Dating circa 1880, it has a slightly upturned, round end handle and a large, 5" by 3 1/16" at the widest, teardrop shaped serving end.
The entire front surface is extensively bright cut with wriggle work and hatched detailing. The theme of this is vegetative, expressed with an Aesthetic sensibility...
They are both products of the c. 1870 Egyptian Revival movement and are patterns that have never lost appeal.
This example is a 6 3/8" long, just over .7 T. oz., sugar spoon...
The pattern is "Cherub," by Watson, Newell & Co. It takes its name from the winged figure that appears at the tip of the extensively embellished handle. Employing acanthus leaf detailing, and with an irregularly shaped margin, the design embraces rococo sensibilities.
The figure is portrayed in two versions through the pattern line, one with upward facing, and one with downward facing, wings...
The pattern is the fancy version of "Baltimore Rose," with a patterned rather than plain back. The design dates from 1905.
It is a fully original item, that is, not made up or customized.
It is without a monogram or removal (which would appear in the reserve area on the back) and in choice condition...
Priced as a Pair.
They are a "Pointed Antique" design with engraved fronts, a slightly tipt backside, and exposed drops on the bowls. There are reserve areas that are without monograms or inscriptions.
Marks are a harp for Ireland, Hibernia for sterling silver, and a distinct, script "JO" for John Osborne, working in Dublin 1784-1809.
They are in good condition, noting some wear...
Elegant in its simplicity, the pattern shows spectacularly so at the scale of this 12 1/2" long, heavy at 6.2 T. oz., soup ladle.
The bowl is large, 3 3/4" across and 1 1/2" deep...
The design actually portrays a lily of the valley, with strong Greek Revival elements. The raised pattern is set on an anthemion-shaped, curved, leaf, and there are rosettes set either side of the flower cluster.
This example is simply marked with Gorham's "lion, anchor, G" emblem, "Sterling," "Pat...
The pattern is "English King," which is typically heavy, as is the case with this item. It measures 7 1/4" long and weighs a massive 3.7 T. oz.
It is in immaculate estate condition and without a monogram or removal of same. Pattern detail remains well-defined. The finish is brilliant. The bowl is without dents, dings, or nicks.
Priced as a set of six.
An enduringly popular pattern introduced in 1907, older examples are bestowed with a crispness and clarity of detail that is lacking on later made items.
These pieces possess the qualities that go with their age. The high relief fruit and floral design remains sharply defined...
The pattern is "Louis XV," introduced in 1891 by William B. Durgin.
An extravagant Rococo design, it features high relief shell, acanthus leaf, scroll, floral and other elements set in a dense, asymmetrical, array.
Both sides of the handle have reserve areas, with the front one engraved with an elegant, period "CM" monogram. ...
This lengthy (designed to reach the bottom of a chocolate pot), 9 1/4", and weighty, 1.5 T. oz., example is "Colonial A."
The engraving features a central, open wreath with a bow on the lower portion. The interior of this has a very fine, script "AJK" monogram.
The remainder of the surface has delicate, fleur-de-lis like detailing, with a diamond cut and w...
"Isis" was a major figure in the pantheon of ancient Egyptian deities. She is represented in this pattern by a pair of outstretched wings with a curled snake between them, which is a motif drawn from ancient sources.
This example is a 7 3/8" long, ...
Price for the set of six.
This matched set of six measure 5 5/16" and weigh 3.2 T. oz. the group.
They were made by Frank Smith in his early twentieth century "Newport Shell" pattern, and are marked with the company standing lion emblem, "Sterling," and "Pat-d."
The are in exceptionally clean estate condition, and without monograms or removals. There is no v...
It is a cream or sauce ladle in Whiting's "Heraldic," which appropriately enough is dominated by the image of a medieval helmet set at the top of the handle. The remainder of the design incorporates a dense array of high relief, scrolling acanthus leaves.
The bowl is the less common of two that Whiting used in this line. It has a scalloped rim and raised, leafy detail on the inte...
This example, a 7 1/4", heavy at 2.0 T. oz., place aka regular, fork portrays what appear to be eggplants on the vine. The backside is monogrammed "JO'B."
There are two specifics about this that set it apart. William P. Hood in "Tiffany Silver Flatware" notes that there were four bowl...
It incorporates a central shield-like reserve on the upper front side and a corresponding open area on the backside. These areas are surrounded by tracery that is interspersed with numerous fleurs-de-lis, which are representative of the city which presumably inspired the pattern.
This example is a 6 1/8" long, just over 1.0 T. oz., sugar spoon. It has a generous...
It has four lengthy tines, the outer two of which are splayed while the inner two are straight and joined by a crossbar.
The pattern is Gorham's "Newcastle," which is a beaded design dating from 1895. This example is inscribed with a fancy script "NAM" on the front and on the back "from M.L.T.C. 4.14.1904" so is early production in the line.
It is in flawless condition showing ...