Catalog: Silver: Sterling: Hollowware

A New York City company which operated in the 1940s and 1950s until its trademark was taken over by Towle, Mueck-Carey produced silver wares such as this baby cup.

In like new condition, without any dents, bends, or splits, and showing a brilliant finish, it stands 2" high to the rim, is 2 3/8" across, with a maximum reach of 3 1/2" to the end of the handle, and weighs 1.3 T. oz...

Inspired by English and European antecedents, porringers were a favored form long produced by American silver and pewter manufacturers.

Consequently there is an ample inventory available in the antique and resale environment, with many offerings largely undistinguished, quite in contrast to this exceptional, solid silver item made by R. Blackinton & Co...

Standing 6 3/8" tall on a rimmed base that is 2" in diameter, and weighing just over 3.5 T. oz., this shaker is hallmarked for sterling, London, and 1932-33.

The maker's stamp, which appears on the wall of the body and the sleeve of the cap, is some rubbed. It is shield form and appears to end with "LD" or "LtD."

A sugar sifter aka muffineer, it is baluster style, with a tall, attractively pierced, fitted cap that is surmounted by a flame finial...

A sugar shaker, aka muffineer, this solid silver piece stands 6 1/2" tall on a 2 1/2" diameter footed base and weighs 3.5 T. oz.

It is hallmarked on the upper portion of the wall for London, sterling, 1938, and maker "CE," who is documented but unidentified.

It is counter stamped on the sleeve fitting with a "lion" and "C."

Baluster form, it has a widened lower body with slender upper portion...

Made by Reed & Barton, whose "eagle R lion" mark is imprinted on the underside, along with "Sterling," and model number "N 583," this box measures 3 1/2" in diameter and stands 2" high.

It is fitted with an original, removable, cardboard liner that has a cloth base and purple "velvet" interior. The silver apart from this weighs 4.0 T. oz...

The larger of at least two sizes of model number 393 dishes made by Wallace, this piece measures 6 1/4" by 4 1/8" and stands 1 1/4" tall at the highest. Solid silver, it weighs a substantial 2.96 T. oz.

Shell form dishes were produced by many makers throughout the 20th century, and they were typically based on scallops . This one, however, is modeled after a large, hard shell clam, specifically known as a quahoag in New England, Rhode Island in particular...

This solid silver bowls stands 3" high on a rimmed base that is 3 1/4" across, has a top diameter of 7 1/4", and weighs a substantial 14.18 T. oz.

It is marked on the underside with the "hammer over Stone" emblem of Arthur Stone, "Sterling," and "G" for benchman Herman Glendenning, who was with Stone from 1920 to 1936.

Glendenning seems to have been a major presence in the Stone studio. He is referenced numerous times in Elenita Chickering's foundational volume Arthur J...

The quality of design and execution evident in this 7 1/2" tall, weighty at 6.8 T. oz., solid silver muffineer aka sugar shaker or castor bespeaks the reputation of its maker and the jeweler who retailed it.

Redlich & Co., whose "lion" emblem appears on the underside, traces to George Shiebler through one of its two cofounders, Adolph Ludwig, who was a designer with the latter firm...

Standing 4 1/2" tall overall on a splayed, 2 1/2" high, pedestal foot that is 3" across on the bottom, and with a bowl measuring 4 1/2" across, this solid silver footed bowl or small compote weighs 7.2 T. oz.

Designed and executed in an Arts & Crafts manner, and likely dating from the early 20th century, it appears to be hand formed, showing, for example, distinct hammering marks on the underside of the foot that carry through very subtly to the exterior surface...

Arthur Stone's name holds magisterial standing among American Arts and Crafts silversmiths of the first half of the 20th century. He and the workshop he established bespeak only the finest of hand worked products.

This piece is evidence of the above assertion. It is a 7 1/8" wide, heavy at 6.95 T...

Nearly square at 8" x 7 5/8", 1 1/2" deep, and weighing 7.0 T. oz., this solid silver piece is an open vegetable or other serving bowl.

It is marked on the underside with the crossed "stakes" or "swords" of "Fenniman & Co.," which was a short-lived, early 20th century, New York City silver manufacturer.

Other marks include "Sterling" and model number "368."

It has a 1" wide, scalloped and undulating, rim, and fluted walls. The base is slightly convex and is engraved with a lined script ...

Solid silver, this child's dish measures 4 1/4" across, stands 1 5/8" high and weighs 2.6 T. oz.

Marked on the underside "International" alongside the "C in a crescent" emblem of the Watrous division of that company, and "Sterling," it is identified as a model number "608/1" child's bowl with a likely early 20th century date.

Well-made, it has a sturdy applied upper rim, a rounded lower edge, and a flat bottom with a brushed finish on the underside.

The sidewall is acid etched in two sc...

Hammered surfaces were often a mark of hand worked Arts & Crafts period silver work, and this piece is a study in that feature.

A relatively large, 7" tall, 5.17 T. oz., solid silver muffineer, i.e. sugar shaker or caster, every facet of the piece, inside, outside, and underside, shows dense hammering that has a chiseled character to it.

It was made by Redlich & Co., New York City, whose "animal head mark," the word "Sterling," and model number "7470" are stamped on the underside.

The d...

Standing 2" tall, with a top span of 4 3/8" and a base diameter of 3", this solid silver child's (porridge) bowl weighs 3.83 T. oz.

It has a slightly splayed body with a relatively thick rolled top rim, and a set back foot.

It is marked with the "sword & M" symbol of the Matthews Co., later Hickok-Mathews, "Sterling," and the model number "132."

Dating from early in the 20th century, it has acid etched walls that portray five different Kewpie babies along with shrubs and a...

Well-regarded in its late 19th/early 20th century period, the Newark, New Jersey firm of William B. Kerr was particularly well-known for its Art Nouveau jewelry as well as children's items, of which this 6 1/4" diameter, 4.2 T. oz., solid sterling silver plate is an example.

It has a rolled edge with a 1 1/4" wide rim that is acid etched with the words Old Mother Hubbard interspersed with a variety of figures evoked by this nursery rhyme.

These include an endearing portraiture of Mo...

A novel item laden with sentiment, this large, handled (tea)cup has a body with a top diameter of 3 1/2" and a maximum span of 4 5/8" to the end of the handle. It stands 2" high to the rim, has a base that is 1 7/8" wide, and weighs 2.96 T. oz.

It is stamped on the underside "Shreve & Co.," "San Francisco," "Makers," "925-1000," and "Sterling."

It has a double Greek Key motif, expressed first and dramatically in the flat band handle and secondly in the applied rim with pale blue enam...

Stamped with the "helmet over S in a shield" manufacturing mark introduced by Simpson, Hall, Miller & Co. in 1895 and continued in use after the merger that formed the International Silver Company in 1898, this piece made have been made under the auspices of either firm, but not likely much later than 1900 based on the style of the item.

A 2" tall, 3 1/8" wide, 2.57 T. oz. solid silver shaving mug, it follows after the manner of a standard handled mug, save with the addition of a cupped and p...

A matched pair, each of these master salts measures 2 1/4" in diameter and stands 1 3/8" high, while the pair weigh 3.2 T. oz. combined.

They are English in origin and fully hallmarked for London, 1897-98, sterling, and WG/JL for William Gibson and John Langman (also operating as the Goldsmiths & Silversmiths Co.).

Traditional in design, they are round, with heavily repoussed bodies, applied hatched rims, and stand on three lion's paw and shell legs.

Each piece has a reserve area which ...