This example is a 7 1/8" long, nearly 1.2 T. oz., dessert or oval soup, spoon.
It is engraved "Tryon" in script on the interior side of the bowl. Both the name, which could be a first or a surname, and its location are unusual, all of which add interest and implied provenance to this...
The pattern is "Alameda" aka "Ivy." It strongly resembles Gorham's "Corinthian" of the same c. 1870 date, but with the addition of a spray of raised ivy leaves and berries set against a stippled ground.
The bowl has a central rib and something of a pie crust border...
This mug is stamped with the "crossed K & B" symbol for the "Krider & Biddle" partnership, along with the model number "433."
There has been some difference of opinion about the exact dates of this pairing...
The handle has a period "Bead" pattern front, and curiously a "Thread" pattern on the reverse. There is a fancy, feathered script "CAC" monogram on the obverse, and what appears to be a "CAP" monogram on the reverse...
Dating circa 1880, it has a slightly upturned, round end handle and a large, 5" by 3 1/16" at the widest, teardrop shaped serving end.
The entire front surface is extensively bright cut with wriggle work and hatched detailing. The theme of this is vegetative, expressed with an Aesthetic sensibility...
That custom is evidenced by the inscription on this large, 9 3/8" long, 2.1 T. oz., coin silver serving spoon...
This large, 7 3/4" long, weighty at 2.1 T. oz., gravy ladle is stamped "Eno & Co." and "Coin," dating it 1854-60, prior to Eno's 1860-70 partnership with George Bechtel.
This area is an exceptionally handsome piece that is in pristine condition.
The 2 7/8" by 2 1/4" by 5/8" deep oval bowl has a scalloped rim...
This example is a substantial sized, 8 7/8" long, 2.1 T. oz., table or serving spoon.
It has an arched, fiddle shaped handle with a raised "Kings" pattern on the front, a plain reverse, and a shell back bowl. ...
The pattern is Gorham's "Cottage," which according to company archives, was in active production for over thirty years, beginning in 1861. As this pair are stamped "Sterling," they date post 1868 when Gorham adopted the sterling standard. Earlier examples of "Cottage" were made in coin silver. This is also im...
Cast rather than the typical die struck mode of manufacture, it demonstrates the intricate, high relief detail casting enables.
It is a heavy line, and that is the case with this lengthy, 5 1/8", pair of sugar tongs which weigh a substantial 1.3 T. oz. They have intricately articulated talon grips that are finished in a...
It employs a robust amount of detailing, all well-balanced and set in high relief.
Known for heavy pieces, D&H went all the way with weight in this 7 1/4" long gravy ladle which tops the scale at a full 4.0 T. oz.
The round bowl is generously proportioned, measuring 2 1/2" in diameter and 1 1/8" deep. The stylized shell fo...
They are a large version, measuring 4 3/4" long and weighing just over 1.1 T. oz.
They are also in mint condition, have elaborate grips, and are without a monogram or removal. The design detail is free of any signs of wear, the arch remains well-shaped, and the finish has a natural, brilliant finish.
Each, four available
The pattern is a "Thread" aka "French Thread," and appears on the front and back sides. There is a fancy, feathered script "JB" monogram.
The condition is choice estate. There is no polishing wear an...
Companion sugar spoon also available.
It is stamped "S.H. Johnson" for the early 1860s New York firm which had a short life before becoming the generally better known Kidney, Cann, & Johnson. There is also a three part, "bust, SHJ in a lozenge, lion" pseudo hallmark which is a second identifier of the company.
The flat, oval, handle is bright cut with wriggle work detailing. T...
This example is a 6 5/8" long, approximately 1.0 T. oz., preserve spoon or large sugar spoon.
The style is characteristic of the period, with an "Oval Thread" pattern handle and a shell bowl. The backside carries a script "JAL" monogram.
In very good condition, it is essentially absent wear and has a warm, bright, patina. The bowl is free of dents, dings, cracks, or burrs.
Marks are a ...
Identification for this, presumably, retailer is elusive, but other pieces with the same name bear the pseudo hallmark of silversmith Richard Huntington of Utica, so this likely places Le Gross in central New York.
It is a well-formed item, with a broad end, and high, rounded shoulders off the somewhat elongated, pointed tip bowl.
What particularly d...