It is stamped "Sterling" and "Black, Starr & Frost," for the New York City retailer that succeeded "Ball, Black" in 1874.
The handle is a rounded end "Antique." The pierced bowl has coffered walls and is finished with a gold wash inside and out...
Price for the set of six.
The "Ivy" design on these six, 5 7/8" long, 3.5 T. oz. the lot, matching teaspoons, is one of the firm's signature patterns. Made to both a coin and sterling standard, these are marked "Sterling," dating them to 1870 or later according to silver scholar D. A. Soeffing...
Price per piece, two available.
The pattern is Unger Brothers' Art Nouveau "Douvaine."
An expressive design, it features a dolphin or fish like image at the tip of the handle, and a renaissance or gargoyle like figure set midway on the handle...
Price per piece.
They are long versions of an olive serving spoon and fork, with the former measuring 8 3/4" and weighing just over .9 T. oz., while the latter is 8 7/8" long and weighs just under .8 T. oz.
The spoon has a lattice work bowl with decorated shoulders. It and the two hooked tines on the fork are finished in a satin gold wash...
It is marked "H.I. Sawyer," for Henderson Inches Sawyer, who worked in New York City 1835-45, then Hartford, Connecticut, 1845-58...
The piece measures 6 1/16" long and, consistent with the line and the firm, is robust weight at 1.5 T. oz.
It is inscribed "F O'D" in script on the front.
It is in very good condition...
Price for the set of ten.
The pattern is Wallace's "St. Leon, which is a densely articulated floral design dating from 1890. The flowers and leaves are portrayed in intricate detail, but exactly what they are is uncertain. One source suggests columbine...
This piece is a 6 1/2" long sugar sifter with an oval 2" by 2 1/2" bowl...
It is more substantial than the diminutively scaled, delicate tine, pieces used for soft lettuce, but it is not as robust as a salad serving fork.
The lengthy handle is the proportion of a lettuce fork, but more substantial. The tines, two of which are splayed and one barbed, are relatively wide and joined to a cupped, pierced heel, but still smaller than regular salad servers.
The pattern is Tiffany's turn of the 20th century, "Florentine," which is an elaborate and richly textured design.
It is in choice estate condition, showing no polishing wear, having a bright finish, and retaining its original gold wash, front and backside, bowl.
There is an Old English "C" monogram on the handle reverse.
Marks are "Tiffany & Co.," "Sterling," ...
Whatever name is applied, this example is characteristic of the piece. It measures 3 7/8" long, with a short handle and a 1 5/8" diameter bowl with two tabs to lock over the rim of a brandy snifter. It weighs .6 T. oz.
While brandy warmers are readily available, this piece is uncommon. Figural and decorative whereas many are plain, it is a limited lin...
The serving end has two hooked tines that are splayed outward. These are joined to a cupped heel that has three piercings.
Without a monogram or removal, the piece is in choice estate condition. There is no polishing wear and the finish is bright and warm. The tines are free of bends or burrs and remain even and pointed.
Examples of his work can be found at Yale University, Winterthur, and the Metropolitan Museum of Art. A pair of canns, i.e. mugs, larger than but otherwise matching this one, are illustrated online, with a date of circa 1815, and identified as in a private collection....
This example is a 6" long, just under .9 T. oz., youth fork. It is an early example, stamped with Gorham's "lion, anchor, G" emblem, "Sterling," and the word "Copyrighted" set on the edge of the handle.
Its age is further evidenced by the inscription on the reverse, which reads in fine script le...
It is a 4 7/16" long, just over .4 t. oz., lemon fork with three tines, the outer two of which are splayed. The center one is wider and slightly more elongated than the other two.
It is without a monogram or removal, and in immaculate condition. The high relief, clustered fruit pattern detail remains clear and well-d...
It appears to be a pen tray, and is indeed very similar to the item alongside it identified as that, but late Victorian sensibilities provided for separate items for each functional need of the time.
It is particularly handsome and intricately detailed. The motif appears to be taken from English court style, ...
Issued in 1925, it is markedly similar to Towle's popular "Mary Chilton" which was introduced a decade earlier in 1912.
Sharing the same diamond-shaped handle, Watson's iteration is more elaborated than Towle's. Rather than plain, the handle a...
The pattern is clearly rooted in Aesthetic sensibilities, with a marine theme. There are two shell motifs, one in the heel of the central of three tines, and one at the tip of the handle.
Radiating lines fan out from the broad, angular, handle shoulders, and meet a series of ripples that evoke waves, which probably not without coincidence, resemble Tiffany's "Wa...