Catalog: Silver: Sterling: Flatware

A Moorish or broadly Renaissance Revival pattern, Gorham's "Hindostanee" was issued in 1878.

This example, an 8 1/2" long, 1.8 T. oz., berry or other serving spoon, is an early example of the line, marked "Pat. Appl. For," along with Gorham's "lion, anchor, G" emblem and "Sterling."

The finely rendered design incorporates a series of repetitive scrolls and palmettes on a slightly upturned, rounded end, handle, and includes a shield reserve, which in this instance has never been monogrammed...

Gorham's first iteration of what eventually evolved into three, four counting "King George," interpretations of this standard English design, "Kings I" was issued in 1876.

The pattern incorporates traditional elements such as shell and honeysuckle, and embellishes them with rosettes and an acanthus leaf pendant.

This example is a generously sized 7 1/2" long, 2.1 T. oz., gravy ladle.

The bowl is particularly decorative (see enlargement two for detail)...

This 8 7/8" long, relatively weighty 2.8 T. oz., berry or other serving spoon has a rounded "Old English" handle with a tipt backside.

A highly refined piece, it has an overall matte finish and is finely engraved in what appears to be a wild rose or dogwood floral design on the handle, and a detailed butterfly set amidst bamboo or similar leaves in the bowl.

These motifs are very much in the Aesthetic style of its circa 1880 period...

This lengthy at 11 1/2", 3.4 T. oz., piece is variously identified as a basting, stuffing or platter spoon.

English in origin, it is hallmarked for London, 1805-06, sterling silver, and "TW" for maker Thomas Wallis.

The slender handle is "Old English" style, with a rounded end and tipt backside. There is thumb drop on the bowl reverse...

This George III fork is fully hallmarked for Dublin, Ireland, 1812, and sterling silver. The maker's letters are "TT," which is likely Thomas Townsend or possibly Thomas Tudor, and "Law" for retailer William Law.

A dinner fork, it is a lengthy 8" and is exceptionally heavy at 2.4 T. oz.

Very finely crafted, it is a "Tipt" aka "Fiddle Tipt" pattern, with high, angular shoulders off the gracefully curved heel of the bowl. The four elongated tines are slender and pointed...

A substantially sized item that measures 7 1/2" long and weighs just under 1.4 T. oz., this master butter knife traces to mid 19th century Boston.

It is stamped "Shreve, Brown & Co.," which was an 1857-60 partnership in the chain of evolution for the firm that eventually became Boston's carriage trade "Shreve, Crump & Low."

It is also marked "Sterling," which is early for this period when coin silver was the prevailing silver standard...

Classically inspired, featuring figures from mythology, "Medallion" flat and hollow ware evolved in the 1860s and was produced by numerous manufacturers of the period.

In its ascendancy at the time, Gorham produced a "Medallion" that set a standard for the motif, becoming in fact the line of choice for then retailer only "Tiffany & Co."

This 6 7/8" long, 1.2 T. oz., piece is variously identified as a tea, dessert, or breakfast fork...

An early 20th century pattern, Wallace's "Violet" is an expressive Art Nouveau floral design.

This example is a 7 1/4" long, 1.3 T. oz., preserve or jelly spoon.

A large blossom occupies the central portion of the handle and is surrounded by additional blossoms, buds, and leaves the full length of the handle and on the backside.

The pattern also extends onto the scalloped edge, rounded end, bowl.

Never monogrammed, this is a fine example, with clear pattern detail...

Unusual for Whiting in regard to the pattern which is a "Twist" handle with a faceted, four-sided, solid end, and the bowl form which is an elongated, gold washed, shell with a cupped heel with flange shoulders, this 6 1/8" long, .7 T. oz., item is likely a sugar spoon...

A very early example of Reed & Barton's "Les Cinq Fleurs," this berry spoon is large at 9" long and weighty at 3.5 T. oz.

A multi-motif, Art Nouveau, design that features orchids, narcissus, and possibly poppy on this piece, the portraiture is set in high relief and is particularly expressive.

