The pattern on this 6 3/8" long, .6 T. oz., olive spoon is "Douvaine," perhaps the company's most popular line.
It features a dolphin or fish like image at the tip of the handle, and a renaissance or gargoyle like figure set midway on the handle.
This is all surrounded by an array o...
Whereas the pusher is bent, this has a flat, 2" wide, pierced, blade with a straight front edge and scalloped sides and shoulders.
A rarely found item, this form seems to have been favored by Towle who produced this in the company's 1900 "Old Newbury," and offered it in other patterns as well.
It was retailed by "A.M. Jewett" whose name appears on the re...
It has a 1 1/8" wide, rimmed border that is divided into fourteen panels. Each of these is acid etched in a scene that portrays a different children's rhyme.
These include (see image two for detail):
Jack the Giant Killer
The Merry Hunter
The Wolf and the Lamb
Tom the Piper's Son ...
An individual place piece in a "Kings" pattern, it has a flat handle and a solid silver blade.
The handle front has a delicate script monogram that appears to be "EKP" while the backside is engraved "'90."
It is in flawless estate condition. Pattern detail remains well-defined, free of polishing wear. The blade is without bends, nicks or burrs, and has barely...
This example is unusual in two ways. First, it is an "ideal" form olive spoon, meaning that it has two prongs at the end of the bowl, rather than the standard plain end. Often the bowl on an ideal olive spoon is open, but in this instance it is reticulated, with a scall...
This 10 1/8" long, 2.7 T. oz., item is a rare form, likely pudding, serving spoon.
It has a symmetrical, 4 3/4" long by 2 1/4" at the widest, oval blade or bowl with a slightly scooped interior. This has a deep, bronze colored, gold finish front and backsides, and delicate, stylized leaf and blossom engraving at the tip. There is a feathered script, possibly "JDQ," m...
Hotchkiss & Schreuder of Syracuse, NY, operated under various names from the mid to late 1800s. The "H&S" mark (along with "Sterling") imprinted on the blade of this 7" long, relatively weighty at 1.2 T. oz., master butter knife in the company's "Unique" pattern was used 1864-71 according to an entry in Rainwater's "Encyclopedia of American Silver Manufacturers."
The design is characteristic of the period, incorporating leaf and anthemion elements rather abundantly employed. It is doubl...
Priice per piece, three available.
This example is a 7" long, weighty at 1.2 T.oz., dessert or oval soup, place spoon. It was made by Whiting, whose lion emblem, along with the words "Sterling" and "Pat 1862," appear on the backside.
The design incorporates three defining elements, all of which are derivative of the name. The dominant o...
This pair of of items is reflective of their high quality work. They are in the fashion of earlier styles, executed in an Arts & Crafts manner.
The main piece is a 5 5/8" diameter handle tip to handle tip, 1.1 T. oz., tea strainer. The actual strainer section m...
It is an original production example of Alvin's early 20th century, Art Nouveau, "Old Orange Blossom," informally known as "OOB."
It is imprinted with the Alvin emblem, and the words "Patent" and "Sterling," all in very fine lettering as would be expected of an early piece.
The handle end is upturned and has an Old English "W" monogram that is very shallowly inscribed and only faintly visib...
This example is a large, 10 1/2" long, just under 2.6 T. oz., serving spoon. It has an extra wide and deep bowl, to be distinguished from a nearly identical version with a smaller bowl.
This is assembled from a variety of parts, rather than being die struck as a unit, or a single casting. This approach was pop...
This 11 1/4" long example has an engraved margin, but is otherwise plain and without any erasures.
The large, 6" long by 3 1/4" at the widest, blade is sterling silver, as is the shank which is fitted with a turned, appearing to be rosewood or mahogany, handle. The piece weighs 4.8 T. oz., including the handle, which comprises a relatively insignificant a...
This example is an 8 1/8", .9 T. oz., olive spoon. It is long-handle, versus standard size, which is less than 6".
The flowers are delicately scaled and arrayed around the end of the handle, with trailing leaves and buds set along the length of the shank.
The pierced bowl has flange edges, a pointed tip, and retains most of an original pale gold fin...
Made for Colonial Williamsburg as part of an exclusive line, it is described in a 1976 catalog as "A design of classic simplicity copied from a bowl made by Philip Syng (1676-1739)."
It sits on a tiered base that is 3" across, and has an applied upper rim.
There is a line "MSB" script monogram on the side.
In exceptionally fine condition, it sits eve...
Price for the set of six.
They were made by Alvin, whose company emblem, "Sterling," and "Patent" appear on the backsides, in very fine, precise, raised lettering as it should be on original pieces..
The pattern is "Majestic," which is a multi-motif floral Art Nouveau line that in this instance portrays irises. It was introduced in 1900.
There is a single, large blossom set midw...
The pattern is "Armor," issued by Whiting Manufacturing Company in 1871. It incorporates acanthus leaf elements, an area of scaling that is perhaps intended to evoke chain mail, and other details that are Gothic Revival in style.
The serving end is what defines this likely vegetable fork, and it is commanding.
Measuring 4 1/8", it has five, 2 1/4" long, tines. It is e...
The lower portions of the handle where it joins the bowl suggest an Egyptian Revival influence, while other areas point toward Renaissance Revival inspiration. Lastly, the dense floral clusters employ similar imagery to Gorham's "Cluny" pattern that was designed by Antoine Heller who was highly regarded for his Classical motifs.
This particular piece stands apart for two reasons. One is the quite spectacular p...
The nearly round bowl measures 2" by 1 1/2" by 1/2", has a ribbed and decorated interior and scalloped edges.
The piece is in mint estate condition, and is without a monogram or removal. Pattern detail remains well-defined, down to the pollen flecks on the lily flower petals, and the stippled detailin...