Price per piece, three available
The backsides of the two designs mirror each other, while the front of "Colfax" adds an egg and dart margin and delicate central embellishment.
This example is a 6 1/8" long, weighty, 1.2 T. oz., individual salad fork...
It is large, measuring 8 7/8" long, with an essentially round bowl that is 3" in diameter and 1/2" at the deepest, and heavy, weighing nearly 2.8 T. oz.
Rarely found, this is not a named line pattern with Gorham, but it is in the manner of a "Pointed Antique" with a broad, slightly down-turned, end...
This piece is a 6 1/8" long, just over .8 T. oz., sugar spoon.
It is unusual in that the upper end of the handle is hollow, while the lower portion is tubular. This provides for a thicker than usual grip, and also enables more detailed design elements, which include a blossom, bud, and sinuous leaves set against a textured background...
This example is a 6 5/8" long, approximately 1.0 T. oz., preserve spoon or large sugar spoon.
The style is characteristic of the period, with an "Oval Thread" pattern handle and a shell bowl. The backside carries a script "JAL" monogram.
In very good condition, it is essentially absent wear and has a warm, bright, patina. The bowl is free of dents, dings, cracks, or burrs...
The double-sided pattern is "Empire" aka "New Empire" dating from 1892. It employs various shell motifs, including the overall form of the bowl, and a pair of flanking, scrolled rosettes at the tip of the handle.
The bowl is squared, rather than rounded or oval, and has a partially rubbed gold wash on the front and backsides.
It is without a monogram or removal and in mint estate condition...
The 3/4" deep, nearly round, 2" diameter, bowl with a central vee, flanged shoulders, and slightly tipped lip, on this 6" long, 1.2 T. oz., sauce ladle is engraved in a Palmetto leaf motif that is evocative of Egyptian Revival style...
The pattern is Whiting's late 19th century "Dresden," which is a charming and intricate floral design that features what appear to be forget-me-not blossoms and leaves trailing up the handle. A shell surmounts the handle tip and there is acanthus leaf detailing in other areas. The pattern repeats with slight variation on both sides of the handle...
This piece is a 6 1/4" long, approximately .9 T. oz., sugar spoon.
It has an elongated, plum-shaped bowl with hatched edge shoulders. The interior has a matte finish.
The handle portrays a maiden in courtly garb, carrying a kettle in one hand and a pitcher and saucer in the other.
It is without a monogram or removal and in very good condition. It ...
Fully expressed on both the front and backsides of the handle, but with different portraiture, the design incorporates multiple blossoms set forth in intricate, precise, detail.
This example is a 6 1/8" long, approximately .5 T. oz., olive spoon.
The plum-shaped bowl has a pierced interior, cut in leaf and apostrophe shapes.
The piece ...
Matching berry spoon also available.
This example is a 7" long, 1.2 T. oz., preserve spoon marked with Shiebler's "winged S," and the words "Sterling," and "Patent." It has a plum-shaped bowl, with a ribbed heel and midline leading to a slightly pointed tip. Finished in a bright gold wash on the front and a matte gold surface on the backside, the bowl interior is engraved in an aesthetic manner featuring fern fron...
This is an older piece, with a reinforced arch, and decorative beading on the claw grips.
Without a monogram or removal, they are in superb condition. There are no bends, nicks, dents, or polishing wear. The finish is lustrous.
Marks are the Towle lion emblem, "Sterling," and "Pat. 1895."
It is apparently modified from a Whiting "Louis XV" pattern. It retains the "Sterling" and "Pat. 1891" marks of that line, accompanied by "Geo. C. Shreve & Co." It apparently dates between 1891 and 1894, when the name of the firm became "Shreve & Co."
The piece incorporates two modifications, both of which reflect h...
Price for the set of ten.
The pattern is Durgin's 1890 "Shell. Having a slender, essentially tubular, central shank, the ends broaden to a rounded, upturned end, which hosts the concave shell form. These embody a refined elegance. The design is understated, while the highly tactile finish has a satin smoothness.
The tines are delicately-scaled, with the outer two of the three...
The pattern is Durgin's 1895 "Empire." Apropos of the name, the main feature is a crown, combined with cornucopia, a torch, a garland, and floral elements, all offered in a French manner.
A slender piece, it has the twist end tip characteristic of this form. The backside of the handle is engraved "Austin" in script.
It is in very good ...
Expressive of the Arts & Crafts sensibility, it is a clean and straightforward piece. It borrows its name, "Hanoverian," and design inspiration from an early English style, and consistent with that, features a midrib along the front side of the softly tipt end handle.
The entire piece evidences subtlety and an notably high degree of refinement. For example, there ...
This example is a 6 1/8" long, just over 1.0 T. oz., sugar spoon.
The vee shaped bowl with clipped shoulders is used on all the serving spoons throughout the line, and in this instance has a matte finish gold wash on the interior and...
The latter was a die struck design originated by Henry Hebbard, while this is a labor intensive, built up, piece made from cast leaves joined to a wire stem that in turn is wrapped with smaller wires made to resemble tendrils. The entire shank and leaves have a matte gold finish.
It is model number "39" according t...