A slightly convex barrel shaped form, it stands 1 1/2" to the top edge and has a body diameter of 1 7/8". The silver by itself weighs 1.5 T. oz.
It has its original, fitted, deep colored, cobalt blue glass liner.
It is without a monogram or inscription, or removal of same.
It is in excellent condition...
Brix lists his dates 1825-30, which would be consistent with the style of this 8 3/8" long, nearly 1.3 T. oz., tablespoon stamped "E. Shaw" in a hatched cartouche. This would seem to provide a conclusive attribution...
It has a "Reverse Tipt" handle with a finely engraved front with detailing that resembles engine turning.
There is an Old English "M" monogram.
It is in flawless condition, free of any wear or damage. The engraving remains crisp, the upturned, pointed end is without nicks or burrs, and the finish has a warm patina...
Measuring 7" long and weighing 1.1 T. oz., this example is a preserve or jelly spoon. The pattern is double die struck, meaning it appears on the front and back sides of the handle. It is high relief and highly detailed...
It possesses late Victorian sensibilities, employing cee scrolls, acanthus leaves, and beading detailing to frame the actual rose and floral elements that lend the pattern its name.
There is a script "N" monogram on the handle front. The backside is plain save for the mark "925 Sterling 1000."
This example is a 6" long, relatively light weight at not quite .5 T. oz., cheese knife...
This example is a 6 1/4" long, heavy, 1.7 T. oz. sauce ladle. The 1 3/4" diameter, 5/8" deep, bowl has flanged shoulders and a scalloped and patterned outer border.
This is in immaculate condition and without a monogram or removal...
Inscribed M.H.W., Mar. 18, '05" in an elegant script, the aesthetic style floral and fern engraving on a satin matte surface with knurled banding suggest the piece actually predates the inscription by as much as twenty years.
The central band is offset by two troughs which are in turn bordered by imprinted repeating star designs with rolled edges...
It was made by Frank Smith, whose "lion and S" emblem is stamped on the inside lower rim, along with the word "Sterling."
It is entirely plain, and without a monogram or inscription, or removal of same.
In choice estate condition, it remains perfectly round and is free of bends, nicks, or blemishes. The finish is bright, with a rich patina.
The pattern is "Priscilla," which dates from 1924. It is a clean design, with a double lined border and delicate shell and bow at the terminus, and in this instanc...
This example is a large, 8 5/8" long, cold meat fork. Consistent with the line, it is a robust piece, weighing 2.4 T. oz.
It is without a monogram or removal and in choice condition. There is no evident polishing wear, and the finish is lustrous. The tines are even, pointed, and free of bends, burr...
It is stamped with a first standard Minerva head, meaning it has a slightly higher silver content at 95% than sterling, which is 92.5%. There is a bigorne guarantee on the surface opposite the Minerva. The maker's mark is an "L" on either side of a cross that has a star at the top and bottom, all this in a lozenge.
The pattern is a...
It is dessert size, 7" long, and weighing approximately 1.0 T. oz. It has a down-turned, reverse tipt end, and a lined drop on the bowl. There is a feathered script "HT" monogram.
The condition is very good. The bowl remains ...
Finely engraved, which is a mark of Philadelphia silver of the 1860s period from which this dates, the unusually shaped handle sets it apart from contemporary pieces. It has notched borders, a pair of which are particularly pronounced at the upraised tip.
The bowl is shell form and has a bright gold wash on the interior. The backsi...
This 6 1/4" long, almost .9 T. oz., sugar spoon is stamped with Shiebler's "winged S" identifier on the backside of the bowl. Other marks include the words "Sterling" and "Patent."
While a pattern with an antecedent, Shiebler brings his considerable design skills to this piece in the way he fashioned its singular bowl. Oval-shaped overall, it has a scalloped end, raised...
The pattern ins "No. 41," which has a curled over handle ending in a series of graduated beads. Given Jensen's penchant for portraying stylized natural forms, this design may represent some floral element. There are two slightly pinched, crossbar areas on the handle, which itself widens toward the bowl.
The bowl is cut leaf shape, with a slight lip around the margin, and a blo...