Catalog: Silver: Sterling: Flatware

In his comprehensive work Tiffany Silver Flatware, author William Hood discusses a number of "not-full-line patterns without a known name or description."

This 6" long, weighty at 1.2 T. oz., specialty teaspoon falls into this category...

An 8 3/8" long, approximately 1.9 T. oz., table serving spoon, this piece is fully hallmarked for London, sterling silver, 1775, and maker Stephen Adams I (S·A).

Having a Hanoverian handle, the end is upturned and tipt, while there is a long drop, evolved from a rattail, on the bowl backside.

The handle reverse is engraved in a period "S + S" monogram...

An original production example of Versailles, this 5 7/8" long, 1.0 T. oz., piece is stamped on the backside heel with Gorham's "lion, anchor, G" emblem, "Sterling," and "Copyrighted '88."

An old style pastry fork, it has three tines, one of which is wider than the other two and has a hooked tip.

The multi-motif pattern draws its imagery from the French palace for which it is named and in this instance features a pair of playful looking cherubs on the handle front...

Issued in 1895, Durgin's Empire draws from classic French design sensibilities. It incorporates a crown, cornucopia, torches, a crossed ribbon wreath, and other festooning on the handle front and back on this server, although place pieces have simpler laurel and acanthus leaf and ribbon detailing on the reverses.

This item is a quite remarkable ice cream knife. It measures 10 1/8" long, has a hollow handle, and a solid silver, flat, blade that can only be described as a cleaver...

A noted 19th century Philadelphia silver manufacturer, William Faber, later joined by his sons, produced items of high quality and lasting appeal as evidenced in this solid silver 7 1/2" long, 1.1 T. oz., master butter knife.

Dating circa 1870, the handle is of a form that Faber favored. It has a curved surface handle with a gently pointed tip and scalloped sides...

Illustrative of the popularity of the poppy motif in Art Nouveau silver design, Gorham's Patrician and Poppy were both issued in 1902, followed in 1904 by Virginiana, with all three patterns featuring this motif...

Dating from the reign of George III, this 5 1/2" long, just over 1.0 T. oz. (32 grams) pair of English tongs are fully hallmarked for sterling silver, London, 1802-03, and makers Peter, Ann and William Bateman of the legendary family of silversmiths associated with Hester.

A period piece, this has shaped arms, a broad arch, and cupped, aka acorn, grips.

All the exterior surfaces are bright cut and wriggle work engraved...

Flat handled, this master butter, or possibly individual fish, knife measures 7 5/8" long and weights a substantial 1.5 T. oz. It has a broad blade with a scalloped upper edge, a partially scalloped lower edge, and an upswept, pointed tip.

The pattern is Princess originated by John Polhamus and continued in production by George Shiebler, both New York City. Shiebler's "winged S" emblem, the word "Sterling," and the name of the retailer, "R...

A Renaissance Revival pattern, Whiting's Arabesque takes its name from the generic scroll and rosette design on the handle, with in this instance the addition of a large, standing griffin below the open reserve area.

This example is an 8 1/8" long, approximately 1.7 T. oz., table or serving spoon retailed by "Sunderlin & McAllaster," Rochester, New York, as stamped on the backside. Other marks are Whiting's "lion and W" emblem, "Sterling," and "Pat...

Large for a sardine fork, this piece measures 6 3/8" long and weighs 1.17 T. oz.

Made by Durgin, whose "D" emblem and the word "Sterling," appear on the backside, the pattern is Old Standish, issued in 1901, to be distinguished from New Standish introduced in 1905.

It is a clean pattern with a double lined border and tipt end set on a rounded handle.

There is a script "M" monogram engraved on the front.

The gold wash server follows after a style favored by Durgin...

Bright cut engraved designs were popular among American silver manufacturers during the last quarter of the 19th century, with this 7" long, approximately 1.6 T. oz., gravy ladle a fine example of the style.

Made by Gorham, whose "lion, anchor, G" emblem and the word "Sterling" appear on the "Old English" tipt handle backside, the pattern is Chrysanthemum, issued in 1885.

The imagery is set against a satin ground and finely rendered, employing bright cutting and cross hatching engra...

A bright cut floral and leaf design dating circa 1880 rendered in an Aesthetic manner, the pattern on this 8 1/4" long, 1.4 T. oz. serving spoon appears to be Towle's No. 38 Engraved.

The lack of a maker's mark and an ovoid shaped bowl with a flanged rim and central raised vee not typically Towle in form, however, suggests it was made by some other contemporaneous producer.

Set on a rounded end Antique handle, the engraving is exceptionally well rendered, exhibiting bright, f...

A salad or large berry serving spoon, this piece measures 9" long, weighs a substantial 2.9 T. oz., and has a generously sized, 3 1/2" by 2 3/4" by 3/4" deep, bowl with a satin matte gold finish on both sides.

The pattern is Charles II by Dominick & Hall whose three part emblem, "Sterling," "Pat-d 94," and the name of the retailer, Brooklyn's "Wm. Wise & Son" appear on the reverse.

A "Kings" pattern variant, the design employs a prominent shell and honeysuckle motif on a heavily bead...

Dating from 1872, Gorham's Corinthian embodies the Greek Revival and Moorish sensibilities of its 1870s period. Architectural in style, it incorporates an anthemion leaf on the handle surmounted by leafy tracery.

This example is a lengthy at 8", and weighty at 1.3 T. oz., solid silver master butter knife.

The broad, 1" wide, flat blade has a scalloped upper edge and is engraved on the upper surface in a design that mirrors the pattern.

The handle is inscribed with a fancy, feath...

Each of these two spoons measures 5 1/4" long with the pair weighing 1.2 T. oz. combined.

Ice cream spoons, they have twisted stems with rounded ends that are engraved in a floral and leaf design with faux engine turning.

Each one is also inscribed in the frontside reserve area with an Old English "M.E.S." monogram. The backsides are plain save for the word "Sterling."

The bowls have notched shoulders and slightly pointed tips.

The overall form and design suggests a date circa 1870. ...

The earliest of four Kings (I, II, III, and King George) patterns produced by Gorham, Kings I, introduced in 1876, is the most individualistic and least imitative of the four of the English counterparts from which this popular American design in many manifestations evolved.

The handle features a rounded, upturned end with a stylized shell, and honeysuckle detailing and two rosettes and a palmette set midway, all replicated on the backside save for the absence of a ...

Dating from the middle third of the 20th century as indicated by the particular "S. Kirk & Son Sterling" mark that appears on the handle backside, this 5 3/8" long, approximately 1.0 T. oz., round bowl piece is variously identified as a cream or mayonnaise ladle.

The pattern is the company's signature "Repousse," featuring an array of high relief, satin finish, flowers and leaves.

The backside is plain and never monogrammed.

In flawless estate condition, this is free of any evident wear...

This 6" long, just over 1.0 T. oz. (32 grams) teaspoon incorporates a cast and applied, high relief, cherub or baby's face set on an Old English handle.

It was made by Gorham whose "lion, anchor, G" emblem, the word "Sterling," "M" for medium weight designation, model number "H 1467," and date symbol for 1899 appear on the backside.

A youth or child's spoon, the name "James" is engraved sideways in script on the handle front.

Apart from a few pinpoint flecks in the base of the bo...