.H. Talbot & Co.," (more commonly spelled "Talbott") of Indianapolis.
This is large, measuring 3" by 2 1/4" by 1 5/8" high, and robust weight at just over 2.4 T. oz.
These dimensions are all consistent with those offered...
The pattern is "Alameda" aka "Ivy." It strongly resembles Gorham's "Corinthian" of the same c. 1870 date, but with the addition of a spray of raised ivy leaves and berries set against a stippled ground.
The bowl has a central rib and a fluted or pie crust border. T...