This item is laden with provenance, reflected in the various inscriptions that appear in the gold washed bowl and handle front and backsides.

The surname "McCurdy" is engraved in Old English lette...

This pair of 6" long tongs that weigh a sturdy near 2.0 T. oz., are consequential on several counts.

The first and most immediate feature is the design. They are a "French Thread" aka "Fiddle Thread" pattern with concave shells at the terminus of each arm. The shell form is repeated on the cupped grips.

The wide arch has a gentle point on either side, where it accommodates an unusual crest, which is the second outstanding aspect of this. The crest shows a helmeted knight's shoulders and he...

The pattern, "Paris" by Gorham, on this lengthy at 7 7/8" long and substantial weight at 1.7 T. oz., master butter knife was issued at the turn of the 20th century and reflects the Beaux Arts design sensibilities of the time.

Intricate and detailed, the design is set in relief and incorporates putti, a seated woman, and leaf and fruit accents on both sides of the handle and the backside heel of the curved blade with a scalloped upper edge.

There is a script "A.T.A." monogram engraved on th...

Lengthy at 8 7/8" and weighing .9 T. oz., this olive spear or pick is solid silver.

The pattern is "Thistle," which is an early 20th century Art Nouveau design made by R. Blackinton & Co.

The high relief thistle flowers and leaves run the full length of both sides of the handle, with the leaves extending onto the shoulders of the twist.

Never monogrammed, this is in flawless condition. It retains clear pattern detail that is free of any polishing wear. There are no bends or burrs, and t...

This 7 3/8" long, 1.3 T. oz., youth knife (could double as a tea or dessert piece) has a hollow handle and flat, solid silver, blunt end blade.

It was made by Gorham, whose "lion, anchor, G" emblem and the word "Sterling" are imprinted on the blade backside.

An engaging design, the handle portrays pastoral scenes, with a woman and dog tending sheep on one side, and a man on horseback with scurrying chickens on the other.

While unnamed, the internet has embraced the name "Barnyard" for ...

Watson Newell's "Orchid" is one of numerous floral designs the company produced in the early part of the 20th century that yet stand as exemplary expressions of Art Nouveau design.

This example is a 5" long, .9 T. oz., cream ladle.

The flower is fully three-dimensional, rising out of the end of handle and folding over on itself in a highly expressive manner, with trailing leaves tracing their way up the handle margins, front and back sides.

The scalloped edge bowl has a flange margin an...

A 6" long, .8 T. oz. spoon with an "Old English," i.e. "Reverse Tipt," handle, this is stamped with the "lion, K, crown" emblem of Philadelphia silversmith Peter Krider and the word "Sterling."

A sugar spoon, although it bears some similarity to an ice cream spoon, it has a plum shaped, pointed end bowl with flange shoulders and a midrib down the center.

Likely dating from the 1870s, this exhibits the exquisite bright cut engraving for which Philadelphia silver of the period was renowned. ...

Lengthy at 7 5/8", this weighty, 1.3 T. oz., solid silver master butter knife is slender and graceful in design.

It has a thick, arched, plain handle with a "Tipt" end and a feathered script "B" monogram, along with a scalloped upper edge blade.

Dating circa 1870, it is marked "Sterling" and "Deming & Gundlach" for the Hartford, Connecticut partnership that was the 1859 successor to Walter Pitkin.

In exceptionally fine condition, the piece shows no significant wear or damage. The finish...

As a body, Philadelphia silver manufacturers of the second half of the 19th century exhibited great capacities in engraved design.

The quality of that work is exhibited on this 7 1/4" long, just over 1.0 T. oz., master butter knife stamped "Sterling" and "McCarty & Hurlbert" for the Philadelphia jeweler and manufacturer, 1876 successor to "Butler & McCarty," founded in 1849.

Both the "Old English" with reverse tipt end and the broad, notched, blade are extensively engraved in an Aesthetic ...