Price for the set of twelve.
They are unusual form with narrow, 1 7/8" long by 15/16" at the widest, deep at 3/8", bowls with oval tips and gold finishes both front and back sides.
They are clearly distinct from typical citrus or orange spoons but are likely to be used for eating fruit.
The pattern is Gorham's "St...
Price for the set of eight.
Each piece measures 5 3/8" long and has a script monogram that appears to be "GEHA" on an otherwise plain backside. They are relatively heavy, weighing 6.7 T. oz. the group.
All the pieces are in excellent condition, showing no polishing wear and having fine finishes...
It features the figure of a bearded man at the handle terminus, a pedestal urn laden with fruit midway up the handle, and an array of other fruit and acanthus leaf elements overall.
This example is a 9" long, very heavy at 4.3 T. oz., berry spoon...
The pattern is high style and shows to its fullest at the scale of this item.
This piece has an original form bowl with scalloped, flange, shoulders, a textured base, and a rich gold wash front and back sides. Later examples have plain, rounded bowls.
It has never been monogrammed and is in outstanding condition...
It is an English, Victorian era item, fully hallmarked for George Adams of London, with a date letter for 1852...
Price per piece, two available.
The pattern is "Old Orange Blossom." Issued in 1905, it quickly became a standard bearer among Art Nouveau designs and remains so today...
Price for the set of eight.
Issued by Gorham in 1882, the pattern is "Fontainebleau," which is a design that features characters from the French Court of Francis I (see image 2 for all the figures). The specific image on these is a woman garbed in a bustled dress, carrying a kettle in one hand and supporting a large cup or mug in the other...
The handle is upraised, has a satin finish front and back, and protruding knobs on the sides, all of which are distinguishing features between "Japanese" and "Audubon."
This piece is a 7" long, substantial weight at 1.5 T. oz., (sweet) jelly spoon...
These two items, a large, 5 1/4" long, pair of tongs, and a 5 7/8" long cream ladle, each piece weighing just over 1.0 T...
Price for a set of six.
This image is one of six, matching pieces made by the partnership of John Langlands & John Robertson of Newcastle, each one of which features a stylized shell with foliate elements.
They measure 5" long each and weigh 2.5 T. oz. the lot., and have down turned, reverse tipt, "Old English" handles with exposed drops.
The fronts have a feathered script "JML" monogram.
All are in very g...
It was offered in three versions, plain, acid etched, and with applied elements. This pair of tongs are acid etched, showing a leaf and vine design on one arm and clover blossom and leaves on the other.
The work is intricate, precise, and artfully expressed. The etching wraps around the edges of the handle, which feature lends the pattern i...
It is replete with scrolls, acanthus leaves, and delicate leaves and flowers, all under a rococo mantle and set in moderately high relief.
There were two versions, one with a solid background and one pierced. This 6 1/4" long, .9 T. oz., youth fork is the latter.
It was never monogrammed or inscribed, and is in very fine condition. It has a warm finish, retains excelle...
Flynt and Fales also note in their entry on him that he has been referred to as the "honest goldsmith" and that he "supplied well-crafted church silver and other vessels."
The style of this example of his work, an 8 5/8"...
This example is an 8 1/4" long, and consistent with the line, weighty at nearly 2.8 T. oz., medium sized cold meat fork. The serving end has four straight tines.
The handle is inscribed with a feathered script "M"...
The pattern is "Chantilly."
This example likely dates from the second quarter of the 20th century. The handle is curved and engraved in a script "ETR" monogram.
It is in excellent condition, showing no polishing wear and having a bright finish. The four tines remain even, straight, and pointed.
The central feature of the pattern is a satyr's face that occupies the portion just below the reserve located on the slightly upturned end of the handle. Such imagery may be connected to 16th sculpture subjects associated with this German city.
A "Chinese Export" piece, it is stamped with four pseudo hallmarks used by "Wongshing," aka "Wong Shing," located in Canton c. 1810-35 according to one source, and 1820-60 by another source.
Silver standards vary for Export silver, but it broadly conforms to sterling.
Export is generally derivative of English design, and that is true for this which is Georgian in manner, with a down-turned, reverse tipt end, and a...
It is marked on the handle reverse with the Whiting lion logo, an Old English "O," "Sterling," and on the heel of the bowl "PAT. 1902" and "R'G 1902," all in fine lettering as an old piece would show.
The nearly round, scalloped edge, scrolled interior, bowl extends 1 3/4" back to front and 1 1/2" across and has a subtle satin finish.
The piece is in outst...