This example is an 8 3/4" long, approximately 1.0 T. oz., lettuce fork. Slender overall and with three elongated tines joined by a crossbar, it was designed to be a delicate implement.
The heel of the tine area is slightly cupped, and is embellished with an elaboration of the pattern on the shoulders.
Never monogrammed, this is in choice estate condition...
A turn of the 20th century design, it was made by Alvin, whose company emblem and the word "Sterling" is imprinted on the handle backside in fine lettering.
The flowers on this item include an iris set midway on the handle, and roses at the terminus...
A "French Thread," aka "Fiddle Thread," design, it was made by New York City's Henry Hebbard, who with his contemporary and sometime partner John Polhamus, was one of Tiffany's major suppliers in the 1850s and 60s...
The pattern is "St. Cloud," one of the outstandingly successful designs produced by Antoine Heller in his long and consequential career with Gorham.
It is in very good condition. The dense leaf and shell motif remains well-defined, showing minimal polishing wear...
It has an "Old English" handle, i.e. down turned, round end, with a tipt back, and a long drop on the bowl.
Well-made and without a monogram or inscription, it is in very good condition. The marks are clear, the bowl is free of dents or tip wear, and the finish is soft and even.
This example is 9" long, approximately 1.8 T. oz., (probably berry) serving spoon. The plum-shaped bowl is elongated, relatively narrow, and has a lip edge. It is finished in a satin matte gold wash front and back sides.
The otherwise plain handle has an embellished leaf script "P" monogram...
Price for the set of six.
They were made by Watson, whose "crown, W, lion" mark (used 1910 forward) and the word "Sterling" are stamped near the upper ball ends.
Much of this sort of thing was produced by notions manufacturers whose quality does not match these made by a major silver firm...
Identified in company catalogs of the period (see image 2) as a "bread" fork, it is commonly identified today for toast, all of which is a small distinction.
The piece is hollow, with an elaborate scroll design that is the same on both sides of the handle and three, one straight and two curved, tines...
Stamped "H & M" for the partnership of (Henry) Hebbard & (George) Moore, New York City, it dates 1861-65.
It is also stamped "Sterling," and while coin silver was still the dominant standard in this period, Hebbard retailed much of his output through Tiffany, which required sterling, so he likely produced with this in mind...
Price for the pair.
This matched pair in Whiting's "Lily of the Valley," introduced in 1885. It immediately established itself as an outstanding pattern, and has remained sought after ever since.
Sculptural in nature, it features a raised stalk of blossoms enveloped by leaves, which form the margins of the handle. The ground behind the blossoms is lined, again rep...
An original production item, this pair of tongs measure 4" long and weigh approximately .8 oz. Made by Towle in the "Georgian" pattern, they are marked "925/1000," with the company "standing lion in a T" emblem, "Sterling," "Patent 1898."
For serving bon bons, they have four-tine, stylized talon, cupped grips.
Each leg incorporates the column capped by a basket of flowers motif that constitutes this design, which shows to particular advantage in this form. The arch is plain and witho...
It is a very fine period example of this particularly English form, produced by a well-recognized maker.
The larger of the two elongated ends shows a thumb drop on the back and is inscribed with a crest of a long-necked bird with a snake in its beak.
It is in outstanding condition. It is f...
It has a flat, 3 1/2" long by 2 3/8" wide, blade with four, curved and rounded tines, scalloped margins, and an intricately pierced surface.
The pattern is "Wellington," a late 19th century design issued in 1897 by Alvin. It features a double shell and scroll terminus with an egg and dart margin on the handle front and a relatively plain scroll backside.
There is a lightl...
Price for the set of four.
Typically identified as a demitasse spoon, catalogs of the period commonly call this size a coffee spoon. True demitasse spoons can be considerably smaller.
The pattern is "Cluny" which bespeaks the French origins of its renowned designer, Antoine Heller. The pattern features dense, high...
The pattern, "Madame Royale" by Durgin, dates to 1897. It has a lined border with leafy detailing, a leaf and scroll festooned handle tip, with in this instance an Old English "F" monogram. The backside of the handle is inscribed "1909" in script.
The 3 1/8" diameter, 3/4" deep, bowl has a scalloped rim and is extensively pierced in the interior.
The condition is excellent estate. There is light softening of de...
Price for the set of eight.
Each one measures 5 11/16" long. They are hefty, with the group weighing 7.5 T. oz.
"Old Medici" is an intricate, figured design, the main one of which on these is a woman holding a bucket. There is also a satyr set midway on the handle.
The backsides have an "N" monogram offered in a manner that imitates an Eastern character. This f...
This example is a generously-sized 9 1/4" long, 2.3 T. oz., berry serving spoon.
The plum-shaped bowl measures 4" by 2 1/2" at the widest by 3/4" deep. It has an embossed base, flange rim, and is finished in a pale, satin, gold wash. It is also artfully engraved in a leaf and floral motif that shows Aesthetic influences.
The handle ...