It is hallmarked for Turner & Simpson, of Birmingham, England, with city and sterling symbols that, while rubbed, are legible. The date letter is obscured, although the outline shape is for "Cycle XIII," which ran 1950-74.
It is Georgian in style, with a plain body that has an applied rim and the previously mentioned footed base...
It is stamped "E.S. & D.R. Burr" and "coin," for the jewelers located in the small, central Wisconsin town of Berlin. An entry in a 1919 "Jewelers' Circular," notes the death of Daniel Riley Burr at age 85, still resident in Berlin.
There is also a right-facing, bust that McGrew in his work on pseudo hallmarks identifies as an unknown Chicago maker...
Common to all these pieces are silver bases, crowns, and the truly defining element, which is a dolphin or sea serpent handle.
The bodies are high quality, finely cut rock crystal. At least one source attributes the...
While "Tipt" end examples of their work, which this is, are readily found, this 6 3/8" long cream ladle stands apart for several reasons.
One feature is its heavy weight, 1.7 T oz., and consequent solid composition. A second feature is its perfectly round, hemispherical, bowl, which is 1 5/8" in diameter and 1/2" deep...
Offered as a three piece set, this is the pot. It stands 6" tall to the top of the finial, has a main body that is 4" at the widest, 5" to the end of the spout, and has a sterling and ebony handle that extends 4 1/4" at a slight upward cant from the body. It weighs 14.1 T. oz...
An original, early, production item made by Alvin in the Art Nouveau "Bridal Rose" pattern, the company emblem, along with the words "Patent," and "Sterling" appear on the backside in fine lettering...
Working in the early decades of the 20th century (and later absorbed into Currier & Roby), Henckel produced quality work, often in an Arts and Crafts style, as evidenced by this 7 1/8" long, weighty at 3.1 T...
It is stamped "S.N. Story" for the Worcester, Massachusetts silversmith and jeweler. Also marked "Pure Coin," which was a regional term, this was likely made in Boston.
The pattern is "Olive," which was a very popular design in the period.
What sets this apart from other examples is its intermediate size, shell bowl, solid weight, quality manufacture, and good condition...
Made in two versions, solid background and pierced, it is replete with scrolls, acanthus leaves, and delicate leaves with flowers, all set in moderately high relief.
Elegant without any embellishment, this pierced, 8 1/8" long, 1.4 T. oz., jelly knife is made all the more so by the addition of an overall vermeil, i.e...
The pattern was introduced in 1934 (one source offers 1931), although the mark on this 4 1/8" long, substantial weight, .8 T. oz. tea caddy spoon, "Georg Jensen in an oval of dots" over "Sterling" and "Denmark," was used from 1945 onward, so it dates between then and the 1970s when production was discontinued.
Deceptively simple in design, the pattern features a slight...
They are early production items, marked with Whiting's "lion" logo, "Sterling," "Pat. 1902," and "R'd 1902."
In superb condition, each arm retains excellent, precise detail to the lily design, which is set in high relief. The talon grips are finely articulated and without bends or cracks. The overall finish is bright and even.
Other elements include flower blossoms, acanthus leaves, a shell, and a fruit or berry at the end of a scalloped edge handle.
This example is a large, 11 1/2" long, approximately 4.0 T. oz., fish slice. The blade has a shaped and curved upper side and shoulders, both with a...
Dating from the George III period, it is fully and clearly hallmarked for Dublin, 1777, sterling, and maker Michael Homer, whose dates are appropriate to this.
It has a "Hanoverian" style handle, with a down turned, reverse tipt handle that is extensively engraved in bright cut and wriggle work on the front.
There is a feathered script "VL" monogram on the f...
Price per piece, five available.
This 5 1/2" long, relatively heavy at .9 T. oz., egg spoon is such an example.
It is a "Bead" pattern, with the design appearing on both sides of the handle. The reverse has a fancy script "CBD" monogram.
The oval bowl is generously sized at 1 3/4" long and 1" across at the widest. It retains an original, bright gold wash front and back surfaces.
It is in excellen...
Its origins are Irish, with hallmarks indicating it was made in Dublin in 1821 by Joshua Buckton, as indicated by the "I pellet B" imprint. James Brady also dates from the same time, but his mark is absent the pellet.
It is an "Old English" pattern, with a down-turned, reverse tip handle and a thumb drop on the bowl backside.
There is a feathered script "AMcC" monogram engraved on the fro...
An English Georgian piece, it is fully marked for London, sterling, 1812-13, and maker Richard Turner (RT).
Variously identified as a platter, basting, or stuffing spoon, it is intended for heavy duty.
This has a leaf script "M" monogram on the front of the otherwise plain handle.
It is in excellent condition, the only signs of use bei...
It also incorporates a raised rib that breaks and separates into two parts that carry onto the surface of the tine area. This adds dimension and interest to this 6" long, approximately .8 T. oz., youth fork.
It has a feathered script "CCH" set sideways on t...