Price per piece, twelve available.
It takes its character from the fanciful, scalloped shoulder, cupped heel, bowl with four short tines.
The pattern is Durgin's 1891 "Watteau," referencing a French painter whose name became identified with a style deriving from the rococo. This piece embodies some of the style elements of these schools...
This 6" long, 1.2 T. oz., sauce ladle dates from this transition time. It is marked with the "Stone with hammer" emblem, the "h in a shield" emblem for Heywood, "Sterling," and a benchmark "B," likely for Charles Brown whose tenure ran to 1937...
This example is a 4 3/16" long, relatively weighty .8 T. oz., pair of sugar tongs.
A muli-motif floral design drawing from Aesthetic sensibilities, this pair features what appear to be peony blossoms, leaves, and branches.
The detailing is extensive, with a textured background adding character and depth to the overall imagery...
It employs a robust amount of detailing, all well-balanced and set in high relief.
Known for heavy pieces, D&H went all the way with weight in this 7 1/4" long gravy ladle which tops the scale at a full 4.0 T. oz.
The round bowl is generously proportioned, measuring 2 1/2" in diameter and 1 1/8" deep...
The handle is open, featuring trellis like borders that are interspersed with trailing posies or similar flower...
This piece is stamped with the T&W three part pseudo-hallmark which includes a rooster, the letter T and W, and an arm and hammer. It is a 6 3/4" long, just over .7 T. oz., pickle knife...
Price per set of six. Two extra pieces available.
These examples are stamped "S.Kirk & Son," which was used beginning in 1932 until 1961 according to one reference and until 1979 according to another.
They are cream soup spoons, measuring 6 1/8" long. There are 14 of these, all matching, with the same script "ELS" monogram on the backside. They all weigh between 1.2 and 1.3 T. oz., with one exception which is extra weight at 1.5 T. oz...
Its style as well sets it apart as it is unlike anything else Gorham produced, or any other manufacturer for that matter, with the exception of Towle's "Spider" which has a very similar form.
It is in the Aesthetic mode and likely dates c...
This example is a 6 3/4" long, just under a weighty 1.2 T. oz., place fork. It is tea or dessert size, which in today's parlance is sometimes simply referred to as a regular fork.
It is an early example marked "APR. 5 0x," along with the Whiting logo and "Sterling." It is also stamped wi...
Priced as a set of six.
The pattern is Whiting's "Heraldic," which appropriately enough is dominated by the image of a medieval helmet set at the top of the handle. The remainder of the design incorporates a dense array of high relief, scrolling acanthus leaves.
The bowls are a fancy version, with flanged shoulders, ...
Price per piece. Available individually.
This trio includes the months of "April," "September," and "November," and portrays respectively, a lily, a poppy, and a chrysanthemum.
Each spoon measures 6" long, and is heavy, weighing something over 1.0 T. oz. each, with slight variation piece to piece.
The condition of all the spoons is excel...
This example is a 6 1/4" long, 1.5 T. oz. sugar sifter with a "Gourd" portraiture.
It has a nine-lobed, 2 1/2" diameter, 1/2" deep, pierced bowl that is finished in a gold wash on both front and back sides.
It is without a monogram or removal and in superb condition. Pattern detail remains clear and well-defined. The bowl is free of dents, burrs, or nicks. The f...
This example is an large, 9 5/8" long, 3.1 T. oz., serving spoon. It has a large scoop bowl with rolled, flanged shoulders and a broad, rounded end. The reverse of the bowl has a matte finish while the obverse has a bright finish.
It could have been for crackers, salad, berries, or some other unidentified purpose. Whatever the intent, it...
This example is an unusual form server that measures 9 1/2" long and weighs a relatively heavy 2.9 T. oz.
It has a flat blade, with a rounded edge. The upper edge is scalloped and decorated with pattern elements. There i...
It is marked "Sterling," "Patent," and "Starr & Marcus" for the New York City retailer.
Made by John Wendt, it does not carry an official pattern name, but has come to be known as "Diana," in reference to Diana Cramer, silver scholar, former editor of "Silver Magazine," and Wendt authority.
An 1860s design, it is quite similar to John Polhamus' "Armor" of the same period. Both of them bespeak th...
It has a large, oval shaped serving end that measures 4 1/4" long and 2 1/2" at the widest. This has a slightly concave, but essentially flat, surface and an upraised, scalloped edge around about two-thirds of the margin. The surface has a pale gold wash and is engraved in a period ...
The pattern, "Moresque," dates from 1873 and represents the epitome of the broad band of Islamic and Renaissance Revival designs from that period. These include Whiting's "Arabesque," Tiffany's "Persian," and Gorham's "Raphael" and "Byzantine," among others.
Curiously, "Moresque" has four variants, and possibly more permutations. The handle is sometimes upturned and someti...
It has a broad, "Tipt" end, high shoulders off the bowl, and a generously proportioned, 3" long by 1 7/8" at the widest, scallop shell bowl.
There is a fancy, feathered script "HMM" monogram on the front of the handle.
It is stamped with the name of Philadelphia retailer "S.M. Hopper," and a three part "arrow, W, shield" pseudo hallmark. In his benchmark work "Manufacturers' Marks on American Coin ...